Tag Archives: buildings

Photographs: France, Photographs: Urban/Street, Photographs: White Mountains

Open Gate and Courtyard

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Open Gate and Courtyard
A gate opens to a courtyard, Paris

Open Gate and Courtyard. © Copyright 2018 G Dan Mitchell – all rights reserved.

A gate opens to a courtyard, Paris

This photograph was one in a series of quick snaps — street photography done while on the move, with barely time to stop and compose the image. We ended up here almost by accident. We were working our way towards a museum at which there was an exhibit of photography that seemed interesting, and our route took us through this old area.

The gate was open as we walked past, revealing an interior courtyard. It was entirely empty, except for one very well dressed man, sitting on a step near the wall and staring intently at his cell phone.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Urban/Street

Xing School

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Xing School
Street crossing marking on the roadway in Chinatown, Manhattan

Xing School. © Copyright 2018 G Dan Mitchell – all rights reserved.

Street crossing marking on the roadway in Chinatown, Manhattan

I’m going to divert briefly from the Death Vally photographs today and return to a much different place, the urban world of New York City. I made this photograph about four years ago and only rediscovered it today. Sometimes as I work my way though files after returning from such a location I get interrupted by another project and occasionally I leave work unprocessed. I think that is what happened in this case, as this wasn’t the only photograph in the batch that I had overlooked. (I only went back to these images because I was looking for something to use as an example in a reply to someone’s technical question.)

The location is Manhattan’s Chinatown, and I’m pretty sure it is a section of my favorite street in this neighborhood. (I have a kind of informal project of photographing this East Coast location and its West Coast equivalent in San Francisco.) I did something a bit unusual with my post-processing interpretation of the image. I suspect that it may not be obvious to viewers, but I played with the color levels and actually diminished their intensity quite a bit — I think this provides a little different sense of the quality of this location.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: Structures and Objects, Photographs: Urban/Street

Alley, Night

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Alley, Night
“Alley, Night” — Interior lights spill into an alley between two industrial buildings

I photographed both familiar and new subjects at the Mare Island Naval Ship Yard again this past week. During the evening I gradually worked my way across the core of the place,eventually heading south from where I began. I had photographed the other side of the building on the right, which contained a large open interior space with many windows. When I came around the other side of the building I was surprised by the complex pattern of light between the two receding buildings. I had photographed here in the past when the building to the right was abandoned, and this alley had been a very dark place.

On this evening those of us who have photographed at Mare Island for a long time — some for several decades — lamented some of the changes that are coming to the place. It lay almost dormant for years, but now many of the old buildings are being refitted for modern users. On one hand this changes the lonely and forlorn character of the island. On the other hand, it means that once the buildings are rehabilitated they will likely stand for a long time. But right now construction is going on everywhere, some interesting places now are off-limits, and fences have been erected around the construction work. That posed a problem for this photograph. In the past I could walk right up this alley, but now a portable cyclone fence cuts off access. I solved the problem by extending my tripod as high as it would go — well above my head! — and photographing over the top of the fence.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: Mono Lake Basin, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Buildings, Crane

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Ship Yard Buildings, Crane,Mare Island Naval Ship Yard.
“Ship Yard Buildings, Crane” — Weathered ship yard buildings illuminated by saturated colors of artificial lighting

I recently had a chance to return to this ship yard facility near Vallejo, California to work on night photography. This is the place where I first tried that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph here often during the intervening decade and a half, and my night photography expanded from that beginning to incorporate other subjects and places. (Recently I have focused on night street photography done with small handheld cameras.)

This photograph is an example of several things that intrigue me about photographing at night. Scenes that might seem mundane in daylight are transformed at night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this one, the colors of the light become intense. Here the intense green of a large work light predominates. Another appeal of night photography is that it lets me make photographs of things that my eyes cannot see. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal hidden features, a pure example of “seeing what the camera sees.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.