Tag Archives: canyon

Crossing Kaweah Gap

Crossing Kaweah Gap
The High Sierra Trail crosses alpine terrain near Kaweah Gap

Crossing Kaweah Gap. © Copyright 2018 G Dan Mitchell – all rights reserved.

The High Sierra Trail crosses alpine terrain near Kaweah Gap

I have been reviewing my older archives of raw files recently, partly because it simply is important to do so from time to time, and partly because I’m between locations and looking for additional images to work on. Any time I go back through the older files I find things that are interesting, and occasionally I even find some excellent photographs that I overlooked the first time around.

This photograph comes from 2008. To me it seems more interesting as a record of a particular place and a particular event than on a purely photographic basis. (I could have wished for a more interesting sky!) This was my second crossing of the High Sierra Trail, which we followed from the west side of Sequoia National Park, across the entire range, to the summit of Mount Whitney, and then down to Whitney Portal. On this trip I traveled with a group of long-time backcountry friends… unlike the first time I did this trip perhaps 25 years earlier, when I did it with my wife. I made this photograph from the top of Kaweah Gap, the pass through the Great Western Divide before dropping into Big Arroyo. The photograph looks back to the west, across the trail we had ascended to reach this point.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Hiker, Desert Canyon, Natural Bridge

Hiker, Desert Canyon, Natural Bridge
A hiker passes under a natural bridge in a Death Valley National Park canyon

Hiker, Desert Canyon, Natural Bridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

A hiker passes under a natural bridge in a Death Valley National Park canyon

Timing seems to matter a lot when photographing and hiking in Death Valley. A whole range of factors come into play: distances between locations, times of day with best light, concerns about temperature, and so on. Over the years I have come up with the rough outlines of a daily schedule — which I frequently violate! — to adapt to the general patterns. I usually start the day with a pre-dawn and sunrise location, and then move to a second early to mid morning place. In many cases I take a midday break — when camping I use this to lounge around camp, eat, nap, or else to drive to more distant spots — Then there is often an afternoon location, followed by a sunset and early evening spot. The dawn and sunset angle is probably obvious to most readers, but what about the mid-morning and afternoon spots? These are often in canyons, which can be a bit too dark at the edges of the day, but which often get nice light a bit after sunrise and before sunset. Bonus benefit: they produce shade during hot parts of the day.

On this day we were using this plan, so we took a mid-morning hike up this narrow canyon, enjoying the opportunities to escape the direct sun and the beautiful light in the bottom of the canyon, as it bounced down from above and between the canyon walls. Here a hiker (my wife Patty) went ahead of me beneath this big natural bridge and headed on towards the mouth of the canyon not far beyond.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Afternoon Light, Lee Vining Canyon

Afternoon Light, Lee Vining Canyon
Clouds from a dissipating storm, afternoon haze and light, spring aspens and meadows in Lee Vining Canyon

Afternoon Light, Lee Vining Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds from a dissipating storm, afternoon haze and light, spring aspens and meadows in Lee Vining Canyon

This is another photograph from my marathon one-day trip from the San Francisco Bay Area over Tioga Pass and back earlier this week. This was as close to Monday’s opening of Tioga Pass Road as I could make it. In some ways it may have turned out for the best to not go on the actual opening day. I suspect that there were more people up there that day, and it was fairly deserted a couple of days later. I think that the weather was probably a bit more cooperative when I went, too — it was mostly fair, but with some interesting clouds and even a couple of drops of rain.

By mid-afternoon I had crossed the pass and dropped down to Lee Vining. The midday light isn’t generally my favorite for photography, so I went for a hike near Mono Lake before swinging back to Lee Vining to grab an early dinner before starting my return trip. The plan was to start back up through Lee Vining Canyon as the light was starting to become interesting, giving my as much as a couple of hours of potential photography time along Tioga Pass Road. It was somewhat hazy — a slightly thick atmosphere left behind in the wake of a weather front. This can produce dramatic lighting sometimes, but it can also lower contrast, mute colors, and generally make photography a bit tricky. (One option is to shoot for black and white!) As I started the climb up into Lee Vining Canyon, some beams of light came down from dissipating clouds and began to light the new growth of meadows and aspen trees at the bottom of the canyon.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Clouds, Merced River Canyon

Clearing Clouds, Merced River Canyon
Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Clearing Clouds, Merced River Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Yes, another photograph in the “Bierstadt morning” series, as I’ve come to think of it. (Albert Bierstadt was a renowned 19th-century landscape painter whose work in Yosemite is famous. His paintings, while true to the subjective experience of the place, relied on enhanced effects of color, light, perspective, and atmosphere.) As I have written, this morning started cloudy and gray but quickly transformed into a marvel of clouds, mists, and light that continued well into the mid-morning hours.

I began photographing in a location overlooking the main valley, but then decided to head up to this area, where I was thinking of several possible subjects. As I watched the play of light and atmosphere I decided to forego some of the intimate landscape opportunities and intend go for this large-scale scene looking up the valley of the Merced River. Working from one of the more obvious spots in the park, I set up and spent an hour or so watching the constant transformations of the scene as clouds opened, light appeared and moved across the scene, fog came and went, and more.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.