Tag Archives: blur

Family Portrait

Family Portrait
Family Portrait

Family Portrait. New York City. December 28, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Brandon, Jameson, Lia – Central Park

A “snap” of family in Central Park, New York City from last December, when we spent a week visiting relatives and wandering around New York City. This photograph was on a cold winter day when we joined throngs of New Yorkers (and, like us, temporary New Yorkers) in the park.

I was shooting mostly in a manner that is much different from the way I might shoot landscape. Using a very small handheld camera and (mostly) a single prime lens, I shot while moving from place to place. Especially in the case of photographs of people, I did not always necessarily try for perfect camera stability—and the resulting motion blur somehow can seem consistent with the experience of the place. This photograph was grabbed very quickly, as we emerged from an underground walkway into the edge of the outside light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

At the Museum

At the Museum
At the Museum

At the Museum. New York City. December 29, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Feet, legs, carpet, and a bit of white wall at the museum

Yes. It is at the museum…

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two People, Railing, Walls

Two People, Railing, Walls
Two People, Railing, Walls

Two People, Railing, Walls. New York City. December 29, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two figures seen through a gap in walls at the top of a stairway.

There is probably not too much to say about this photograph, though I could probably say a lot about it if I got started. During a rainy day visit to a New York City museum, I saw the gap between walls at the top of this stairway and the effects on color and luminosity of the various different sources of reflected light in this space. I lined up with the scene to leave a slender gap between the corners of two walls so that people passing by in the hallway would momentarily show up in this gap. I tried a variety of focus points – on the people, on the edges of the walls, on the railings… but in the end I liked the version that doesn’t really focus on anything specific.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese in Flight, Dusk

Geese in Flight, Dusk
Geese in Flight, Dusk

Geese in Flight, Dusk. San Joaquin Valley, California. December 13, 2103. © Copyright 2014 G Dan Mitchell – all rights reserved.

A flock of geese takes to the air at dusk, San Joaquin Valley

After nearly a week in the dry and desiccated (and cold!) terrain of Death Valley National Park, I decided to break up my homeward drive with an evening stop in California’s San Joaquin Valley to photograph migratory birds. It is hard to imagine two places that are more different. Death Valley is mostly hard edged, dry, with only the hardiest vegetation, and a place of scarce wildlife. The San Joaquin is largely farmland, albeit due to irrigation, and where I went there is a lot of water and many thousands of birds. It was quite a contrast with where I had been and a sort of “welcome home” to a world that I am more accustomed to.

I arrived perhaps an hour before sunset, after a long drive that had begun early in the morning on the far side of the Sierra – and with a couple of hours of driving still to do. I drove across narrow farmland roads to get to the refuge, where I stopped and sat for a few moments before switching into “wildlife photographer mode.” As I had approached the place I had spotted a very large flock of Ross’s geese along the roadway that runs along the refuge, so I made steady progress back to this spot, where I figured I would do my evening photography. There was a very large group of geese already when I got there, and more were arriving from other far off locations. The geese mostly settle in on the pasture land and eat, but every so often something disturbs them and they take off en masse in a wild maelstrom of flapping wings and noise, fly around a few times, and soon return to almost the spot they left. There were two or three such giant “explosions” of flying geese as I photographed, and I shot this group using a rather slow shutter speed in post sunset dusk light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.