Tag Archives: canyon

Autumn Aspens, Reflection

Autumn Aspens, Reflection
A grove of autumn aspen trees descends to the shoreline of a reflecting lake

Autumn Aspens, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A grove of autumn aspen trees descends to the shoreline of a reflecting lake

I’ll use today’s post for several purposes — the usual photograph shared with comments, plus some thoughts and observations about the Sierra Nevada autumn color season. The photograph comes from a well-known location in the Eastern Sierra. I was fortunate to visit on a day when the usual crowds weren’t there, and I had the place almost to myself! It probably helped that I arrived at an unusual time of day, taking advantage of some broken clouds that produced some special light on the river of aspen trees flowing down the hillside to the edge of this subalpine lake. Parts of the grove were past the proverbial prime, but in some ways I like seeing a few bare trees in the scene.

On this past week’s short trip to photograph Eastern Sierra Nevada fall color I thought a bit about what I’ve learned over the years regarding the timing of the annual transition. One thing that I finally have accepted is that it is more or less impossible (with some minor exceptions) to accurately predict the evolution of the color in a particular year. A second thing I’ve realized is that, despite year-to-year variations within the season, the overall color transition tends to take place on more or less the same schedule each year. In other words, leaving aside truly exceptional times such as year five of the recent five-year drought, things tend to start and end on about the same schedule each year — despite the annual initial “observations” about how the season is going to be an unusual one — beginning high and working down the mountains to lower elevations, with other local variations in the evolution. (I confess… I’ve made those predictions, too.)

While the start/end times of the fall color transition tend to be fairly consistent (for example, week two of October is almost always a good bet), there are sometimes variations within that time frame. Some are obvious. For example, a big, windy storm when there are lots of yellow leaves will blow down many of those leaves, and there will be a gap of a few more days before other leaves change color and take their place. Others are more mysterious. I noted a few of those mysteries this year. For example, in one location where I often find trees losing their leaves somewhat earlier than elsewhere, this year there were still some green trees! Yet, in other nearby locations trees that are often coming into form just a bit later… were in full color already!

What to do? My advice is still pretty much the same. Target a time around the end of the first week of October for your visit, expecting that the week starting then is likely to produce good color. Once on the scene, be alert for variations and be ready to change plans. If one area is still green, try going higher. If the trees you visit seem to be losing (or have already lost!) their leaves when you get there, try a lower elevation, a location with larger trees, or a deep east side canyon. And realize that it is almost unheard of for all the trees in an area to be at peak color simultaneously — you are far more likely to find some bare and some green trees mixed in with your trees in prime condition.

What about this year? Based on what I saw last week, this weekend (October 12, 13, 14) should be great in many places. In addition, given the number of purely green trees I saw in various locations, it should be quite possible to still find excellent color in another week.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Crossing Kaweah Gap

Crossing Kaweah Gap
The High Sierra Trail crosses alpine terrain near Kaweah Gap

Crossing Kaweah Gap. © Copyright 2018 G Dan Mitchell – all rights reserved.

The High Sierra Trail crosses alpine terrain near Kaweah Gap

I have been reviewing my older archives of raw files recently, partly because it simply is important to do so from time to time, and partly because I’m between locations and looking for additional images to work on. Any time I go back through the older files I find things that are interesting, and occasionally I even find some excellent photographs that I overlooked the first time around.

This photograph comes from 2008. To me it seems more interesting as a record of a particular place and a particular event than on a purely photographic basis. (I could have wished for a more interesting sky!) This was my second crossing of the High Sierra Trail, which we followed from the west side of Sequoia National Park, across the entire range, to the summit of Mount Whitney, and then down to Whitney Portal. On this trip I traveled with a group of long-time backcountry friends… unlike the first time I did this trip perhaps 25 years earlier, when I did it with my wife. I made this photograph from the top of Kaweah Gap, the pass through the Great Western Divide before dropping into Big Arroyo. The photograph looks back to the west, across the trail we had ascended to reach this point.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hiker, Desert Canyon, Natural Bridge

Hiker, Desert Canyon, Natural Bridge
A hiker passes under a natural bridge in a Death Valley National Park canyon

Hiker, Desert Canyon, Natural Bridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

A hiker passes under a natural bridge in a Death Valley National Park canyon

Timing seems to matter a lot when photographing and hiking in Death Valley. A whole range of factors come into play: distances between locations, times of day with best light, concerns about temperature, and so on. Over the years I have come up with the rough outlines of a daily schedule — which I frequently violate! — to adapt to the general patterns. I usually start the day with a pre-dawn and sunrise location, and then move to a second early to mid morning place. In many cases I take a midday break — when camping I use this to lounge around camp, eat, nap, or else to drive to more distant spots — Then there is often an afternoon location, followed by a sunset and early evening spot. The dawn and sunset angle is probably obvious to most readers, but what about the mid-morning and afternoon spots? These are often in canyons, which can be a bit too dark at the edges of the day, but which often get nice light a bit after sunrise and before sunset. Bonus benefit: they produce shade during hot parts of the day.

On this day we were using this plan, so we took a mid-morning hike up this narrow canyon, enjoying the opportunities to escape the direct sun and the beautiful light in the bottom of the canyon, as it bounced down from above and between the canyon walls. Here a hiker (my wife Patty) went ahead of me beneath this big natural bridge and headed on towards the mouth of the canyon not far beyond.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Afternoon Light, Lee Vining Canyon

Afternoon Light, Lee Vining Canyon
Clouds from a dissipating storm, afternoon haze and light, spring aspens and meadows in Lee Vining Canyon

Afternoon Light, Lee Vining Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds from a dissipating storm, afternoon haze and light, spring aspens and meadows in Lee Vining Canyon

This is another photograph from my marathon one-day trip from the San Francisco Bay Area over Tioga Pass and back earlier this week. This was as close to Monday’s opening of Tioga Pass Road as I could make it. In some ways it may have turned out for the best to not go on the actual opening day. I suspect that there were more people up there that day, and it was fairly deserted a couple of days later. I think that the weather was probably a bit more cooperative when I went, too — it was mostly fair, but with some interesting clouds and even a couple of drops of rain.

By mid-afternoon I had crossed the pass and dropped down to Lee Vining. The midday light isn’t generally my favorite for photography, so I went for a hike near Mono Lake before swinging back to Lee Vining to grab an early dinner before starting my return trip. The plan was to start back up through Lee Vining Canyon as the light was starting to become interesting, giving my as much as a couple of hours of potential photography time along Tioga Pass Road. It was somewhat hazy — a slightly thick atmosphere left behind in the wake of a weather front. This can produce dramatic lighting sometimes, but it can also lower contrast, mute colors, and generally make photography a bit tricky. (One option is to shoot for black and white!) As I started the climb up into Lee Vining Canyon, some beams of light came down from dissipating clouds and began to light the new growth of meadows and aspen trees at the bottom of the canyon.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.