Tag Archives: back light

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Desert Meets Forest, Autumn

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Desert Meets Forest, Autumn
An autumn conjunction of sagebrush, rabbitbrush, conifers, and aspens in the Eastern Sierra.

Desert Meets Forest, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

An autumn conjunction of sagebrush, rabbitbrush, conifers, and aspens in the Eastern Sierra.

This is another autumn photograph from that wonderful Eastern Sierra transition zone, where the high desert country of sagebrush meets the mountain country of conifers and aspens. Many years ago I regarded the two environments as being completely exclusive, but eventually it sank into my thick skull that this perception did not align with reality. In particular I recall one autumn visit to a very dry region east of the Sierra where I saw some of the most colorful aspens growing in a small desert valley.

A photograph like this one presents some technical challenges to the photographer. I think it looks pretty simple, but it wasn’t. The first issue was the the scene was lit by fairly intense backlight. I love backlight, but it creates some extremely bright highlights — and underexposing the shot is necessary to protect them from blowing out. In addition, because the sun was low and almost directly in front of the camera there was a great potential for flare. To make this photograph I actually stood in front of the camera and carefully used my hand to cast a shadow on the lens. Finally, with all of these elements of very bright light and the need to underexpose a bit, some of the shaded areas ended up darker than they seemed “in the flesh,” necessitating some post-production work with curves to bring back some of those shadow details.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens In Canyon Light

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Autumn Aspens In Canyon Light
Colorful autumn aspen trees in an Eastern Sierra Nevada canyon

Autumn Aspens In Canyon Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees in an Eastern Sierra Nevada canyon.

The quality of the light, as we all know, is incredibly important in photography — where it comes from relative to the subject, its color, whether it is harsh or filtered, how it differs in various areas of the frame, and much more. In some cases great light can make a not-so-exciting subject “work” as a photograph, while poor light can make it difficult or impossible to make an effective photograph of a great subject. In landscape photography we don’t generally have much ability to control the light. But we can learn to anticipate what it may do, and we can try to time our photographs for when the light may be at its best.

The window of opportunity for this light on this subject is very small. The idea here was to photograph this grove during the very short period when shadows, created as the sun dropped behind high ridges in the upper canyon, moved across the frame. At this point the backlight would intensify the colors of the trees, yet it would be slightly muted. Additionally, the haze in the far upper canyon would glow in the backlight. When we arrived at this spot the light was far from ideal, and I think that the people who accompanied me may have wondered what I saw. But a few moments later we all experienced the brief transition of wonderful light that I came here to see.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Boulders and Trees, Lower Young Lake

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Boulders and Trees, Lower Young Lake
Boulders and Trees, Lower Young Lake

Boulders and Trees, Lower Young Lake. Yosemite National Park. September 14, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Subalpine forest strewn with granite boulders in morning light, Lower Young Lake.

This photograph comes from late in last year’s backpacking season, on a mid-September trip to the Young Lakes Basin. As I have previously written, this area is a beautiful one to explore and is doubly beautiful for photographers since it is open to the western evening light. I made this photograph in the morning and not far from my campsite at the lower of the three Young Lakes. This sort of scene is no doubt familiar to anyone who has spent much time in the Sierra Nevada high country and has come to know these areas of mixed trees and meadows among fields of large granite boulders. I found this particular scene by leaving the trail behind and exploring more widely around the shoreline of the lake.

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Photographs: Central California, Photographs: Nature, Photographs: Northern California

Soberanes Canyon, Morning Light

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Soberanes Canyon, Morning Light
Soberanes Canyon, Morning Light

Soberanes Canyon, Morning Light. Garrapata State Park, Big Sur, California. May 1, 2010. © Copyright G Dan Mitchell – all rights reserved.

Morning light and morning fog fill the upper reaches of Soberanes Canyon, Big Sur, California.

I’ve driven past the trailhead for Soberanes Canyon many times. The trail starts at a curve in the Coast Highway above a popular portion of the rugged beach at Garrapata State Park. This time, as I came past heading south I noticed brilliant light in the steep canyon above the trailhead caused by light shining down from the tops of the peaks through the slightly foggy atmosphere. I didn’t stop right away – I had a different objective further down the coast in mind – but I made a mental note to take a look on my way back north, thinking that I’d probably be back within a half hour or so.

I did return shortly. I parked, loaded up the photo gear, and headed up the trail towards the canyon. I wanted to try to make a photograph that captures the intensity of the light-filled atmosphere created when a steep canyon like this is filled with slightly hazy air – the light is so bright that you almost cannot look at it, but when you do look the light seems almost palpable and the receding ridges of the canyon form interesting patterns before the furthest of them virtually disappear into the light. My first stop was at a small footbridge crossing a creek. This might have made a beautiful photograph – with lush green plants and wildflowers lining the small, rushing creek and the mountains beyond – but I couldn’t find a composition that would work, do so I continued on a bit. Soon I came to a more open area where the trail curved above the floor of the canyon near a cactus-covered slope, and from here the view into the upper reaches of the canyon was unobstructed.

As I framed up several compositions of the ridge patterns of the canyon the light continued to change – one moment it was smooth and undifferentiated, but the next a bit of fog would come through and brilliant clouds would sit on top of the ridge. In the end I wasn’t completely satisfied with the result – but I’m going to think of this as work in progress, and I’ll be back to try to photograph this canyon and these conditions again.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 70-200mm f/4 L USM at 84mm
ISO 125, f/11, 1/400 second

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