Tag Archives: california

Lake Shore, Autumn Morning

Lake Shore, Autumn Morning
Morning light strikes grass on the shoreline of a Sierra lake reflecting autumn aspen color

Lake Shore, Autumn Morning. Eastern Sierra Nevada, California. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light strikes grass on the shoreline of a Sierra lake reflecting autumn aspen color

Some photographs have to age for a while before I go back and figure out how to “see” them. This is one of those. I made the photograph a few months ago on a lovely autumn morning high in the Eastern Sierra, at a corner of a well-known location from which people frequently photograph a rather different view. I had begun the morning near this lake, looking for ways to see the landscape in this location in ways that weren’t quite as familiar to me, partly with photographic intent and partly out of not wanting to be part of the assembled crowd!

A bit later, once the expected light show had ended and those who came only for that had departed, I wandered down along the shore of the lake. Where there had been dozens a bit earlier, there were now only two, myself and one other photographer. I’ve been intrigued by these grassy areas along the edge of this lake, but I had not thought to photograph the scene from quite this direction before — and my timing was either perfect or, more likely, lucky in that the first beams of morning light to find their way through surrounding trees were just beginning to strike the patch of grass.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mono Lake, Reflected Clouds

Mono Lake, Reflected Clouds
“Mono Lake, Reflected Clouds” — Clouds reflected on the still surface of Mono Lake

Mono Lake has many moods. For example, as I post this, it is a quiet and lonely place where snow covers the mountains to the west, fog may fill in for days, and few people visit. In summer it can be very hot and often quite windy, with blowing dust and waves on the lakes surface. At dawn the light can be subtly colorful; at midday it may be intense and flat.

I made this photograph on a day just before the start of autumn, when the lake’s surface was unusually calm, to the point of almost justifying the description “glass-like.” I went to a place that is not visited as frequently as some of the more accessible and iconic locations, and from here I was able to photograph right at the water’s edge, a vantage point from which I was able to include a few isolated clouds floating past plus their reflections in the still surface of the water. At times like this, the strongest impressions of the Mono Lake Basin for me are of great distances, the immense sky, still water, and deep silence.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

The Cranes Return

The Cranes Return
Lesser sandhill cranes return to wetland marshes in fading dusk light

The Cranes Return. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Lesser sandhill cranes return to wetland marshes in fading dusk light

There is a natural cycle to the day during the winter at these San Joaquin Valley wetland marshes — actually there are multiple cycles. One is the cycle of the animals themselves, responding to the dawn, moving to daytime activities, coming and going, then settling in once again for the night. Another is the cycle of the photographer or viewer of this wildlife, whose own patterns are inextricably linked to those of the birds and the light, but who also may sometimes choose when and where to focus efforts.

The midday and early afternoon hours are, at least most of the time, relatively quiet and slow. It makes sense that during the times of day when conditions are the most stable that the birds would also be more settled. (There are seasonal exceptions, including the late winter time when the winter residence of many birds is coming to an end and another migration cycle is about to begin.) The evening brings another transition, and one of the final and most impressive moments often comes after sunset with the dusk fly-in of the sandhill cranes. Long strings of these birds appear (usually from the south in this place), flying low and straight paths toward the places where they will land and spend the night.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Red-Tailed Hawk

Red-Tailed Hawk
A red-tailed hawk perches on the top of a fence post.

Red-Tailed Hawk. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A red-tailed hawk perches on the top of a fence post.

Birds like this one are everyone in the west once you start looking for them, though they are not often easy to approach. In a place like this, where there are many thousands of other birds, these raptors are always there but in much smaller numbers. I frequently see them perched high in large trees or flying past, sometimes provoking reactions from the other birds.

This one teased me a bit. The first time I saw it, much earlier in the day, it was standing on this same fence post and watching a nearby field. Every so often it would take off and, I presume, hunt for something to eat before returning a few minutes later. I never was able to get close to it, so I stayed at a distance and watched. I returned much later in the day, when warm early sunset light was shining on the bird and starting to turn the sky pink. As I drove past on the gravel road it didn’t budge, so I stopped and rolled down a window and photographed it perching on “its” fence post.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.