Tag Archives: canyon

Fractured Rock, Reflected Light

Fractured Rock, Reflected Light
Fractured Rock, Reflected Light

Fractured Rock, Reflected Light. Death Valley National Park, California. December 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A few plants grow on fractured pink and blue canyon rock illuminated by light reflected from nearby cliffs

In my experience, the geology of Death Valley mostly features relatively subdued coloration. While this geology is laid bare by the lack of thick vegetation, the colors are mostly shades of gray, white, tan, with occasional blues and greens from mineral deposits. But you rarely will see here the intense colors of, say, the sandstone formations of the Southwest. (Sorry to disappoint anyone, but if you have seen some photographs featuring intensely colorful deposits in places like “Artist Palette,” you may be a bit disappointed to see the real thing!) This is not entirely bad news, as subtle colors can also be very beautiful, and even these colors can become intensified in the right light… and that does occur in Death Valley.

This photograph perhaps tells a story that is partially about the color of rock and a bit about the light, and is also about keeping my eyes open for the fleeting and sometimes surprising examples of color. I was in a place that is not known for brilliant colors, at least not in the walls of this narrow canyon. As I passed through a narrow and twisting section, two things happened, and even though I’ve been there before this was the first time that I noticed them at this point. First, the steep, almost seems cliff-like wall has fractured layers and slabs that remind me a bit of exfoliating granite that I know so well from the Sierra. These layers alternate pinkish rock (that this non-geologist thinks look like some sort of sandstone) with inner layers that have a blue cast. Second, at the right time of day when the light strikes the upper walls of the narrow canyon, the light reflects down into its depths and warms the color of the light, emphasizing these subtle colors to produce what is, at least for Death Valley, some rather striking coloration.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Decaying Tree

Decaying Tree
Decaying Tree

Decaying Tree. Kings Canyon National Park, California. September 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The decaying stump of an ancient sub-alpine Sierra Nevada tree

I came upon this jumble of the remains of a very old and large tree while walking about on our first full morning camped at the spot where we would remain for six nights in the Kings Canyon National Park high-country. From our camp at about the 11,000′ level I walked uphill, intending to investigate a dome on the ridge behind us and to see if I could find anything to photograph around a small lake that I could see on our maps.

As I walked up the hill I passed through small meadows and by dried-up tarns with their barren rocks and the branches of various fallen trees. As I approached the location of the lake I had to find a route between rocks and various small but thick groves of trees. As I passed one of these spots I noticed this old tree in the (long) process of disintegrating. The boundary between these ancient and rugged living thing and rock has sometimes seemed fuzzy to me. While I understand that the rocks are far, far older than any tree, these trees grow so slowly, are often so twisted and gnarled, wind so intimately among the rocks and boulders, and are of a color that looks more like rock than wood.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rim Fire Zone, Morning

Rim Fire Zone, Morning
Rim Fire Zone, Morning

Rim Fire Zone, Morning. Rim of the World, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Hazy morning light filters across the burned hillsides in the area of the Rim Fire, California

In photographic terms this is perhaps not the most spectacular photograph, and the location is not quite a scenic icon – though it is a place that many stop and take a look on their way to Yosemite, the “Rim of the World” overlook along highway 120 between Groveland and the northern park entrance. However, this view is loaded with implications and connected to many stories.

Late this past summer, the state of California was tremendously dry after a second drought season. It wasn’t a question of whether there would be big wildfires, but more of where, when, and how many. Perhaps the biggest one of all started very near the Rim of the World overlook, and in the hot and dry conditions it quickly – some might say explosively – spread to the north, east, and south. While many think of it as “the Yosemite fire” – and it did burn a lot of terrain inside the park – it really was more of a “Yosemite area” fire. Because of the conditions – the long-term conditions of drought and the immediate conditions of heat and wind – the fire apparently did very serious damage to the forests in the are.

Shortly after the fire was contained, I thought that I might drive through the park on Tioga Pass Road to get to and from the eastern Sierra in early October. In fact, the roads had opened up again by that time, but snow closed Tioga Pass on my trip to the west and we ended up coming back over Sonora Pass. So the post-fire conditions of this area, which is very familiar to me after years of visits, were still an unknown when I drove to The Valley on October 30 for a few days of autumn photography. Passing into the first fringes of the burned areas along highway 120 things didn’t look all that different than they do after any wildfire – some areas badly burned, some singed, and others that mostly escaped the fire. I decided to stop at the Rim of the World overlook, which was pretty much the only place where stopping was allowed, and get out and take a look. I was floored by the scale of the fire. It had come from behind my position, burned down and across the deep canyon of the Tuolumne River, up the canyon walls on the far side, and then across a vast series of receding ridges. Some smoke and haze still seemed to be coming from the area, and early morning light glanced across the ridges, with their dead trees. In the far distance there is a low peak with a bit of early season snow.

I have seen quite a few fires in the park over the past few decades. One not far from here destroyed a large area of forest a few decades ago – and on this trip, ironically, I was noting that new evergreen trees are finally taking hold there. Later several very bad fires blew up from near Foresta, doing terrible damage to the section of Crane Flat Road descending towards The Valley. There have been others. In most of these cases – though I wondered in the case of the most recent Foresta fire, too – it seemed that I could watch the forest recover and return to something resembling what I remember. However, given the intensity and scale of this fire, I wonder if I’ll have that opportunity where the Rim Fire burned?

To end on a cheerier note, a couple of other observations. Even near badly burned areas, I did see sections where this fire only burned some of the vegetation and a few that seemed to have been completely spared. And when I got to a spot inside the park along highway 120 where I often stop to photography dogwood trees in the spring and fall, a spot that seemed like it might have been within the burn zone on the maps, I found my little spot completely intact, with the dogwoods turning to fall colors.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Snow, Parker Canyon

Autumn Snow, Parker Canyon
Autumn Snow, Parker Canyon

Autumn Snow, Parker Canyon. Eastern Sierra Nevada, California. October 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

An October storm brings snow to the Parker Canyon area of the eastern Sierra Nevada

This is yet another photograph from our early October “aspen chasing” trip to photograph fall color in the eastern Sierra. We were on the “east side” for five days, in conditions that began with a full day of snow, then turned mostly sunny for a few more days, and returned to more winter-like weather on our final day. On that last day of the visit we tracked far to the east of the Sierra, out into high desert ranges where we saw many interesting things including a number of stands of aspens in surprising and less-visited places.

We looped back from the east and passed by the south shore of Mono Lake, and coming over the rise between there and highway 395 we were not surprised to see a substantial chunk of the Sierra crest laid out before us… but we were a bit surprised to see that it appeared to still be snowing along the crest. We had awakened to light snow in Mammoth Lakes that morning, but assumed that it was just a passing squall. This seemed to be the case, as we did not see much more in the way of precipitation as we headed east. But these were apparently the sort of conditions in which storm clouds form right over the crest, and the result was this very dramatic scene. Low in the frame, the foreground hills pick up a bit of sunlight, and as they ascend toward higher peaks, aspen trees in full autumn color are visible. A forest filled valley, lined by an old lateral glacial moraine, ascends across the frame from right to left, leading to the entrance to steep Parker Canyon. High above, light snow falls and the peaks around Parker Pass slip in and out of the clouds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.