Tag Archives: artificial

Rounding the Corner

Photo of a women walking on a darkened street in Madrid
“Rounding the Corner” — A woman walks around a corner on a quiet Madrid street at night.

Madrid is quite active at night — you’ve perhaps heard about the very late dinner hour there? We visited during the December holiday season, when the sun sets early, so there were even more hours of nighttime activity. I love to photograph urban areas at night, and these factors gave me lots of opportunities. Here a woman walks through a beam of light as she rounds a corner on a quiet street.

While it was possible to find quiet moments like this, many places in Madrid were packed with people during the holiday season, especially in the late afternoons and evenings. Major streets were filled with pedestrians and restaurants and bars were packed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from G Dan Mitchell.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Ship Yard Buildings, Crane

Ship Yard Buildings, Crane
Weathered ship yard buildings illuminated by saturated colors of artificial lighting

Ship Yard Buildings, Crane. © Copyright 2018 G Dan Mitchell – all rights reserved.

Weathered ship yard buildings illuminated by saturated colors of artificial lighting

I recently had a chance to return to this old ship yard facility near Vallejo, California to work on night photography. This is actually the place where I first tried out that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph that locations often during the intervening decade and a half, and my night photography expanded from that beginning point to incorporate other subjects and places. (Most recently I have focused on night street photography done with small handheld cameras.)

This photograph is a prime example of several of the things that intrigue me about photographing at night. Scenes that might seem mundane in “normal” daylight are often transformed in the night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this spot, the colors of the light become intense. Here it is the exceedingly green light of a large work light that predominates. Another appealing aspect of night photography is that it lets me make photographs of things that I really can’t see with my own eyes. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal features that I could not see at all, a pure example of “seeing what the camera sees.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Boat, San Luis Reservoir

Boat, San Luis Reservoir
Boat, San Luis Reservoir

Boat, San Luis Reservoir. California Hills. November 21, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two fisherman in a very small boat on the very large surface of the San Luis Reservoir on a cloudy and hazy autumn day

Returning from my first Central Valley winter bird photography excursion of the new season, I passed by San Luis Reservoir in the middle of the day when soft clouds hung above the mountains across the water and the sun made the hazy atmosphere glow. I usually just drive right past this place — which isn’t easy to access, even though the road runs right next to it — but I decided to figure out how and where to stop and make some photographs.

I found a high overlook at the visitor center that stands at the north end of the huge earthen dam, and from here there was a panoramic view of the surface of the lake and the surrounding California hills, which are mostly golden at this point in the early winter season. (Before long, after the first real rains, they will turn “impossibly green.”) As I photographed landscape subjects I noticed one very small fishing boat on the otherwise-empty surface of the huge reservoir.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Industry Noir

Industry Noir - A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.
A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.

Industry Noir. Mare Island Naval Ship Yard, California. March 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.

Given some of the other iconic and impressive things that may be photographed at the Mare Island Naval Ship Yard, this is sort of a normal looking scene. However, as one who has photographed there quite a bit at night, somehow it seems to capture – for me, anyway – something about the way the place feels. Wandering about among very old, very abandoned, and very dilapidated old structures in the quiet of the night, sometimes things can feel just a bit strange, and a glow from inside a window on the second story of a building or the reflection of a soft interior light can sort of make you wonder just a bit.

To be honest, I’m rarely scared or nervous when shooting there. For the most part the experience is a very quiet, slow, and contemplative one. But I recall one night that was a bit different. I had arrived early – before the sun set – and had met up with a group of fellow night photographers. They had some plans to shoot in a particular area, but I really wanted to shoot something else at first. So I told them to go ahead and start and that I would find them a bit later after shooting my first subject. Finishing with that work a half hour or so later I headed off in the direction they had gone, stopping to make more photographs along the way. But I never saw them again. I continued shooting along, wandering along deserted old streets and up alleys behind abandoned buildings. Finally at one point I suddenly became aware of being very alone in a very dark place and, for the first and only time at MINSY, I became nervous – and quickly packed up, returned to my car, and left. This photograph reminds me of that just a bit…

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.