Tag Archives: canyon

Sculpted Sandstone

Sculpted Sandstone
Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

Sculpted Sandstone. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

We have to change the way we think about the daily progression of light when photographing in slot canyons. I first learned this when photographing in the red sandstone country of Utah, but it is just as true in the relatively less colorful canyons of Death Valley or even in some places in the plain gray granite landscape of the Sierra Nevada. In most cases we are drawn to the warm, early morning light, with its long shadows and lovely color. But in the canyons that light can be far less compelling, and it may even just end up seeming drab. Once you reset your expectations you find that the best canyon light often comes in the middle of the day, when the sun rises high enough to directly illuminate the red canyon rims, and then this light bounces and reflects downward into the canyon depths.

I made this photograph in a spot in a Utah canyon that was perhaps an even better than usual location for reflected canyon light. The rock was red standstone. Late-morning sunlight lit the upper rim, and that light suffused the lower reaches of the canyon. But here the narrow section of slot canyon wasn’t very long, and some bluish light from the sky reflected on angled rock surfaces, introducing a striking color contrast to the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Slot Canyon

Slot Canyon
The narrow confines of a Utah slot canyon

Slot Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

The narrow confines of a Utah slot canyon.

Utah’s red rock and canyon country is not my native landscape, though I could see how it could be in another life. I somehow managed to live through decades of my life mostly unaware of its magic. (I have explained previously that this may be partially the result of long childhood road trips from California to the Midwest — they nearly always passed through far less scenic parts of Utah.) I had seen photographs, and eventually I started listening more carefully to the stories my friends told. Finally, less than a decade ago, I made my first visit, a long trip on which we visited Cedar Breaks, Zion, Bryce, Capitol Reef, and Arches. I was completely taken by this landscape and spent many weeks there over the next few years. (I haven’t been back recently, in protest against the state’s promotion of and surrender to the administration’s attack on our American public lands in the state.)

This photograph came from one of those later visits. This time, about four years ago, I had several weeks of time to travel around the state and explore. Part of that exploration was done entirely alone, but later I joined up with some other photographer friends… and I concluded the trip by meeting up with family at Zion. The photograph comes from that early, solo portion. I had heard the names of some places that weren’t far from where I was staying, so I decided to investigate. I frequently — and intentionally — don’t over-research locations, since I prefer to discover them on my own. So I figured out the minimal information about which gravel road to take, and I drove there and headed out. Before long I came to a turn-out at a spot that provided access to a beautiful wash, so I stopped and started hiking. Soon the canyon narrowed and before long I was in this beautiful slot canyon, still wet from recent rain. This spot was special — a place where the transition from open wash to narrow slot canyon was very apparent.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sandstone and Canyon Mud

Sandstone and Canyon Mud
Cracked mud at the bottom of a narrow Utah sandstone slot canyon

Sandstone and Canyon Mud. © Copyright 2018 G Dan Mitchell – all rights reserved.

Cracked mud at the bottom of a narrow Utah sandstone slot canyon

For various reasons I found myself looking back into my archives of older photographs this week. In one case someone asked about a particular subject and I thought that I could find the answer in the form of a photograph. In another I wanted to use an older image to illustrate a point. Sometimes when I go back to the old raw image files one thing leads to another and I’m off on an exploration of forgotten work. And, quite often, as I do this I “rediscover” photographs that I had originally left behind for one reason or another.

This week’s dive into the past took me back about four years to a wonderful trip to the Southwest. I had several weeks to wander. I started in the Kanab area, worked my way up to Capitol Reef to meet a photographer friend, then joined with a group of photographer/friends to spend several days camping and photographing in a remote area. I emerged from that backcountry trip to spend a night in a wonderful lodge in Boulder — what a shock that was! — and then headed west to join my family in the Zion area. I made this photograph early on the trip. I decided to explore a new area which I knew to hold some well-known features. I drove into the area, found a place to park at a likely looking trailhead, shouldered my pack and headed into a large wash, eventually entering a section of beautiful slot canyon terrain, with much from recent rains still covering parts of the canyon floor.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Aspen Color

Aspen Color
Colorful autumn aspen trees in the Eastern Sierra Nevada

Aspen Color. © Copyright 2018 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees in the Eastern Sierra Nevada

On the surface, at least, this is a very simple photograph… so it gets a simple title: Aspen Color. The trees are part of a large (and both popular and accessible) grove in the Eastern Sierra Nevada. Like so many others, I stop here each autumn, and I’ve spent a lot of time staring at the trees rising from a creek to far up the surrounding slopes, almost committing to memory the general scene and many of its details. While many Sierra Nevada aspen trees tend to be short and somewhat twisted, at least by comparison to those familiar groves to Colorado trees standing straight and tall, in places in the Sierra you can find those big, stout, and tall trees. This grove is one of those places, though there are plenty of the smaller trees mixed in, too.

On the day I made this photograph the colors in the larger grove varied from deep green to extremely bright yellow/gold, with a few bits of red-orange visible here and there. The latter colors first caught my attention in the spot shown in the photograph. The reddish color was subtle and only in a small area, but it was the starting point for the idea of the photograph. It is hard to make some sort of order out of such complex detail, but the idea was to place a complete tree along the left side of the frame, put that bit of red-orange at lower right, and to include some of the leaves that had not yet lost their green tint.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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