Tag Archives: brush

Marsh, Fog, Evening Light

Marsh, Fog, Evening Light
Evening light on San Joaquin Valley marshland

Marsh, Fog, Evening Light. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on San Joaquin Valley marshland

This photograph represents the flip side of an observation I made in a separate post regarding another photograph that I made on this mid-December evening. The comment had to do with the contrast at the end of the day between events here that happen suddenly and those that unfold more slowly — a simulations slowing down and speeding up of events at the end of the day. The speeding up events include sudden departures and arrivals of large groups of birds. The slowing down part is exemplified by this photograph. (For the EXIF file data aficionados among you, the EXIF data shows an incorrect time of day for this photograph. Ah, well…)

As I photographed other subjects I had slow moments to look around and take in static elements of the scene. Late in the evening, as the light color warmed, I saw the effect this had on the brown reeds and the trees, many of which still had a few fall leaves left. While the near trees are quite clear, being lit by this beautiful side-light, the details of the further trees are muted just a bit by haze, and the more distant sky’s color is muted by this incipient fog. A few remaining geese along with some ducks sit almost completely still in the shallow water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Shoreline

Autumn Shoreline
Autumn colors arrive along the shoreline of an Eastern Sierra lake

Autumn Shoreline. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Autumn colors arrive along the shoreline of an Eastern Sierra lake

This photograph represents a bit of a step back from the more intense Sierra Nevada colors of some of my other fall color photographs. Here many of the colors are muted, and the light is soft. The upper trees have already lost their leaves — early, as a result of the drought — and the foreground plants lining the lakeside marsh have largely gone dormant. A few conifers and some sagebrush appear around the edges of the frame.

This lake in the Eastern Sierra is the location of some spectacular fall color, too. In fact, this photograph intentionally looks away from some peak colors that were occurring nearby on this morning. After photographing so much intense color for several weeks, I think I was enjoying the muted quality of autumn storm light as it began to rain and eventually rain on this beautiful and quiet October morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens, Sagebrush Hills

Aspens, Sagebrush Hills
Backlit autumn aspen trees against a background of layered sagebrush-covered ridges

Aspens, Sagebrush Hills. Eastern Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Backlit autumn aspen trees against a background of layered sagebrush-covered ridges

This is a different view of the Sierra Nevada — rather than the high peaks, forests, meadows, rivers, and lakes we have high desert sagebrush country, but with a few aspens as well. When I think of aspens, they first bring to mind high elevation areas of the Sierra, often near rivers or other water sources, but also in some fairly rugged high areas. I don’t, at least not at first, thing of dry and austere landscapes like this one.

These aspens grow in a transitional east slope area. The elevation is high, a bit over 8000′ in this case, but the climate is dry and more closely related to the lower east side semi-desert areas. As a matter of fact, surrounding this grove is a landscape of mostly rolling sagebrush-covered hills. As the hills lead higher toward the crest, the trees become more dense and eventually intermixed with conifers. The light on the further ridges is also an interesting story. it obviously appears when the sun is at a low angle, which on the east side most likely means in the evening, and that is when I made this photograph. There is a short interval as the sun drops in the late afternoon when it is low enough to outline the edges of ridges, but before it abruptly drops behind the highest peaks of the Sierra. I made this photograph within moments of the shadow of the high peaks arriving — in fact, during the time it took me to set up a follow-up shot the beautiful light highlighting those ridges disappeared.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon and Stream

Canyon and Stream
Canyon and Stream

Canyon and Stream. Grand Staircase-Escalante National Monument, Utah. October 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A small rock-filled stream wanders along the bottom of a deep Utah red rock canyon

Yet another bend in yet another Utah canyon! We had hiked a good distance down into the depths of this canyon, finally stopping (most of us, anyway) at a scenic bend with lots of interesting photographic subjects. We held up there to make photographs, to sit and talk, and to eat. A few of us went a bit farther and some went a good distance more, but soon we had all checked our watches and realized it was time to start back..

This spot is just below a narrow section of the canyon where the water flows through a narrow cleft and around a big curve. Here, below that section, it seems like the flow must slow a bit, since a few more trees manage to grow here and the bed of the creek held a lot of river rocks and silt. In the distance the canyon curves more toward the west, and this allows a bit more light down into the canyon, producing a bit of a glow ahead.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.