Two figures seen through a gap in walls at the top of a stairway.
There is probably not too much to say about this photograph, though I could probably say a lot about it if I got started. During a rainy day visit to a New York City museum, I saw the gap between walls at the top of this stairway and the effects on color and luminosity of the various different sources of reflected light in this space. I lined up with the scene to leave a slender gap between the corners of two walls so that people passing by in the hallway would momentarily show up in this gap. I tried a variety of focus points – on the people, on the edges of the walls, on the railings… but in the end I liked the version that doesn’t really focus on anything specific.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A flock of geese takes to the air at dusk, San Joaquin Valley
After nearly a week in the dry and desiccated (and cold!) terrain of Death Valley National Park, I decided to break up my homeward drive with an evening stop in California’s San Joaquin Valley to photograph migratory birds. It is hard to imagine two places that are more different. Death Valley is mostly hard edged, dry, with only the hardiest vegetation, and a place of scarce wildlife. The San Joaquin is largely farmland, albeit due to irrigation, and where I went there is a lot of water and many thousands of birds. It was quite a contrast with where I had been and a sort of “welcome home” to a world that I am more accustomed to.
I arrived perhaps an hour before sunset, after a long drive that had begun early in the morning on the far side of the Sierra – and with a couple of hours of driving still to do. I drove across narrow farmland roads to get to the refuge, where I stopped and sat for a few moments before switching into “wildlife photographer mode.” As I had approached the place I had spotted a very large flock of Ross’s geese along the roadway that runs along the refuge, so I made steady progress back to this spot, where I figured I would do my evening photography. There was a very large group of geese already when I got there, and more were arriving from other far off locations. The geese mostly settle in on the pasture land and eat, but every so often something disturbs them and they take off en masse in a wild maelstrom of flapping wings and noise, fly around a few times, and soon return to almost the spot they left. There were two or three such giant “explosions” of flying geese as I photographed, and I shot this group using a rather slow shutter speed in post sunset dusk light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A group of us – Patty Mitchell, Michael Frye, Claudia Welsh, David Hoffman, Charlotte Hoffman, and I – spent a day photographing migratory birds and the landscape of California’s San Joaquin Valley recently. I hope that it is obvious that this photograph does not attempt an objectively realistic presentation of geese! The facts include… these are almost certainly Ross’s geese, they are passing quickly as they fly between two close flocks in the early dusk light, the clouds in the distant sky are colored blue and pink and purple by post-sunset light. By the time I made this photograph it was almost too dark to clearly make out much of anything in this scene, and certainly not to see clearly the individual birds rising into the air, flying past, or landing among other birds already on the ground.
From a certain point of view, this photograph does everything “wrong” when it comes to wildlife photography in general and bird photography in particular. The shutter speed was something like 1/8 of a second, and kept that “short” only by underexposing by nearly a full stop and shooting at ISO3200. The shot was hand-held with a 400mm focal length. Geese, barely visible in the twilight gloom, where coming and going in almost unpredictable ways, yet getting an interesting arrangement of birds in the frame required quickly responding to what they did and then panning while shooting. I had positioned myself to the east of the flock in the hope of getting some interesting sky behind them, so I was also trying to remain aware of the background while tracking the birds. Clearly, this is not a recipe for razor-sharp, carefully and thoughtfully composed images! Additional work was done in the post-processing phase – to deal with the inevitable noise and with balancing out the luminosities of various parts of the frame and bringing out details that might otherwise be lost. Yet, with enough shots and some intuition from photographing these birds in these conditions before, it is possible to make something happen. In the end, for me a photograph like this can evoke the mystery of what happens in the deepening twilight – the sudden unpredictable motion, the sounds of the geese, the hazy atmosphere, and the gathering darkness.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A huge flock of Ross’s geese takes to the sky in the twilight
I probably don’t really need to point out that geese to not look like this, at least not in the objective sense, and that this image is about a subjective impression of these birds and their world. When photographing geese, at least the geese I work with in the California’s Central Valley, long periods of sitting around while not much happens are periodically punctuated by moments when the world goes nuts. For reasons that are often not at all clear, a flock of many thousands of geese that has been on the ground feeding will suddenly lift off as one in a maelstrom of sound and flapping wings. They often head off in some direction, and the group turns in this and that direction and spreads out… and after a few minutes returns to the ground, often in the same or nearly the same spot they just left. After this wild flight ends everything returns again to relative calm.
In the evening as the light fails, I often continue shooting as long as I can, gradually raising camera ISO, opening the aperture all the way, and pushing the shutter speed lower and lower… until there is no longer any way to continue to shoot in the normal fashion. On this evening I finally looked down at my camera to note that I was shooting wide open and ISO 3200 and at 1/5 second or longer… with a handheld 400mm lens! By this point one (at least this one) can no longer really even see the geese with clarity, especially on a typical Central Valley evening when the air is thick with haze and incipient fog. While it might seem like a good time to put the camera away and go have some dinner, at this point I look forward to one final and very special photographic opportunity during this marginal dusk time between sunset colors and blue hour light. I go with the slow shutter speeds and the impossibility of clearly seeing the birds, much less stopping their motion with fast shutter speeds and perfect focus, and I instead play with camera motion and soft focus and the motion blur of the birds themselves. And given that this cannot in any way produce objectively accurate and clinically precise depictions of the birds, I instead go for a sort of subjective truth that represents their wild and only have visible flight through twilight sky.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
