Tag Archives: big sur

Monsoonal Clouds, Pacific Ocean

Monsoonal Clouds, Pacific Ocean
“Monsoonal Clouds, Pacific Ocean” — Monsoonal clouds above the Pacific Ocean, Big Sur coast, California

Driving along the central California Big Sur coastline in mid-July we experienced a very unusual coastal summer day. Summers in this area typically feature morning and evening fog and relatively cool temperatures, interspersed with clearer days when the temperatures might rise to near 70 degrees. But for a few days this July, California was affected in an unusual way by a dissipating tropical storm and the early phase of El Niño, and we had unusual light and atmosphere. There were thunderstorms, some of them quite heavy. The ocean was smoother than usual and the swell came from the south rather than the north. Layers of monsoon clouds filled the sky.

This photograph belongs to what I categorize as both minimalist and imaginary landscapes. I wrote more about this in my previous post, so I’ll keep it short here. The idea is to work with simple materials and often not with an obvious central subject, to focus on some kind of subjective reality rather than creating the illusion of objective depiction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Pacific Ocean, Clouds

Pacific Ocean, Clouds
Monsoonal clouds above the Pacific Ocean horizon, Big Sur, California

Pacific Ocean, Clouds. Big Sur Coast, California. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Monsoonal clouds above the Pacific Ocean horizon, Big Sur, California

This photograph and the one that will follow it belong to a small sub-thread in my photography, but a thread that means a lot to me. I think of these photographs as both imaginary and minimalist landscapes. They are “imaginary” in that they are about the subjective experience of the place and an invented or focused way of seeing it, and they are “minimalist” in that they are about simple forms and patterns, and because they often include large “empty” or near empty areas. These are not remotely photographs that are attempting to show the objective nature of places. They are photographs that are about some subjective way of seeing things. I often say that “all photographs lie,” but it might be more honest to say that “all photographs have a point of view.”

I’m not sure that the specific location or subject is all that relevant to this photograph, but since it is my habit to say something about that when I share photographs online, here goes. We spent a few days along the central California coast in mid-July. This is a very familiar place, but several things were unusual this time — and they may have put me in a somewhat different perceptual state. Monsoonal moisture was streaming up the coast from a Pacific Ocean tropical storm near Mexico and bringing clouds and even heavy rain to parts of California, a very unusual situation here. An anomalous plankton bloom turned big areas of the ocean and Monterey Bay an unusual blue-green aqua color. (That is probably the source of the light patch in the water in this photograph.) The swell was out of the south rather than the more typical northwest, and the water was much smoother than is typical, creating unusual reflections of sky and coastal bluffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Headlands, Cove, Coastal Haze

Headlands, Cove, Coastal Haze
Headlands stretch into the distance beyond a cove and beach, Big Sur

Headlands, Cove, Coastal Haze. Big Sur Coast, California. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Headlands stretch into the distance beyond a cove and beach, Big Sur

We just returned from a two-day jaunt along the Central California coast. This is familiar territory, as I’ve been visiting this part of California since I was a child, and I have been photographing it almost as long. (Some of my earliest photographic memories include using old film cameras borrowed from my father to make photographs at Point Lobos.) Most of my visits are on day trips, so it is special to be able to spend more than a single day at a time photographing here.

We had unusual conditions and we saw a number of unusual things this time. The remnants of tropical storm Dolores have affected the weather, bringing unusual amounts of tropical moisture to the state and setting of big thunderstorms. We had no such storms on the coast — though they had swept through a day or two earlier — but there was high humidity, a lot of clouds, and warm temperatures. The water was also unusual in several ways. The swell was coming out of the south rather than the typical northwest. Overall the water was relatively calm, and in many places the water’s surface was smooth enough to produce interesting reflections. Sea life seemed unusually abundant: we spotted whales in many places, and large numbers of fishing boats were lined up close to the shore south of Carmel. In the evening as we headed back north towards Monterey the coastal inversion layer began to reassert itself, producing a layer of incipient fog along the coastline and producing haze that enhanced the sense of distance as we looked past successive layers of coastal headlands stretching into the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tree, Soberanes Canyon

Tree, Soberanes Canyon
Tree, Soberanes Canyon

Tree, Soberanes Canyon. Big Sur Coast, California. July 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A lone tree at the base of rugged Soberanes Canyon

The Soberanes Canyon and Creek area of the upper Big Sur coast is, to me, a particularly interesting spot. Here in one place are a number of the characteristic features of this coastline: rocky sea stacks, rigged shoreline backed by coastal bluffs, big surf, beaches, a coastal valley leading steeply up into the mountains, and, of course, fog. It is a popular place, and there are often many cars stopped here. Some people park and head toward the ocean, while others head away and climb up the canyon.

The canyon leading up and away from the coast has intrigued me for a long time, though it wasn’t until relatively recently that I began to explore the area more carefully. One of the first things I realized about this canyon is that it can create some special conditions of light and atmosphere in the morning. Mornings are often a bit tricky on this coast, since if faces west and the sun rises behind tall mountains to the east. However, when the conditions are right, as the sun tops the high ridge the light often comes down into the canyon and backlights the coastal haze, obscuring the details of the canyon and sometimes creating a mystical quality.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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