Tag Archives: buttress

Red Wall Sunrise

Red Wall Sunrise
Saturated sunrise light on sandstone cliffs and ledges, Zion National Park.

Red Wall Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Saturated sunrise light on sandstone cliffs and ledges, Zion National Park.

If you have been reading my posts about Utah recently, you may recall that I mentioned the striking contrast between my home range, the Sierra Nevada, and the far more colorful landscapes of Utah. Every time I return from red rock country the California landscape seems so… gray. (Don’t worry. I get over this quickly, and there’s plenty to photograph here, too!) But in many places in Utah the combination of blue sky, red rock, and green foliage — often with a few other colorations mixed in — produces a landscape of remarkably varied coloration.

But sometimes things go just a bit over the top. I have a few photographers here and there in my archives where the colors were so intense or so unusual that I hesitate the share them, as I know that someone will inevitably doubt that the photograph represents something close to what happened. (To be sure, photographs do not simply “capture” what the camera saw, and most good photography involves some level of post processing… just like good writing involves some degree of editing.) This sunrise light in Zion Canyon produced something that seems, at least in a photograph, to be unbelievable and even impossible. But red dawn light on red rock walls actually can look like this, at least for a brief interval. The truth of the matter here is that I had to reduce the color saturation!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Red Rock Detail

Red Rock Detail
A section of sandstone cliff, Arches National Park.

Red Rock Detail. © Copyright 2012 G Dan Mitchell – all rights reserved.

A section of sandstone cliff, Arches National Park.

There is a story about my first visit to Arches National Park that we like to recount. (Perhaps you have heard it?) It derives from a habit of mine of not doing too much research before visiting a new location — I prefer to let some things remain a mystery so that I can have the joy of “discovering” the place for myself. That was the case on our first visit to Arches. I really didn’t know anything more than that there were (duh!) some archest there and that it was a national park. We arrived in Moab in the early afternoon, and finding ourselves with more time that day than expected we decided to make a quick first visit. A reliable source reports that I pretty much lost my composure upon “discovering” this collection of towers, arches, cliffs, and more.

This photograph comes from our second visit, a few years later and during a different season. By now we knew a bit more about what to expect, and I arranged to be in a particular spot early in the morning with the prospect of photographing dawn light on sandstone features. I made quite a few photographs that morning, but this one is an example of my interest in using long lenses to photograph small details of the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mount Conness and Lower Young Lake, Sunset

Mount Conness and Lower Young Lake, Sunset
Mount Conness and Lower Young Lake, Sunset

Mount Conness and Lower Young Lake, Sunset. Yosemite National Park, California. September 11, 2007. © Copyright G Dan Mitchell – all rights reserved.

Alpenglow lights Mount Conness above Lower Young Lake in the Yosemite National Park back-country.

I was recently going through a large portion of my archive in search of a variety of photographs of Mount Conness, a well-known peak along the northeast edge of Yosemite National Park on the crest of the Sierra. This is perhaps not the best known peak in Yosemite for most people – they are obviously going to be far more familiar with the cliffs and domes around Yosemite Valley or with Mount Lyell (the tallest peak in the park) or perhaps Mount Dana (second highest peak, and towering above the Tioga Pass entrance.) Mount Conness is found a bit further “north” along the crest, and while it may be less known, it is certainly no less visible once you know where to look. You can see it in the distance towering above Tenaya Lake if you stop at the iconic Olmsted Point overlook. It is visible from many places along the road to Tuolumne Meadows. Once you get away from roads and into the high country it can be seen from almost any high point with an open view in the direction of the peak, including places like Vogelsang High Sierra Camp.

This photograph was made on a quiet late-season evening at Lower Young Lake, a place that I return to frequently, most of the time in the off-season when fewer people are there and the fall colors of the high country are starting to appear. The peak (and many other features in this area) are beautifully illuminated late in the day as this high ridge is open without obstruction to the west. The light on the peak was magical on this evening, being colorful and contrasting with the higher and more drab clouds, but not being as gaudily bright as it can be on other evenings.

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Horsetail Fall, Sunset (#2)

Horsetail Fall
Horsetail Fall

Horsetail Fall, Sunset (#2). Yosemite National Park, California. February 15, 2010. © Copyright G Dan Mitchell – all rights reserved.

Horsetail Fall in the final sunset light on a mid-February evening, Yosemite Valley, California.

I was in Yosemite Valley for a couple of days during the middle of February. My main reason for going was not to photograph the seasonal and iconic sunset light on Horsetail Fall, but it turned out that I did just that – twice. Since I have photographed the phenomenon in the past and already have a photograph that I consider a success, shooting it again isn’t at the top of my to-do list. However, I’ll shoot an icon if I think that the conditions might be special. In the afternoon I had been up high enough to get a clear view to the west, and it had looked almost completely clear. This is pretty much a necessary condition for good light on Horsetail, since the very late and low-angle light has to come in from across the Central Valley unobstructed. And, as everyone knows by now, the fall is an intermittent and seasonal event that depends on the right combination of prior snow (or rain) and warm weather to get the creek feeding the fall running in the middle of winter. It turned out that this had also happened, and the fall was running pretty strongly.

So, with all of those pieces apparently in play I decided to head on over to the picnic area beneath El Cap and then wander east until I found a suitable viewpoint. Still a bit ambivalent about shooting Horsetail, one reason I chose this spot is that it allowed me to shoot other subjects in the late afternoon and then arrive more or less at the last moment (around 5:00 p.m.) and still find parking and a spot to shoot. The parking, especially, can be more problematic at the other popular location, located along Southside Drive.

In the end, it was an odd evening for Horsetail. As the sunset continued the fall began to glow, and it looked like it might possibly turn out to be a really special night to shoot this subject. But then a few minutes before the peak of color would have occurred… it was as if someone switched the lights off. Very quickly the color dimmed to much more muted shades and remained so as the light faded. This was my last shot before that turn of events occurred, and this color corrected version (compensating for the otherwise very blue light on the rock face not struck by the sunlight) picked up some nice light and some of the most delicate and beautiful spray I’ve seen on the fall.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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