Tag Archives: architecture

Up The Stairs

Up The Stairs
“Up The Stairs” — A woman pauses at the bottom of a staircase, San Francisco.

This was one of those unexpected opportunities that make me operate on pure instinct, with almost no time to carefully think about what I’m doing. I saw the staircase in this fascinating light because we were at this concert hall in the daytime instead of at nighttime. I quickly whipped out the iPhone and framed a shot of the stairs. The masked woman — whose presence makes this a very different photograph than it might have been — was completely serendipitous.

We sometimes dismiss iPhone photography as not being serious. Well, some people do — but more and more folks recognize that it has its place. I wouldn’t normally carry a “real camera” to a symphony concert, but I do almost always have the phone. In this situation I was able to deploy it quickly, make a few adjustments, and capture a raw image that otherwise would have escaped.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Reflection Deception

Reflection Deception
The glass surface of a New York building reflects and distorts its surroundings.

Reflection Deception. © Copyright 2022 G Dan Mitchell.

The glass surface of a New York building reflects and distorts its surroundings.

Scenes like this are, of course, common in big urban centers that are filled with tall, modern buildings. This one comes from Manhattan. One striking difference between many new buildings and those from a much earlier era is that today the surfaces are often nearly 100% windows and, as such, the buildings are extremely reflective. A few years ago it occurred to me how odd it is that what we see when we look at these buildings today is mostly not the buildings at all. The building is essentially invisible beyond the slender outlines of frames between windows. The “surface” we see is composed of other things — sky, clouds, other buildings — that are distorted by the qualities of the reflective surface. (I have an idea for a photo project: Remove all of the reflective surfaces from images of these buildings, leaving only the minimal structural elements that are actually visible.)

These buildings are one reason that I often refer to these places and photographs of them as “urban landscapes. There is a continuum in landscape photography. At one end lies subjects that are entirely “natural” — or at least seem to be so. Somewhere in between we enter the realm of historic landscape paintings, in which it was common to include the human presence. Continue along that trajectory far enough, and it is possible to see cities as being just a different sort of landscape, and that way of seeing leads to different ways of photographing them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Colorful Buildings

Colorful Buildings
The boundary between two colorfully painted San Francisco buildings.

Colorful Buildings. © Copyright 2022 G Dan Mitchell.

The boundary between two colorfully painted San Francisco buildings.

These two buildings appeared in another recent photograph, also shot straight on and focusing on the fascinating geometry and color scheme of the structure. The location is, broadly speaking, near North Beach and Fisherman’s Wharf, on a less-travelled side street. The architecture is within the typical San Francisco model — multi-story residences packed wall-to-wall, right up against the sidewalks.

The colors, of course, caught my attention. But there are a few other things going on that also fascinate me. For one, there’s a sort of dissonance between the extremely regular and geometric features of the two residences… and the odd lack of alignment between things like the two windows, the lower edge of the windows in the doors, and the garage door on the left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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No Parking

No Parking
No Parking sign and colorfu paint on a San Francisco residence.

No Parking. © Copyright 2022 G Dan Mitchell.

No Parking sign and colorfu paint on a San Francisco residence.

There are lots of places offering similar visual opportunities in San Francisco, and they aren’t hard to find, especially if you get out and walk the City. And this is a very walkable city! I often walk almost all the way across between the CalTrain station and points north, following various favorite routes. This spot, if I recall correctly, is on a side street in roughly an area between North Beach and the tourist center known as Fisherman’s Wharf.

There are plenty of ways to photograph the sometimes-eclectic (and other times quite classic) architecture of this city. In terms of scale, I can go anywhere between including entire buildings (or even groups of them) and photographs that focus on very small elements — a door, a stairway, a bit of a window. In this one the colors, of course, were the main attraction. But I also was taken by the almost Cubist composition that resulted from cropping tightly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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