Tag Archives: arid

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes and Mountains, Morning

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Dunes and Mountains, Morning
Morning light on sand dunes and rugged mountains, Death Valley National Park

Dunes and Mountains, Morning. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light on sand dunes and rugged mountains, Death Valley National Park

On our final morning in Death Valley this past March I got up before dawn one more time, loaded some gear in the car, and drove a short distance to a place from which I had decided I wanted to access sand dunes. I had been in the same area a few days earlier, and on that visit I spotted a likely looking area not far away — and that was my target this time as I walked alone across the quiet playa in pre-dawn light.

Out here the light arrives with surprising suddenness, despite the hints that it is coming, seen in light on peaks to the west and far up the valley. Silently the first light skims across dune tops, and within seconds the soft light is replaced by brighter highlights and darker shadows. Here I looked east across low dunes toward mountains along the eastern side of the valley at the base of the Amargosa Range. The morning haze and shadows on the mountains muted the their details. I photographed here for a few more minutes before packing and walking back to my vehicle, and within an hour we were on our way out of the park.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Devil’s Cornfield, Evening

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Devil's Cornfield, Evening
Devil’s Cornfield, Evening

Devil’s Cornfield, Evening. Death Valley National Park, California. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Arrowweed plants at the Devil’s Cornfield

I’ll confess upfront that one reason I made this photograph is that I barely have any of this specific site in Death Valley, one that is well-known enough to warrant a place to pull over on the highway and look at it. I have not found it to be an easy place to “see” photographically.

The “corn” is actually the arrowweed plant, whose roots seem to manage to block and trap blowing sand and dust on this playa-like area. As the plants grow they manage to hold onto these piles of soil and thus group above their surroundings a bit. I made the photograph from a slightly elevated position and during evening hours where the golden light emphasized and enhanced to colors of the plants.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote Bush, Dunes, Evening

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Creosote Bush, Dunes, Evening
Creosote Bush, Dunes, Evening

Creosote Bush, Dunes, Evening. Death Valley National Park, California. April 2, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A lone creosote among sand dunes in evening light

This photograph is the product of repetitive evening dune wandering, often of a somewhat random nature. Since I had been out and about for many hours earlier on this day, I didn’t get back to camp from my “morning” adventures until close to 4:00 PM. This left me with less time to travel for my evening shoot, so I picked a nearby location with plenty of sand dunes and headed out toward the dunes a bit more than an hour before sunset.

I started with only the most general of plans, but with confidence that there is always plenty to see in such places — small abstract patterns, the larger curves and tonal variations of the sand, tiny subjects including the tracks of animals, the many plants that grow here, and the changing light itself. As I wandered into an out-of-the-way area of these dunes where no one else was photographing I simply slowed down, looked, and followed my instincts and interest. As I moved along I found myself on the top of a small dune and saw some possible views across the ocean of sand toward the far mountains. Looking for compositions in this landscape I spotted this solitary creosote bush in a low area, softly illuminated by a bit of remaining evening light. I moved a bit to position it against a lighter area of sand below the curving shadow that crosses the frame and then made a few exposures in the post-sunset light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Flow Lines, Morning Light

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Flow Lines, Morning Light
Flow Lines, Morning Light

Flow Lines, Morning Light. Death Valley National Park, California. April 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Soft early morning light illuminates curving erosion patterns of a desert gully, Death Valley National Park

Today I’m back from my annual spring photography visit to Death Valley National Park. I first visited this place a bit more than 15 years ago, though photography was not the purpose of that first trip. My first view of the Valley was magical. We had arrived the night before and set up camp in the dark at the first camping area we found, a tiny campground near below Towne Pass at the turnoff to Wildrose Canyon. I had little idea where I was nor what my surroundings looked like, as I had literally never been in this place before. Early the next morning I stepped out of my tent and was greeted by an astounding and unexpected view down into the huge and rugged landscape of this Valley, a first sight I will not forget.

Since then I have returned many times — much of that landscape has become familiar to me as I’ve pushed the boundaries of my knowledge of the place outwards in all directions. I’ve been into areas that I didn’t imagine existed on that first visit, and I’ve learned to see past the geology and geography of the place and see the human history of the park and the sometimes-hidden beauties of wildflowers and more. Today when I visit I still look for that astonishing and grand landscape, but I also slow down and stop and look for more subtle things that I surely missed nearly completely on that first visit. This little miniature landscape of curving erosion and stones and first light is one that I would have missed completely on that first visit, but which I now know can be found almost everywhere in this park once I slow down to the pace of the desert and take the time to really look.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.