Tag Archives: black and white

Cranes, Woodland Haze

Cranes, Woodland Haze
A flock of sandhill cranes flies above San Joaquin Valley fields and woodland.

Cranes, Woodland Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies above fields and woodland.

Yesterday I managed to make it out the valley with the main goal of visiting the reception for “Valley Focus: On Photography,” a wonderful exhibit at the Carnegie Arts Center in Turlock. (Note: Those of us in the San Francisco Bay Area, spoiled by the proximity of a lot of really top-notch art, sometimes forget that there is “good stuff” elsewhere in the state. The Carnegie Center is a fine example.) It is about a two-hour drive out there from my home, and I was thinking that I could leave in the mid-afternoon and make it in time for the 5:00 PM reception… until I was reminded of something I should have been thinking of, the monumentally awful commute traffic along my intended route between the Bay Area and the Central Valley. So I left early, with a plan to visit some wild areas I have wanted to look at for some time.

It rained, sometimes hard, during the first part of the drive, but as I dropped down into the great valley it was clear that I had gotten ahead of the weather front — clouds behind me, broken clouds and blue sky ahead, and glowing light coming over the mountains to the west. I headed south and then east, finally locating a somewhat out-of-the-way spot where there was access to bird viewing. It wasn’t the ideal place to watch the birds, but there were some wonderful woodlands off to the west along a river. I made this photograph from a slightly elevated position, looking toward those trees as a flock of sandhill cranes arrived and then landed nearby.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tree, Winter Light

Tree, Winter Light
A bare winter tree and clearing tule fog.

Tree, Winter Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A bare winter tree and clearing tule fog.

On Sunday there was ground fog all over the San Francisco Bay Area, and I had a few free hours, so I headed out to see what I could find. I went to a place that is very familiar to me, a local haunt where I have hiked and photographed for decades. I had not been there in perhaps a year, so it was good to reestablish my relationship with the location and note a few changes. The little trip also reminded me that it isn’t necessary to travel long distances to find photographic subjects — quite often a closer look at nearby places will reveal worthy subjects.

The idea here was to arrive before the fog cleared, photograph in the thick fog for a while, and then be ready to photograph the brief transition period as it thinned, a time when brilliant and stunning but ephemeral light may appear. During my short drive to this location the fog remained thick, but just before reaching my destination it began to clear, likely because ground fog doesn’t stick around as long in the hills. As I parked and loaded up a light load (my lightweight trail photography setup) there were still some pockets of fog clinging to the hillsides, but in most places there was instead a sort of haze that glowed when I photographed in the direction of the sun. I’m very fond of this kind of light, so I quickly looked for subjects that I could use to advantage, and I soon found this tree standing on a grassy hillside and silhouetted against the glowing atmosphere beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees, Marsh, Fog

Trees, Marsh, Fog
Trees grow in flooded San Joaquin Valley marshland pond

Trees, Marsh, Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees grow in flooded marshland pond

On January 1st, New Year’s Day 2018, a group of friends and photographers gathered to greet the dawn (literally!) of the New Year, raise a toast or two, hang out, and photograph birds and the expansive landscape. It meant going to bed early on New Year’s Eve, but I can’t think of a better way to celebrate the first day of the new year. (Though that 4:00 AM alarm and two-hour drive in the dark was perhaps just a bit less festive…)

After photographing all morning the bird action seemed to slow and we all gathered for a quiet little party in a parking lot near large ponds. A bit later all of us felt like we needed a walk, so we broke off into groups and followed a trail around a marsh and to some tall trees. I was the last one to start, and I decide to simply bring along my smallest camera with a single little lens, foregoing the usual Big Bag Of Gear and Gigantic Tripod. As much as I was more of a mind to walk and think than to photograph, I couldn’t help but stop and make a few handheld photographs of the complex landscape of the marsh.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

At The Door

At The Door
Patricia Emerson Mitchell opens the door to a snowy Lower Manhattan street scene

At The Door. © Copyright 2017 G Dan Mitchell – all rights reserved.

Patricia Emerson Mitchell opens the door to a snowy Lower Manhattan street scene

We frequently visit New York at about this time of year. Our sons and their wives live in the area and we can often open up about a week of travel time. It is a fine time to visit — there is a lot of holiday stuff to see, if that is your interest, and it seems like the subways are a bit less crowded during the week between Christmas and New Year’s Day. Plus, by comparison to our mid-summer visits, the potentially cold weather actually seems attractive… and a welcome change from “California winter,” with its 50-60 degree temperatures. But the timing of these visits often has us there just a bit too early for snow.

This year was different. Shortly after we arrived the weather turned cold — extremely cold by our California standards — with daytime temperatures barely (and not always) making it into the lower 20 degree range. We persisted, however, and did a lot of walking all over Manhattan, always carrying cameras and making photographs. For most of the week we saw weather forecasts predicting a chance of snow on the last two days of the visit, but those forecasts gradually reverted to merely “cloudy.” So we were pleasantly surprised when we opened the hotel blinds on our final morning and saw snow falling! We headed out, mainly to find breakfast and coffee, and enjoyed the transformed landscape. As you look at this photograph, try to also imagine that moment when you move between the snowy, cold, and windy street and the warm, inviting space of a restaurant, coffee shop, or the home of friends/family.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.