Tag Archives: bank

Two Trees, River, Fog

Two Trees, River, Fog
Colorful trees on the banks of the Merced River on a foggy autumn morning

Two Trees, River, Fog. Yosemite Valley, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Colorful trees on the banks of the Merced River on a foggy autumn morning

I remember the first time I discovered the magic of an autumn rain storm in Yosemite some years ago. I had gone there to photograph fall color — I was mainly thinking of dogwood trees back then — and I was camping. But then it rained. For three days straight. And it rained hard. I was equipped to camp in the rain but perhaps not fully equipped to photograph in such conditions, but I faked it (using a had to shield the camera, for example) and went to work. And I found some special Yosemite magic in the combination of fall colors, rising river levels, resurging waterfalls awakening from end-of-summer slumber, and the beauty of clouds and fog.

I encountered just a bit of that during this year’s brief end-of-October visit to Yosemite. On my way up there from the San Francisco Bay Area the rain poured on me. It mostly stopped when I left Oakhurst, but then there was fog and beautiful light all the way into the park. I made this photograph then next morning in the Valley. I arrived in time to catch the end of the post-rain morning fog, and I quickly went to a spot I know along the Merced, where I found the river had risen dramatically, all the w


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Along the Seine

Along the Seine
“Along the Seine’ — A man sits at the top of steps along the Seine River, Paris

Most of our time in Paris this past August was spent walking, and there are certainly plenty of great places to walk in this city! But Paris is big enough that sometimes it is useful to get around in other ways: train, bus, subway… and boat. So, after a few days of looking around on foot we decided to catch one of the river tours up and down the Seine through the city. We’ve done this in other cities and discovered that the boats often provide a very different view of things than what we see from the streets.

I quickly figured out that much of my photography from the river would best be done with a longer lens, so I put a telephoto zoom that I had brought along on my little Fujifilm XPro2 camera. Photographic subjects, when seen from a boat, often pass very quickly and there would be little time for lens changes. I photographed almost continuously — architecture, bridges, people along the banks of the river, and more. Here I saw a fellow relaxing against a wall at the top of a stairway leading down to a walkway along the river.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Woman at Crosswalk

Woman at Crosswalk
A women waits alone at a cross walk for the light to change, San Francisco.

Woman at Crosswalk. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A women waits alone at a crosswalk for the light to change, San Francisco.

One thing that might surprise some folks about my street photograph is that I do not think that it is unrelated to my nature and landscape photography. I think that it all connects together as “photography,” whether the subject is a mountain or a building, a bird or a person. I also believe that photographing more than one type of subject — which some might regard as a dilution of vision — actually makes me better at seeing all kinds of subjects as photographs. Shooting street, where things often happen quite quickly and in the midst of a lot of visual stimuli, forces me to be “on” all the time, to see potential subjects quickly, to recognize things that work instinctively, and to look for juxtapositions. And photographing natural landscape subjects informs the way I see the urban landscape.

One obvious potential thread in urban photograph is the juxtaposition of individual figures against a constructed and sometimes massive and impersonal urban landscape. I often look for these “stages” and then watch for people to appear and populate them. This location can actually be a fairly busy street corner, but here I first found the massive stone building, then waited for the scene to clear with the exception of the solitary woman waiting for the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Coastal Ranch, Fog

Coastal Ranch, Fog
Coastal Ranch, Fog

Coastal Ranch, Fog. Pacific Coast Highway, California. July 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Fog bank above a coastal ranch in a meadow along the Pacific Coast Highway

This little meadow, filled with yellow flowers, is in the upper section of the Big Sur coast of California, where I made a very quick trip early on the morning of the Fourth of July — there and back again before most of the holiday traffic arrived. (That traffic was completely jamming all of the area roads heading the opposite direction as I returned home.)

I was a beautiful and relative quiet early morning, with low fog hugging the coast and providing a welcome contrast to the much warmer inland weather. It also was the sort of day — foggy, with bright wildflowers — that can make a Californian temporarily forget this year’s serious drought. This ranch building sits just off the main highway at the base of a couple of small valleys leading up into the coastal mountains.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.