Tag Archives: birds

Two Black-Necked Stilts

Two Black-Necked Stilts
A pair of wading black-necked stilts and their reflections

Two Black-Necked Stilts. © Copyright 2017 G Dan Mitchell – all rights reserved.

A pair of wading black-necked stilts and their reflections

For decades I did not think of myself as a “bird person,” much less a “birder.” I’m still no birder — I’m not great at identifying the critters and I don’t necessarily seek out new sightings as much as photographic opportunities. However, my fascination with them has increased as I have spent more time photographing them. The first time I intentionally went out to photograph birds, I had basically no idea what I was seeing — it was just, “Wow! Lots of birds!” And that was exciting. This led to a focus on photographing migratory birds, and ,ore recently I’ve become more aware of some of the smaller birds, too.

One of the first to these “smaller birds” was the black-necked stilt. At first I only noticed them tangentially while looking for other things. On a few occasions when those “other things” were nowhere to be found, I turned my camera toward the stilts. They are attractive, though sometimes gangly, birds, with their stark contrast of black and white feathers. They often permit a relatively close approach, and they frequently work their way slowly around a small area, making it easier to photograph them. But getting somewhat unusual photographs of them requires patience and some luck. They do fly, but when they do it is often sudden and very quick… and not at all easy to keep them in the viewfinder. And while one feeding stilt is interesting, that is a pretty common sight. It is more challenging to try to photographs groups of them in ways that are visually linked and interesting. This pair obliged for a moment to two, coming close together and moving in parallel before separating and going their separate ways.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Geese Landing

Two Geese Landing
Two geese descend to land in a wetland pond

Two Geese Landing. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two geese descend to land in a wetland pond

Since we’re well into my “bird season,” focused on migratory and other birds, I’ll stick with that theme a bit longer. I photographed this pair of geese (I’m pretty sure they are Ross’s geese) back at the beginning of December. Near the end of the day I moved to where the light would come in from the right, highlighting light and shadow and the textures of the birds features. Not too long before sunset, geese began to arrive and land in the pond, and I was able to photograph their descent.

I often marvel at the contortions of these birds during the final instants of their flights. In the air they are often graceful, but the landings vacillate between that grace and nearly-out-of-control clumsiness as they transform from creatures of the to earthbound animals. They glide in, instinctively facing into the breeze, and can sometimes then seem to almost drop right out of the sky. Wings go upwards, feet extend down, and necks stretch forward, and quickly they are on the ground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Into Evening Light

Into Evening Light
A small group of geese takes flight in evening light

Into Evening Light. © Copyright 2017 G Dan Mitchell – all rights reserved.

A small group of geese takes flight in evening light

There are many ways to photograph birds: sharp images of birds filling the frame that reveal the details of color and shape and feathers, landscape photographs that show them in the worlds they inhabit, shots that capture them social groups ranging form groups of a few individuals up to flocks of many thousands, captures of them engaging in particular behaviors, and much more. (I’m occasionally amused by discussions of “the way” to photograph birds of or “the right” equipment to do this.)

This flock of geese suddenly took to the air as the very last golden hour light shone across this hazy landscape, and the birds were partially illuminated by the colors of the warm sunset light, but against the less vibrant colors of the local surroundings. A sharp-edged photograph was a possibility, but here I think the abstracting blur of camera motion and fast-flying birds may better suggest the feeling of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands Evening

Wetlands Evening
Trees, plants, and a few birds under a bank of clouds above San Joaquin Valley wetlands

Wetlands Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees, plants, and a few birds under a bank of clouds above wetlands

The process of bird-photography, at least as I know it, is perhaps not quite what people who don’t photograph this subject might imagine. The actual practice and experience varies from photographer to photographer and, no doubt, from place to place. However, I’d be willing to bet that many people would be surprised at how much not-photographing goes on! There are amazing moments when we come upon a special scene, when a huge flock of geese lifts off, when we get close to a raptor, when the light and sky do something astonishing. Then there are all the other moments, and they form the majority of the experience. The birds are somewhere else. They are just a bit too far away. The light goes flat. It rains. And so on.

The fact of the matter is that in order to photograph those periodic extraordinary moments, you have to spend a lot of time just being there. If really special stuff happens, say 1% of the time, you’ll increase your odds of experiencing it if your base is 100 hours rather and one. Of course, that also means that you’ll increase the number of slow hours when not much happens. Be ready. Bring a book. Take a nap. Wander a bit. And sometimes take a look at other subjects, like the still and quiet grasses growing in a shallow pond beneath winter skies, even though there aren’t a whole lot of birds there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.