Tag Archives: brush

Winter Wetlands, Morning

Winter Wetlands, Morning
Flooded Sacramento Valley wetlands in the early morning

Winter Wetlands, Morning. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Flooded Sacramento Valley wetlands in the early morning

While I tell myself that I go to places like this to photograph birds, the truth is that little spots like this one may be more my target. Imagine waking many hours before dawn, and against your instincts starting to move quickly and efficiently to arise, make breakfast, fix lunch, brew coffee, and load a car. Then drive many hours in the dark, radio playing, as the invisible landscape slides past and the world consists mostly of what I see in the headlight beams. Getting close to my destination the sky begins to glow a bit, but I’m still driving, in the world of a noisy car and freeway speeds.

Finally I leave the freeway and drive a relatively short distance to my Central Valley destination. My first stop is still all business — arriving, I park and change into cold weather clothing and set up camera and lenses and get back in the car. I start out on some gravel road around the area I’ve chosen to photograph, though the sun has yet to rise, and I’m focused on finding birds to photograph. A bit later I finally begin to slow down, and with the car windows rolled down in the cold morning air I stop and turn the motor off and sit next to a place like this one and everything is finally still.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Marsh, Fog, Evening Light

Marsh, Fog, Evening Light
Evening light on San Joaquin Valley marshland

Marsh, Fog, Evening Light. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on San Joaquin Valley marshland

This photograph represents the flip side of an observation I made in a separate post regarding another photograph that I made on this mid-December evening. The comment had to do with the contrast at the end of the day between events here that happen suddenly and those that unfold more slowly — a simulations slowing down and speeding up of events at the end of the day. The speeding up events include sudden departures and arrivals of large groups of birds. The slowing down part is exemplified by this photograph. (For the EXIF file data aficionados among you, the EXIF data shows an incorrect time of day for this photograph. Ah, well…)

As I photographed other subjects I had slow moments to look around and take in static elements of the scene. Late in the evening, as the light color warmed, I saw the effect this had on the brown reeds and the trees, many of which still had a few fall leaves left. While the near trees are quite clear, being lit by this beautiful side-light, the details of the further trees are muted just a bit by haze, and the more distant sky’s color is muted by this incipient fog. A few remaining geese along with some ducks sit almost completely still in the shallow water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Shoreline

Autumn Shoreline
Autumn colors arrive along the shoreline of an Eastern Sierra lake

Autumn Shoreline. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Autumn colors arrive along the shoreline of an Eastern Sierra lake

This photograph represents a bit of a step back from the more intense Sierra Nevada colors of some of my other fall color photographs. Here many of the colors are muted, and the light is soft. The upper trees have already lost their leaves — early, as a result of the drought — and the foreground plants lining the lakeside marsh have largely gone dormant. A few conifers and some sagebrush appear around the edges of the frame.

This lake in the Eastern Sierra is the location of some spectacular fall color, too. In fact, this photograph intentionally looks away from some peak colors that were occurring nearby on this morning. After photographing so much intense color for several weeks, I think I was enjoying the muted quality of autumn storm light as it began to rain and eventually rain on this beautiful and quiet October morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens, Sagebrush Hills

Aspens, Sagebrush Hills
Backlit autumn aspen trees against a background of layered sagebrush-covered ridges

Aspens, Sagebrush Hills. Eastern Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Backlit autumn aspen trees against a background of layered sagebrush-covered ridges

This is a different view of the Sierra Nevada — rather than the high peaks, forests, meadows, rivers, and lakes we have high desert sagebrush country, but with a few aspens as well. When I think of aspens, they first bring to mind high elevation areas of the Sierra, often near rivers or other water sources, but also in some fairly rugged high areas. I don’t, at least not at first, thing of dry and austere landscapes like this one.

These aspens grow in a transitional east slope area. The elevation is high, a bit over 8000′ in this case, but the climate is dry and more closely related to the lower east side semi-desert areas. As a matter of fact, surrounding this grove is a landscape of mostly rolling sagebrush-covered hills. As the hills lead higher toward the crest, the trees become more dense and eventually intermixed with conifers. The light on the further ridges is also an interesting story. it obviously appears when the sun is at a low angle, which on the east side most likely means in the evening, and that is when I made this photograph. There is a short interval as the sun drops in the late afternoon when it is low enough to outline the edges of ridges, but before it abruptly drops behind the highest peaks of the Sierra. I made this photograph within moments of the shadow of the high peaks arriving — in fact, during the time it took me to set up a follow-up shot the beautiful light highlighting those ridges disappeared.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.