Tag Archives: angles

Photographs: Architecture, Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Lisbon Rooflines

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Lisbon Rooflines
“Lisbon Rooflines” — A succession of rising rooftops against a cloudy sky, Lisbon.

On one level this photograph is about the forms and colors of the buildings in this Lisbon neighborhood. The color palette is more typical of Southern Europe — from here to Italy and beyond — with the earth tones and the red tile roofs. The angle relationships are compressed, in part because the buildings are so close to one another.

It is also about the “atmosphere” of the place — the light of this region seems to me to have a particular quality. On one hand it can be sharp edged, I suppose due to the southern location and the high position of the sun. But there can also be a softness to the atmosphere that isn’t like the harsh quality often seen in, for example, the American Southwest.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Architecture, Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

Hudson Yards Towers

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Hudson Yards Towers
A cluster of tall urban towers at the Hudson Yards complex, Manhattan.

Hudson Yards Towers. © Copyright 2023 G Dan Mitchell.

A cluster of tall urban towers at the Hudson Yards complex, Manhattan.

There is a phenomenal range of photographic subjects in New York City: the natural scenes in Central Park, street life, and architecture old and new. For reasons relating to the season, our location in Manhattan, and more I ended up making quite a few “natural landscape” images in Central Park. But we did spend time elsewhere, too, including on a long walk that took us through the Hudson Yards development. My feelings about the place are complicated, for reasons I won’t go into here, but it does present some interesting architectural forms, including these buildings with reflecting glass surfaces.

I went with black and white in this rendition since I was more interested in the shapes and lines than in presenting of the supposed reality of the place. (The underlying image is full of blue tones and has much less contrast.) I’ve long been fascinated by how malleable monochrome images are in post — we can push and pull them in all sorts of ways that would be far too extreme in most cases with color.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Travel

Two Windows

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Two Windows
Two windows and metallic walls at the Contemporary Jewish Museum, San Francisco.

Two Windows. © Copyright 2022 G Dan Mitchell.

Two windows and metallic walls at the Contemporary Jewish Museum, San Francisco.

On my photographic walks in San Francisco — part of a familiar routine that begins with a train ride to The City — it isn’t unusual to pass through the area around Moscone Center and SFMOMA. Just a bit north of here I often follow a route that takes me on sidewalks that don’t border the streets, and I end up passing the fascinating architecture of the Contemporary Jewish Museum, with its angled, metal exterior walls.

As appealing as this structure is, I’ve often found it difficult to photograph. The area around it is somewhat constrained by the proximity of other buildings, and those buildings are visually quite dissonant with the design of this one. So, at least for me, photographs of the larger scale of the building are difficult, and I still don’t have one that I really like. However, moving in closer and working the textures, reflected colors, and the angles and surfaces close up is more promising.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Zeum, Architectural Detail

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Zeum, Architectural Detail
A San Francisco view from the Zeum on a blue sky day.

Zeum, Architectural Detail. © Copyright 2022 G Dan Mitchell.

A San Francisco view from the Zeum on a blue sky day.

Recently I have leaned on a Minor White quote more than once: “One should not only photograph things for what they are but for what else they are.” I’ve always taken this to be about photography’s burden of “capturing the real world,” how limiting that goal may be, and how photographs can be seen in other ways. It is almost always worth asking about a photograph, “Beyond what this is, what is it?”

This is, obviously, a photograph of a bit of architecture in San Francisco, a place called “The Zeum.” I’ve wandered through it many times while on San Francisco photography walks. An incomplete list of the “what else it is” in this photograph could include some of the following. It is about color and light and shadow. It is about perspective and angles and lines. It is about that sky and that single cloud. Perhaps you can think of other things?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.