Tag Archives: blue

Photographs: Europe, Photographs: Portugal, Photographs: Structures and Objects, Photographs: Travel

Vines and Bue Door

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Vines and Bue Door
“Vines and Bue Door” — Grapevines grow around the blue door of a stone building in a Portuguese vineyard.

My recollection is that I made this photograph on the last long day of our May walk in Portugal’s Douro Valley region. We walked out of the town of Alijo on a gray and damp day and into the surrounding vineyard-filled countryside. This door is on the side of an old stone building in one of those vineyards, and I assume that its purpose is related to wine growing in some way.

Looking back at my raw files of this subject, I realized that they embodied a basic rule of photography — try to get closer! My first photograph was of the whole building and the surrounding landscape. Then I moved in and tried to frame the full building by itself. Finally I walked even closer and found a couple of compositions featuring this weathered blue door.

An addendum: It turns out that Patricia Emerson Mitchell (https://patriciaemersonmitchell.com) photographed me as I positioned myself to make this photo!

G Dan Mitchell photographing in Portugal
G Dan Mitchell apporaches an old stone building in a vineyad near Alijo, Portugal. to make photographs.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: Northern California, Photographs: Structures and Objects

Rectangular Patterns (Horizontal)

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Rectangular Patterns (Horizontal)
“Rectangular Patterns (Horizontal)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is one of a pair of photographs of the same structure. I’ll bet you might not be surprised to hear that the companion photograph is called “Rectangular Pattern (Vertical).” Working on this pair got me to thinking about a series that I might call “Urban Geometries” featuring such photographs, both from my existing archives and from some new work. You can look at this as a photograph of a real scene or, if you work at it, you may be able to see it as an abstract composition of forms and colors.

The location is an area that was acquired by a (very) big company for a huge future corporate campus. Then came the pandemic. Now their plans appear to be on hold, though they still hold rights to the properties. I suspect, but do not know for certain, that they did some “sprucing up” of the area to avoid charges that they are allowing it to degrade. Right now it is largely a sort of urban dead zone… though it has nice paint.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Leaves and Morning Frost

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Aspen Leaves and Morning Frost
“Aspen Leaves and Morning Frost” — Fallen aspen leaves rimmed with frost, Eastern Sierra Nevada.

I ended up doing something a bit unusual with this subject. Instead of selecting one version from the several images I captured, I have now shared three of the same subject. Usually I arrive at a favorite when this happens, but in this case I’m actually torn about which version that is! ( You can find the other two among my recent posts.) Two are, like this one, in landscape orientation and the other uses portrait format.

The tyical fall color photograph focuses on peak color leaves, with their red, orange, and yellow colors. This photo goes in a bit of a different direction. While a few of the fallen leaves exhibit classic fall colors, overall this photograph features much “cooler” light and a different color palette that includes frosty blue and other dark leaf colors.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Leaves and Frost

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Autumn Leaves and Frost
“Autumn Leaves and Frost” — Fallen autumn leaves, covered by frost, on a cold fall morning in the Sierra Nevada.

These fallen, frost-covered leaves were so interesting that I took a significant break from photographing trees to focus on them. They lay in a shaded strip along the edge of a gravel back-country road high in the Eastern Sierra. (I wonder what the other aspen hunters who drove past must have thought when they saw me ignoring the big trees and pointing my lens down at the ground!)

The photograph is a reminder to me — one that I frequently experience — that sometimes the thing you came to photograph is not the only subject worthy of attention. It is important to look away from that and see what else is around. Look away from the “big” and toward the small, turn around and see what is behind you.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.