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Aspens and Dome, Eastern Sierra

Aspens and Dome, Eastern Sierra
A line of autumn aspen trees in front of a rocky dome, Eastern Sierra Nevada.

Aspens and Dome, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

A line of autumn aspen trees in front of a rocky dome, Eastern Sierra Nevada.

This photograph comes from a morning of Eastern Sierra exploration into an area that I would not typically go to for fall color photography — not because there is no fall color there to photograph, but because it isn’t exactly the most accessible place to find it. For sure, there are easier places to find the color nearby. We put the 4Runner in 4WD and slowly tracked up toward the base of the range, eventually gaining enough elevation that there were aspens, the sort that live in harmony with surrounding high desert foliage of rabbitbrush and sage.

It was a beautiful morning of the sort that you’ll only find here in autumn. A weak storm has been through a few days earlier, and there was a dusting of snow on the highest Sierra crest peaks and behind us, across Owens Valley, on the White Mountains. Despite the recent storm the morning warmed nicely, and the sunlight was warm as we photographed. Here a small row of aspens, midway through the color change process, stood against a small, rocky dome, and beyond that in the haze-obscured distance were higher hills rising toward the summit of the range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Owens Valley Trees, Sierra Nevada, Evening

Owens Valley Trees, Sierra Nevada, Evening
The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Owens Valley Trees, Sierra Nevada, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Landscape photography often feels a bit like hunting to me. I may go to a particular location with a general sense that something worthwhile is likely to happen there — and that sense is often based on some combination of long-developed intuition and knowledge of the antecedent conditions and the current situation. But I often do not have a specific subject or composition in mind. (Sometimes I do, but that is less likely.) In other words, I believe that there is a good chance that I’ll find the sort of thing that appeals to me photographically… so I go to a place at a time because I think the odds are good I’ll find something interesting.

One result is that I have to be ready to discover, change plans, improvise, and respond quickly to whatever I discover. (It also means that there are occasional dead-ends, but I digress…) We went to this spot with something entirely different in mind, but within minutes of arriving I decided that the “something else” was not going to work… and I saw that the line of sunlight coming across Owens Valley was striking this group of trees and that I only had a moment or two to photograph before the light left them. I made an initial exposure in landscape mode, then switched to portrait mode when I noticed more light on the foreground than the background. In the end, I came away with two rather different photographs of these trees — in the landscape version they lie near the bottom of the frame with only more distance subjects above them, while here they are situated beyond the stretch of foreground plants and the distant peaks occupy less of the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Shades of Autumn

Shades of Autumn
A scene of dense vegetation with fall color, Eastern Sierra Nevada.

Shades of Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

A scene of dense vegetation with fall color, Eastern Sierra Nevada.

On this day I came upon a dense grove of small aspen trees mixed with some autumn-colored mountain willows with their slightly less flamboyant brownish fall color. At the time I arrived the trees were in the shadow of the tall mountains nearby, and the light had a bit of a blue quality. It was also soft and diffused, leading to an absence of very bright highlights and filling the shadows with light, too. The aspen leaves stood out a bit from the background with they yellow color.

Looking for some kind of order and structure in such dense subjects is a challenge, one that forces the photographer to look beyond the obvious ways of seeing. Subtle lines in the dense and complex texture can be enough to direct the eye. Slight contrasts in luminosity or color become important. And the lack of a single strong central subject lets the eye wander about the frame and take in the complexity of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspen Grove in Transition

Aspen Grove in Transition
An Eastern Sierra Nevada aspen grove just past peak autumn color.

Aspen Grove in Transition. © Copyright 2021 G Dan Mitchell – all rights reserved.

An Eastern Sierra Nevada aspen grove just past peak autumn color.

The first instinct, I think, when viewing and photographing autumn aspen trees is to just go for the brilliant colors. I’m no less guilty of giving into that understandable instinct than the next person. At its least sophisticated, this can amount to “point at the colors and snap!” But it turns out — no surprise! — that there’s a lot more to see in aspen trees that only reveals itself after having that initial experience. In short, there’s more than one way to photograph this subject!

While I subconsciously assume that the ideal tree is one that is completely covered with brilliantly colorful leaves, I keep learning and relearning that often the more interesting trees are those in the “imperfect” stages before and after the peak color transition. For example, one colorful tree can seem even more colorful against a backdrop of trees that are still at least partially green. The beauty of the colorful trees may seem just a bit more poignant when the scene reveals how transitory the phenomenon is.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.