Tag Archives: black and white

Sagging Building, York

Sagging Building, York
“Sagging Building, York” — And old building with apparenlt serious structural issues, York, England.

York’s old town is known for “The Shambles,” an old area of narrow and sometimes-curving streets lined with very old shops and businesses. (The appearance in places is “Harry Potteresque,” something that shops are now promoting.) They seem to take pains to maintain the very old and slightly off-kilter appearance of the shops, but this particular building is a standout!

And, no, your screen is not melting. This building actually looks like this, leaning precariously to one side, with the walls of the lower floor appearing to be badly distorted and cracked. I did not enter the building, nor could I find a name for it (though the sign says that ghost tours meet there), but I can only hope that there is some interior reinforcement not visible from the street! (Someone suggested that the building is actually solid, and that it was designed to look this way. I have not been able to confirm that.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cobblestones in Rain, York

Cobblestones in Rain, York
“Cobblestones in Rain, York” — Rain-slicked cobblestones in York, England.

The weather was rather varied during our brief early June stay in York, England. As I share photographs from the visit, you’ll see some made in lovely sun and others, like this, in more challenging weather. We were out for a wander on this day and clouds eventually turned to rain as we walked near the Yorkminster Church. As the light rain started — and before we decided to beat a retreat to a nearby restaurant for shelter and lunch — I paused to make this photograph of a cobbled street.

Photographs of particular places can suggest them to varying degrees. Clearly a photograph of a specific, iconic feature ties the image to the location with precision. Other photographs may work more subtly, perhaps capturing something of the mood of the place without shouting its name. And others may not be location-specific at all — like this one, which features a small scene that you could probably find on a rainy day in many places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Fossgate Merchants’ Quarter

Fossgate Merchants' Quarter
“Fossgate Merchants’ Quarter” — Pedestrians stroll through the Fossgate Merchants’ Quarter, York.

We stopped in York for two nights this past spring, breaking up a train ride from Edinburgh to London. We had not been to York before, but had heard that it would be worth at least a quick visit. There’s a lot of interesting things to see: The Yorkminster Church (where we stopped to hear some music), the historic walls around the town, the river, and the old central area within the walls, especially the well-known “Shambles” area.

Despite a few signifiers of York, I think of this photograph as being more a generic street photography type, with interesting buildings and other details and a small crowd of passers-by. The location is within the old section of town, roughly on the fridge of the Shambles area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Underpass Intersection, London

Underpass Intersection, London
“Underpass Intersection, London” — Two roads come together beneath bridges, London.

I photograph when we travel, typically using quite different equipment and techniques than for my landscape photography. While the latter usually uses relatively large and heavy equipment, I downsize in a major way for travel. This is partly due to the realities of travel — we go light and I don’t want or need a big bag of cumbersome gear. (That would actually decrease the overall quality of my photography, which is something I’ll write about at some point.) But it isn’t just the gear — it is also the whole approach. I shoot handheld with a small camera, and I often approach the subjects as a street photographer.

The decision to render this as a monochrome photograph was a bit of a surprise to me. Those round shapes on the wall above the sidewalk are blue lights, and when I made the exposure I thought that they might be a key element. But when I finally got to this image in post, I much preferred the mood of the image in black and white, so I had to let go of that preconception about the lights and color. (As much as pre-visualization is a crucial skill, sometimes post-visualization wins the day!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.