Tag Archives: ansel

Photographs: Nature, Photographs: Sierra Nevada

Blue Stone

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Blue Stone
Detail of fractured blue stone with colors intensified by light from overcast sky.

Blue Stone. © Copyright 2022 G Dan Mitchell.

Detail of fractured blue stone with colors intensified by light from overcast sky.

At some point on almost any backcountry trip I end up spending time looking at things that I might not notice and photograph at first. The initial focus is often the grand landscape of mountains and valleys and trees and rivers — but eventually I focus on the more “intimate” aspects of the landscape. Among these are the infinitely varied patterns and colors of rock, miniature landscapes of textures and fractures and more.

While walking back and forth between our camp and a nearby high point from which I photographed the larger landscape I had noticed several bands of interesting rock and made a mental note to return to them. A few days into our stay that moment arrived and I spent a few hours wandering slowly through this area, looking intently and finding more to photograph than I had initially seen. The intense color of these rocks is partially due to their innate blue tint and partly due to photographing them when they were in shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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News, Shows

Five Prints in “The Great Certainty” — Current Show at The Ansel Adams Gallery

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I am very grateful to The Ansel Adams Gallery for including five of my photographs in the exhibition that opened this week in Yosemite Valley: “The Great Certainty: Photographs Commemorating 100 Years of National Park Stewardship,” August 6 through September 10.
 
A great variety of photographers are represented in this exhibit, and I feel honored to be included among them and to count many of them as personal and professional friends: Ansel Adams, William Neill, Charles Cramer, Keith Walklet, Michael Frye, Mark Citret, Bob Kolbrener, Scot Miller, Rex Naden, Charlotte Hamilton Gibb, Mike Reeves, Franka Mlikota Gabler, David Hoffman, and Evan Russel.
 
Stop in for a visit if you are in Yosemite Valley!

Sandstorm, Dunes
Stong winds lift clouds of sand high into the air above desert sand dunes, Death Valley National Park.

Submerged Boulders, Lake, and Cliffs
Sunlight illuminates submerged boulders near the cliff face along the High Sierra Trail – Sequioa National Park.

Basalt Columns, Lichen, Autumn Plants
Autumn plants and lichen lend color to basalt columns, Devils Postpile National Monument

Sunrise, Capitol Reef
Dawn clouds about the peaks of Capitol Reef National Park

Fractured Granite, Reflections
The base of a rugged granite wall reflected in the still surface of a sub-alpine Sierra Nevada lake

Photographs: Urban/Street

Saint Ansel of the Donut Shop

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Saint Ansel of the Donut Shop
Saint Ansel of the Donut Shop

Saint Ansel of the Donut Shop. San Jose, California. December 24,2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Sunlit donut shop interior with semi-concealed photograph

This photograph comes from a memorable little photo excursion… that started at my front door. Some years ago (wow, has it been five years!?) I decided on Christmas Eve day to go out for a walk with my camera. It was an afternoon of interesting light, and it seemed like something to do. As I walked through the familiar neighborhood several things surprised me. As I recall, the long winter shadows of trees were appearing on buildings everywhere I looked and they became a subject. And I also saw things in this neighborhood that I thought I knew so well — I’ve lived here for decades — that I simply had not noticed before.

There is something about having a camera in hand that changes the way I see. Usually it is all too easy to see “casually” without really considering or even really noticing what is right there. For example, I distinctly noticing for the first time the fronts of the upper stories of buildings in the small downtown business area. I had no doubt walked that street hundreds of times before without paying any conscious attention to them. As I walked past this little donut shop, beautiful late-afternoon light flooded its interior. Again, though I had been inside many times (yum! donuts!) this was the first time that I noticed the old Ansel Adams reproduction on the wall. (There is an earlier version of this photograph in black and white.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Ideas, Reviews, Technique

Review: “Light & Land” by Michael Frye

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Over the past few weeks I have had the chance to go through Michael Frye’s new ebook, “Light and Land: Landscapes in the Digital Darkroom.” Many are no doubt already aware of Michael’s reputation from his photography, his workshops, and his other publications including his “Photographer’s Guide to Yosemite” and “Digital Landscape Photography: In The Footsteps of Ansel Adams and the Masters.” I have the .pdf version of “Light and Land”, and I understand that an iPad app version may also be available.

Light and Land - Michael Frye
Light and Land - Michael Frye

It is typical for photographic “how to” books to focus on specific techniques, and to be organized around a presentation of these techniques – perhaps with a section on curves, a section on black and white conversion, and so forth. This approach has its place, especially for certain types of learners and at certain points in the learning process. It is important to understand the basic techniques and operations that are available in the “digital darkroom” of such programs as Photoshop, Lightroom and so forth. That said, the bigger and more important issue is how to call upon these techniques creatively and effectively and appropriately in order to make photographs. Not all “how to” books do an effective job of illustrating this.

Michael’s “Light & Land” takes a different approach, and one that more accurately and realistically reflects the thought process of a photographer who is calling upon this arsenal of techniques in the service of creating beautiful photographs.  He writes:

“The digital darkroom gives us tremendous control over our images. We can make them lighter, darker, add contrast, change the color balance, increase saturation, turn a color photograph into black and white, remove telephone poles, blend exposures with HDR, combine ten images to capture infinite depth of field, or put a winged elephant in the sky.

But what do we do with these choices?” Continue reading Review: “Light & Land” by Michael Frye →