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From Shore to Shore

From Shore to Shore
Both shorelines of a rock-bound alpine lake

From Shore to Shore. © Copyright 2018 G Dan Mitchell – all rights reserved.

Both shorelines of a rock-bound alpine lake

The Sierra Nevada is sometimes called the Range of Light, in recognition of (or so I think) the open quality of its forests, the tendency toward summer sunshine, and the resulting abundant light. It is a very different place than, say, the mountains of the Pacific Northwest. There are day-to-day exceptions to the rule, but overall the characterization holds. As a matter of fact, on our mid-to-late September backcountry visit this year we experienced an unbroken string of perfect blue sky days for over a week. (By the way, photographers don’t necessarily regard that as a good thing!)

However, it is quite possible to experience different sorts of light in these mountains. Obviously, anyone who has experienced a major winter storm in the Sierra has seen the other end of this spectrum. Thunderstorms do sweep through in the summer months. And in some places where the mountains are close, tall, and very steep there can be lengthy “blue hour light” at the start and end of the day. I made this photograph in such a place, where the sun didn’t arrive until many hours after sunrise, and the shadows returned hours before sunset. In this light, the rocky terrain around this lake took on an appearance that doesn’t fit with that “range of light” description.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Grasses, Water, Talus

Grasses, Water, Talus
Talus from a glacial moraine reaches the edge of a reflective alpine lake with a shoreline patch of grass

Grasses, Water, Talus. © Copyright 2018 G Dan Mitchell – all rights reserved.

Talus from a glacial moraine reaches the edge of a reflective alpine lake with a shoreline patch of grass

This is (yet another) photograph from my September backcountry sojourn in the John Muir Wilderness, accompanied by a group of four friends and photographers who try to do this every year. We packed in to a lake a few miles from the trailhead, set up camp, and proceeded to work the surrounding landscape for the next week, starting early and finishing late almost every day. In the course of the week we thoroughly explored the surroundings within a few miles radius of our camp.

The far edge of the lake near our camp was completely rocky and almost entirely devoid of flora. (Our side did features a meadow and some stunted trees.) A tremendous talus field, distorted by glacial action, rose straight up from the lake shore to the surrounding ridges. I photographed this material several times during our stay, most often working in the early morning before the direct sunlight arrived. In many of the photographs there is nothing by rocks and water, but in this one I included a bit of the colorful shoreline grass.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Blue Hour Talus, Cliff and Lake

Blue Hour Talus, Cliff and Lake
A talus field extends across the shore of an alpine lake

Blue Hour Talus, Cliff and Lake. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field extends across the shore of an alpine lake

During my recent September backcountry expedition to photograph areas of the John Muir Wilderness, we were fortunate to find ourselves in a place with lots of rocky terrain — tall peaks above, mountain slopes all around, talus fields leading into alpine lakes. The lower Sierra country with it forests and gentle steams is wonderful, but I really love the higher and more rugged country, where stunted trees grow among tarns and small lakes, and where the landscape is more and more rocky as you ascend.

Near the lake at which we camped a gigantic talus field descended from the nearby ridge. At first glance such things can appear almost random and undifferentiated, being the rock equivalent of beach sand. But in the right light, looked at in the right way, and especially with a smooth lake surface to reflect their forms, structural patterns and flows begin to appear from the complexity of this landscape. In direct sunlight these rocks can be almost too harsh to photograph, with huge contacts between black shadows and brilliant reflective highlights. But during the morning and evening “blue hour” periods the light is softened, filling in shadows, and adding a different sort of coloration to the scene.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alpine Shoreline, Autumn Plants

Shoreline plants with early autumn colors along the back of a backcountry lake.

Alpine Shoreline, Autumn Plants. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shoreline plants with early autumn colors along the back of a backcountry lake.

For all of the usual reasons, our group base-camped at a high, subalpine lake during our recent week in the Sierra Nevada backcountry. What are those reasons? Some are, of course, scenic — many lakes provide open vistas, reflections, an easy way to walk their perimeters (though not always!), meadows, and access to other nearby locations. “Our” lake had a large and convoluted shoreline. Most of it was covered with trees and mead owing areas, though one side was comprised of the base of a giant talus slope leading down from the nearby peaks.

I walked much of the lake’s perimeter, revisiting sections a number of times during our stay. On this morning I had set out to reach the farthest point of the lake, where a rocky outlet stream led to further meadows and more lakes. I had a lot of ideas about what I could photograph there, but central in my mind was to photograph a couple of bays like this one, surrounded by rocky terrain and early autumn vegetation, and with the distant peaks of the Sierra crest in the background.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.