“Forest, White Drin River” — A person stands next to the White Drin River under a forest canopy, Kosovo.
The White Drin is a branch of the Drin River that drains Kosovo and parts of Albania — this portion begins in the mountains along the western side of Kosovo. Some regard a waterfall a bit further up the river from here as its source. This scene is along the popular walking route to that fall.
While many of my landscape photographs exclude people, it seems appropriate to include one (and more, if you look closely) here. This location, not far from the town of Peja (or Pec) is extremely popular. The place was crowded when we visited, with families walking the route and in places trailside vendors.
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A new trillium plant emerges and begins to blossom beneath the redwood forest canopy.
With enough time to observe these plants – and a few return visits to fill in observational gaps – it is possible to see the full process of their unfolding. Though I still haven’t spotted the very earliest sprouts – probably because I didn’t look quite closely enough – I can spot the newly emerging plants that are about to open up and blossom. The leaves wrap around the incipient flower, and when they begin to open the appearance of the flower itself isn’t far behind.
On this visit to Muir Woods National Monument I found trillium plants in all stages from tiny plants with small leaves to those that had already blossomed and even lost the flowers. A few were at this wonderful stage when the cradling outside leaves are just opening to reveal the new flower. Soon the leaves will drop and flatten to produce the familiar three-part shape and the flower will stand (or droop!) above the leaves.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A dense forest backlit by afternoon light along the Northern California coast.
If you follow my blog, you know that I frequently photograph all around the Sierra, in the deserts east and south of the range, in coastal California in the San Francisco Bay Area and south, and even in the Central Valley. I’m almost a bit embarrassed, however, to admit to barely having scratched the surface of the photographic opportunities of “real” northern California, along the coast or inland. While I frequently shoot north of San Francisco, most of this work has been done no farther north than about Point Reyes.
This past weekend my wife and I managed a quick getaway that took us up to and slightly beyond Mendocino, where we spent a couple of nights. This wasn’t meant to be a photographic excursion, but I have a very understanding wife! She did not object when I stopped from time to time on our drive to get out the camera gear and make a few photographs. Truth be told, she made a few herself! I tried to keep the photography under control – after all, this trip was more about relaxing, seeing the sights, enjoying some good food, and so forth – but I did stop a few times make some photographs. And I also realized that I really need to head back up into this area and begin to seriously explore this region that is right at my virtual doorstep, and which is in many ways quite different from the “other Californias” that I’ve become familiar with.
This photograph was made in an extensive deciduous forest in a more or less random spot along the road, north of Fort Bragg and in an area where highway 1 takes an inland jog.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Soft light filters through the canopy of a dense aspen grove near Bishop Creek, California.
I think that these dense aspen forest scenes ended up being something of a theme for me this fall. In this one I tried to find as dense an example of aspen forest as I could locate and then to make a photograph that may perhaps evoke the combination of diffused light coming down through the depleted canopy of yellow leaves and the very tightly packed trees. The trees in this grove are relatively small and closely packed – so close, in fact, that in places it is very hard to move among them. I used an ultra-wide lens to try to both bring as much of this detail into the frame and to let me work very close to the nearest trees. The closest tree is probably no more than about a foot from the camera.
Working in such close quarters, very small changes in camera position end up having large effects on the composition. In the end I found myself repositioning the camera and tripod by fractions of an inch from side to side. Although it isn’t easy to see in this small jpg version, the complex detail of branches and leaves eventually recedes into the distance near the far edge of the grove and the grove becomes a bit lighter along that farthest fringe.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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