Tag Archives: building

Abandoned Stamp Mill

Abandoned Stamp Mill
“Abandoned Stamp Mill” — An abandoned water-powered stamp mill high in the Panamint Range, Death Valley National Park

It seems that every national park or monument has both a natural and a human hisstory, or perhaps a story about the relationship between the two. While the power of natural forces (heat, water, geology, and more) is abundantly obvious in the huge, austere landscape of Death Valley National Park, the human history of the place is rarely far from view. It begins with the evidence of people who lived here long before European-origin settlers came, evidence that can be seen in rock art scattered throughout the park, in the recognition that many settlements (current and now-abandoned) have a very much longer history than we may think, and in the native people who still occupy and identify with this landscape.

Perhaps more obvious is the more recent history of those who came to look for mining success. (There are places in the park where extraction still takes place.) Some examples are obvious to the casual visitor, but the more time you spend in the back-country of the park the more you understand that this particular history is everywhere — though not usually as obvious as this example. This stamp mill, built to crush gold ore, is amazing in multiple ways. Perched at the end of high ridge in very remote location, it was powered in the most unlikely manner… by water piped in from a spring over twenty miles away. The location is stupendous, and it is easy to think that practical issues may not have been the only considerations in choosing the site. From here one can look down thousands of feet to broad alluvial slopes leading towards Death Valley, but one can also look further into the distance and see the snow-covered peaks of the Sierra Nevada.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Abandoned Loading Dock

Abandoned Loading Dock
Railroad tracks and a weather protection structure above an old loading dock, Mare Island Naval Ship Yard

Abandoned Loading Dock. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Railroad tracks and a weather protection structure above an old loading dock, Mare Island Naval Ship Yard

This is another very still and quiet image from my recent evening photographing the historic Mare Island Naval Ship Yard. Image walking alone in the darkness among these old (mostly) abandoned ship yard buildings: shops, warehouses, towers. Occasionally a lone car drives past, momentarily raising my level of alertness. It is mostly silent except for a sound of distant traffic across the water in Vallejo. The air is typically cold and damp, and on this night a bit of a breeze blows. The photographs are visual images, but they also evoke, for me, a whole series of associations, memories, and sensations associated with the place the experience of making the photographs.

There is always a question of just how to treat luminosity and color with these nighttime subjects. The fact of the matter is that many of these scenes are barely visible to the human eye, and details are shrouded in darkness. In this low light color is mostly desaturated, only becoming visible afterwards in the photograph. And much of the color is not the true color of the objects, but rather is the color of the light that illuminates them — and it can range from yellow to reddish, but white or even blue-green. The concept of accurate rendering becomes moot, since an “accurate” photograph (if “accurate” means “what it looked like”) would be almost colorless and nearly pitch black. Instead I take this as an opportunity to capture “what the camera sees” and use that as the raw material for what must be an interpretation of the captured light — almost inevitably brighter and more colorful than the original, but still trying to evoke that mysterious and quiet nocturnal quality.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Building, Reflections

Building, Reflections
Portions of downtown San Francisco reflected in the windows of a tall building

Building, Reflections. San Francisco, California. February 3, 3017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Portions of downtown San Francisco reflected in the windows of a tall building

This is an urban landscape photograph — while the subject is quite different from natural landscapes, I think of it is ways that are at least partially similar. Superficially, the urban world of towers and canyons presents some possibilities that are related to the mountains and valleys that I photograph in the non-urban world; I think about light and form in similar ways; and the ways I view each type of landscape can’t help but inform how I view the other.

It was only a few years ago when I understood something that intrigues me about glass-covered buildings like this one. (Yes, I’m slow sometimes…) We feel like we are looking at a building in a photograph like this, but a good part of what we actually see is not the building at all, but its form made visible by means of reflections of its surroundings, including other buildings and the sky. Here some skeletal forms help define its shape, perhaps more so than with some other buildings, but between those elements the windows themselves mostly reflect things that are not the building itself


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Building In Muted Light

Building In Muted Light
Cloud-muted light on an urban building near SFMOMA

Building In Muted Light. San Francisco, California. February 3, 3017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Cloud-muted light on an urban building near SFMOMA

This building is becoming something of a theme for me, and I often end up treating it in black and white. I made the photograph from one of the outdoor terraces high on the side of the new section of the San Francisco Museum of Modern Art (SFMOMA), from which there are interesting and varied views of the surrounding downtown San Francisco neighborhood. This building is perhaps the closest to the museum, and its form and the texture of its surface are interesting.

I originally thought that it would be a color photograph. The soft light played in interesting ways on the subtle colors of the stone and the pastel color of the windows. But the more I worked on it the more something persuaded me to let go of that nod to realism and instead go with a rather highly processed monochrome interpretation. There is a school of architecture photography that makes heavy use of techniques that darken areas of the image and then compensate by selective lightening. This is often complemented by some techniques involving blur — a sort of masking effect. I used these and more, including some heavy dodging and burning to get this photograph to what you see here — perhaps for no more reason than that I wanted to explore some of these techniques.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.