Tag Archives: brush

Dense Brush, Morning Light

Dense Brush, Morning Light
Morning light falls on dense brush at Pinnacles National Park

Dense Brush, Morning Light. Pinnacles National Park, California. March 17, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light falls on dense brush at Pinnacles National Park

Today’s photograph is another from my recent re-introduction to Pinnacles National Park in the mountains to the east of California’s Salinas Valley, following a gap of decades since my last visit. Despite being a place that I regularly visited when I was much younger — back then I rode a bike there to camp, went there to rock climb, hiked the trails and caves — it had somehow slipped off my map of places to visit. For the past few years, since its conversion from National Monument to National Park status, I’ve been planning to finally return.

If your experience with National Parks is mainly with the big, iconic parks such as Yosemite or Yellowstone, this park is going to surprise you with its intimacy. It is a relatively small place, and even its primary visual feature, the High Peaks, doesn’t present a single, focused identifying image in the way that, say, Half Dome or Old Faithful do. It seems more the sort of park that is about subtle and small things and the overall experience of the place — mostly California chaparral terrain that can evoke a sense of near desert at times. I made this photograph earlier in the morning when I paused along a route through a canyon when I came upon dense, back-lit foliage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fall Color, River Canyon

Fall Color, River Canyon
Cottonwood trees and other fall color along the bottom of a river canyon, Grand Staircase-Escalante National Monument

Fall Color, River Canyon. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2017 G Dan Mitchell – all rights reserved.

Cottonwood trees and other fall color along the bottom of a river canyon, Grand Staircase-Escalante National Monument

I made this photograph a few years back on a beautiful autumn day when a small group of friends walked down a river canyon, exploring and photographing the river, the vegetation, and the rocky walls. Direct sunlight does not reach the bottom of these canyons most of the time, especially during the times of the year when the sun’s path is lower in the sky and the daylight hours are shorter. Instead, the light strikes the upper walls, bouncing back and forth, diffusing and picking up the color of rocks and fall leaves as it makes its way downwards. If you look, you can see it in this photograph — in the glow on the canyon wall, the saturated colors of the leaves, and the light making its way into shadows.

Such canyons are wonderful places to go if you want to be cut off from the rest of the world. The landscape above the canyons is often relatively bare, perhaps dry and flat with occasional junipers. But none of that flat land world is visible once you are down in the canyon, where cottonwoods and brush spring up along the creek and every bend promises something new an interesting.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Eastern Sierra Foothills, Autumn Aspens

Eastern Sierra Foothills, Autumn Aspens
A small grove of autumn aspens is dwarfed by eastern Sierra foothill terrain

Eastern Sierra Foothills, Autumn Aspens. Sierra Nevada, California. October 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A small grove of autumn aspens is dwarfed by eastern Sierra foothill terrain

This is another Sierra Nevada autumn photograph, though the aspens take a smaller role in this one. The eastern base of the Sierra is a fascinating place. In some locations one can almost precisely locate the base of the range, where steep mountains or cliffs plunge directly into the alluvial fans at the base of the range. In several of these spots I have descended from the crest on long pack trips and walked to the “edge of the Sierra” to suddenly find myself in what feel like high desert terrain. In other locations the transition is more gradual, such as this location where the north-south highway reaches 8000′ of elevation or higher, putting this country in the same elevation range as many High Sierra meadows.

Here the junction with the range is more gradual, with high desert mountains and hills seeming to merge with the eastern extent of the Sierra and occasionally marked by huge rocky outcroppings and here and there cut by the ancient paths of glaciers. At the base of the hills in this photograph a couple of small groves of aspens manage to find a place in what is otherwise sage brush high desert, hinting at the forests to be found at higher elevations.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands Tree, Fog

Wetlands Tree, Fog
A tree and brush reflected in still water of a fog-shrouded wetland pond

Wetlands Tree, Fog. San Joaquin Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A tree and brush reflected in still water of a fog-shrouded wetland pond

These are my favorite days in California’ Great Central Valley, the winter days when the tule fog forms and covers the landscape, making almost everything seem mysterious. On days when most sane people avoid driving in this fog, I head this direction hoping I’ll find it. In certain areas, even when it is clear almost everywhere else, the fog can form above the winter wetlands and quickly drop visibility to near zero. (One of the strangest but characteristic experiences is driving slowly through pre-dawn darkness and fog so thick that you can barely see more than feet in front of you, yet being able to look straight up through the shallow fog layer to see the moon and stars overhead.)

It was tremendously foggy on the February morning. Arriving at this refuge we could hear thousands of geese and cranes off in the invisible distance in almost all directions, but we could not see a single bird. Eventually, on a perimeter road circling the wetlands, I came across this spot were a few trees stand in the shallow, still water. The fog hides distant elements of the landscape or at least mutes them, giving prominence to closer features that might otherwise be lost in background detail. The central tree, visually muted even though it is barely fifty feet from my camera position, curves above the reflecting water and its skeletal form stands out from the nearly invisible background plants and water that are almost invisible in the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.