Tag Archives: back

Bicycle Rider, Brick Wall

Bicycle Rider, Brick Wall - A bicycle rider in orange rides past a brick wall, Seattle, Washington
A bicycle rider in orange rides past a brick wall, Seattle, Washington

Bicycle Rider, Brick Wall. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A bicycle rider in orange rides past a brick wall, Seattle, Washington.

This is going to be the first in a small series of photographs from Seattle, Washington that focus on what might be described as urban geometry – odd or interesting juxtapositions of shapes and colors and so forth. I made this photograph back in early May when I joined a group of Seattle photographers for a “Seattle Photo Walk” in the Fremont District. I had only an hour to shoot, but I managed to work intensely for that hour and come back with some stuff that is interesting to me in one way or another.

One thing that I enjoy about photographing the urban environment is that potential subjects come and go almost constantly and often last only for a brief instant. I have to react so fast that I certainly cannot see everything in the frame in a conscious way while making the photograph, though there is something to be said for perhaps have an intuitive understanding of what is there. When I made this photograph I was walking along a bridge the heads back into Seattle’s Fremont district. I had been looking at these brick buildings which feign being old – they are actually new but with old-looking brick walls. The geometry of the buildings attracted me, but I hadn’t really seen a photograph in them at this point. Then, as I looked, I saw the cyclist coming along wearing this very bright orange shirt and helmet and wearing an orange pack. I quickly framed up a composition that included the building, the walkway, and a portion of the road and then waited for the rider to enter the frame. As he passed through I quickly squeezed off three frames. In two of them, a car obscures the cyclist, but in the final one, taken just before he exited the frame, he is all alone against the patterns of the road and the building. (I didn’t notice until later the windows reflected in the middle row of windows on the building.)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Backpacking Photography Season Once Again!

Backpackers, Near Milestone Basin
Backpackers, Near Milestone Basin

Backpackers, Near Milestone Basin. © Copyright 2012 G Dan Mitchell – all rights reserved.

It seems like a good time to once again share my Backpacking Photography Equipment post, since summer is nearly upon us, and many of you will soon be joining me to head into the back-country to make photographs. Some of you  are trying to figure out the best balances of gear, weight, bulk, and complexity for doing photography on the trail using the trial and error (trail and error? trail of terror?) approach. Few years back I thought it might be helpful to share “my own backpacking equipment” list along with some ideas about how to select and use it.

The article is here: My Backpacking Photographing Equipment.

Enjoy! And see you on the trail!

A little more about the photograph included in this post… The two backpackers are my long-time “trail buddies,” Owen and Caroline, with whom I’ve spent many weeks on the trail in the High Sierra. On this trip we visited a lonely and less-visited area in the Upper Kern River drainage. The night before we had camped in a place where it was almost possible to convince oneself that no one else had been there before – a truly rare and cherished Sierra experience. The next morning we descended a drainage that passed through beautiful rock-garden meadows filled with tumbling streams. As the two of them crossed this meadow I quickly dropped my pack and made a couple of handheld shots.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Towers, Early Evening

Sandstone Towers, Early Evening - Early evening back-light on sandstone towers and desert terrain, Arches National Park
Early evening back-light on sandstone towers and desert terrain, Arches National Park

Sandstone Towers, Early Evening. Arches National Park, Utah. April 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early evening back-light on sandstone towers and desert terrain, Arches National Park.

I made this photograph within minutes of entering Arches National Park for the very first time. I have written before that this was my very first time photographing in Utah – yes, embarrassing, but true! The downside of this is that I now really wish that I had taken the time to travel here much earlier. But the upside is that I had the rare experience of encountering a completely new and, for me, unanticipated landscape for the first time.

Before departing for Utah – where we visited a veritable smorgasbord of locations – I had done almost no research beyond figuring out where the nearest lodging was. In fact, even once we were in the state I was still figuring out how to get from one location to another. There are perhaps several reasons for this approach, but one was that I do not necessarily want to go to a new place with overly strong ideas about what I should photograph nor about how I should photograph it. I prefer to get there, look around, try to get the “feeling” of the place, and begin making the photographs that I see. We arrived in Moab late in the day and checked into a motel. There was still some light left so we figured we should go somewhere… and Arches is very close! So the decision was made, and off we went. By the time we reached the Park Avenue area not far from the entrance I was stunned by what I was seeking. (It helped that we arrived at the beginning of “golden hour,” but I digress…) There were huge sandstone walls, thin fins of rock, tall towers, some with boulders perched on top – this seemed about as close to an “impossible landscape” as any I have seen. Frankly, it was overwhelming. We passed Park Avenue and drove ahead a bit to where the view opened up to this astonishing panorama, at which point we pulled out and I began making photographs, including this one that includes towers and fins backlit by the late afternoon light under thin clouds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Thoughts About ‘Backup Cameras’

Recently I read a post in a photography forum in which a poster asked for advice concerning selection of a back-up camera body. If you do a lot of photography, eventually you will have gear fail on you. The last time this happened to me, my EOS 5D developed a shutter problem with no prior warning. In the middle of a night photography shoot the camera simply stopped working. I had no backup camera at that point, so my shoot was over – after driving nearly two hours to the location and making two exposures I packed up and drove two hours back home. If you shoot in remote locations, as I often do, or if you find yourself in other situations in which being unable to shoot isn’t an option, you need a backup camera strategy. (You might also want to consider how you would deal with a lens failure, too, though there are more ways to work around that possibility if you usually carry more than one lens.)

Rather than re-writing the whole thing, what follows is the text of my reply to that forum poster – with just a few contextual edits here and there. Note that I refer to Canon products, since that is what I use, but that equivalents from other manufacturers could replace those I mention.
(The original poster’s message/question is not included here, but he was essentially musing about whether to use an existing camera as a “backup” body, buy a second copy of one of his current cameras, or use some other strategy.)

I wrote, more or less…

This gets at what I regard as the primary question here: “What is the role of the back-up camera in the [your] shooting?”

The term “backup camera” can mean different things to different people. Continue reading Thoughts About ‘Backup Cameras’