Tag Archives: black and white

An Illusion

An Illusion
A complex juxtaposition of street elements, San Francisco

An Illusion. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A complex juxtaposition of street elements, San Francisco

I’m going to have a little fun with you today with this photograph. It might be a bit of a mystery and it contains one or more illusions, and more than one world. I’ll let you ponder that.

I made the photograph on one of my photography walks in San Francisco, which usually are dominated by street photography, some architecture, and even a bit of urban and near-urban landscape, all shot handheld while on the move. The area where I made this photograph is a bustling part of newly developing San Francisco, with lots of traffic (I waited for a break), lots of expensive new housing, and sometimes a lot of people.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Chairs and Dappled Sunlight

Chairs and Dappled Sunlight
A small brick-paved urban square in dappled sunlight

Chairs and Dappled Sunlight. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A small brick-paved urban square in dappled sunlight

I have my reasons for photographing in urban environments, even though that might seem like an odd passion for someone who photographs nature and landscapes. The same attractions of form and light and texture and juxtaposition are found in both places, though the urban environment encourages me to photograph in a different way. Here I don’t use a tripod, and I often make photographs very quickly and instinctively, since the subjects are so transitory and it is a matter of photograph it now or never. Even a seemingly static and quiet scene like this one only lasts a moment before people again walk through the scene. If nothing else, it is an intense exercise in seeing.

The area of where I made this photograph is, despite the appearance, a very busy and noise place along San Francisco’s Market Street, a place where there are throngs of people and where traffic noise can be oppressive. Yet at times the crowds part and the scene can be almost empty. And there is often quite beautiful light — it comes from all angles as it reflects back and forth among the glassy surfaces of tall buildings, and at street level in some places the light can fill the scene from almost all possible directions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Through the Scrim

Through the Scrim
“Through the Scrim” — An urban scene viewed through a scrim

There is a small thread in my photograph of the interior spaces of buildings that looks through gauzy, diffused curtains, blinds, and scrims toward the world outside. For example, I have several in his line that I made at the Getty Museum in Southern California, and some things photographed in museums in New York that go in a similar direction. I made this photograph at the new SFMOMA museum in San Francisco during a members’ preview before the official opening last week.

I love the newly expanded and remodeled museum. One writer commented on the way that the new facility opens to the City. (The former building, as good as it was, was mostly closed off from San Francisco, with few places where the interior space opened to views of the surrounding area.) Now the new “back side” of the museum opens straight out over and into the urban environment, and there is quite a bit to see there — and the design creates a stronger link to this city. In this photograph, which was initially “about” the lines of the buildings in the upper part of the frame, the shapes and tones of the two foreground benches are beginning to interest me more.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Rocks, Wave, Horizon

Rocks, Wave, Horizon
Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

Rocks, Wave, Horizon. Coastal California. May 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

I knew I wanted to photograph today, but the conditions in the Bay Area were perhaps less than inspiring, at least for the subjects I had initially thought to explore. It was a gray morning all up and down the coast and the high fog extended well inland, producing lots and lots of flat light. I stalled for a bit and then, after reading a weather forecast offering the hope of some breaks my late morning, I headed over the hills to the coast and began to work my way north from the Santa Cruz area. Some days the photographs just seem to appear almost of their own accord, but this was not going to be one of those days.

There are several ways to deal with this eventuality. One is, of course, to give up and go home — and, in truth, sometimes that is the most reasonable choice. There will always be another day with better conditions. A second option is to continue to look, holding out hope that something special will eventually happen. (I can tell plenty of stories of unpromising conditions that offered up astounding light surprises.) A third is to look for some completely different subject. For a moment today I thought about doing some urban photography. A fourth — and this may be the best in the long run — is to try to “see” the conditions as they are and find some way to photograph them, perhaps even going with the gray, so to speak. So that is what this photograph is — a very simple and quiet image that perhaps reflects the nature of this day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.