Just a quick update. I’ve been in Death Valley for the past five days, photographing this, that, and the other thing. I left Eureka Valley Dunes at about 9:00 a.m. this morning, and I’ve made it as far as Bishop, California. Where they have espresso. Did I mention the espresso? :-)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Meadow plants bend beneath the weight of an early October snowfall, eastern Sierra Nevada, California.
I made this photograph on a very cold early October morning high in the eastern Sierra after a series of early season snow storms had passed over the Sierra. The gravel road to North Lake had apparently just opened again on the morning I arrived, and few other people were there. I was there to photograph autumn aspen color, but the opportunity to photograph snow scenes so early in the season distracted me.
As I walked the road skirting the edge of North Lake, I passed by meadows that were completely covered by new, untouched snow. Here and there a few small plants managed to poke up from beneath the white blanket.
Merry Christmas and Happy New Year!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Two aspen trees with a few remaining autumn leaves grow against a cliff near North Lake, California.
I photographed this little scene on my first real morning of aspen photography this season in early October. I arrived quite early at North Lake, driving up the snowed in gravel road right after it had apparently been reopened. It was unplowed but other vehicles had clearly been up there, I have four-wheel drive, and I wanted to see what I would find before too many others arrived later in the day. There were few people there when I arrived, which was a bit unusual since this area is often crawling with photographers, individually and in workshops, at this time of the year. But the fact that the road was still snow-covered and that the storms had affected the aspens seemed to keep people away.
I parked before arriving at the lake, shouldered my gear, and walked up to the lake. I bypassed the popular spot near the outlet stream – been there, done that! – and keep walking along the road that skirts the right side of the lake. Everything was still frozen and it was very cold – and I regretted not bringing my winter boots along! The aspen photography was not quite what I had hoped, but there were other subjects, among them the fresh snow – an unusual sight for early October!
In looking for subjects other than the “regular” views of North Lake – which can be spectacular and well worth photographing, too – I often walk slowly along the lake-side road and keep my eyes open along the rocky cliffs that line it. Because the direct sunlight doesn’t hit this spot until later in the day, it is often possible to find softer morning light and even some light reflected from across the lake. On this morning I found that many of the aspen leaves had fallen or turned brown as a result of the storm, but a few were left and the stark white trunks of the trees against the rocks seemed like an interesting subject.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
“Dense Aspen Grove, Bishop Creek” — Soft light filters through a dense aspen forest canopy, Eastern Sierra.
I think that these dense aspen forest scenes ended up being something of a theme for me this fall. In this one I tried to find as dense an example of aspen forest as I could locate and then to make a photograph that may perhaps evoke the combination of diffused light coming down through the depleted canopy of yellow leaves and the very tightly packed trees. The trees in this grove are relatively small and closely packed – so close, in fact, that in places it is very hard to move among them. I used an ultra-wide lens to try to both bring as much of this detail into the frame and to let me work very close to the nearest trees. The closest tree is probably no more than about a foot from the camera.
Working in such close quarters, very small changes in camera position end up having large effects on the composition. In the end I found myself repositioning the camera and tripod by fractions of an inch from side to side. Although it isn’t easy to see in this small jpg version, the complex detail of branches and leaves eventually recedes into the distance near the far edge of the grove and the grove becomes a bit lighter along that farthest fringe.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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