Tag Archives: clearing

Tree, Winter Light

Tree, Winter Light
A bare winter tree and clearing tule fog.

Tree, Winter Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A bare winter tree and clearing tule fog.

On Sunday there was ground fog all over the San Francisco Bay Area, and I had a few free hours, so I headed out to see what I could find. I went to a place that is very familiar to me, a local haunt where I have hiked and photographed for decades. I had not been there in perhaps a year, so it was good to reestablish my relationship with the location and note a few changes. The little trip also reminded me that it isn’t necessary to travel long distances to find photographic subjects — quite often a closer look at nearby places will reveal worthy subjects.

The idea here was to arrive before the fog cleared, photograph in the thick fog for a while, and then be ready to photograph the brief transition period as it thinned, a time when brilliant and stunning but ephemeral light may appear. During my short drive to this location the fog remained thick, but just before reaching my destination it began to clear, likely because ground fog doesn’t stick around as long in the hills. As I parked and loaded up a light load (my lightweight trail photography setup) there were still some pockets of fog clinging to the hillsides, but in most places there was instead a sort of haze that glowed when I photographed in the direction of the sun. I’m very fond of this kind of light, so I quickly looked for subjects that I could use to advantage, and I soon found this tree standing on a grassy hillside and silhouetted against the glowing atmosphere beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pond, Trees, Sky

Pond, Trees, Sky
Colorful trees arranged around San Joaquin Valley wetlands under autumn sky with clearing fog

Pond, Trees, Sky. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Colorful trees arranged around San Joaquin Valley wetlands under autumn sky with clearing fog

When I have written about some of the previous photographs of these San Joaquin Valley areas, where I go to photograph birds in the late fall and winter, I have described the cycle of my earlier mornings in such places: awake hours before sunrise, a two-hour drive in the dark, frequent arrival in thick tule fog, the first sound of birds after I stop my car and get out, the sensations related to photographing in the cold and foggy morning, the first light, sunrise. This photograph comes from a bit later in the morning, closer to the time when the rapidly changing early morning conditions stabilize and things begin to seem more static.

On this morning there had been some of the usual tule fog at daybreak. I photographed in those conditions for the first hour or two, but by 8:00 the fog was mostly gone and all that remained of it was the common Central Valley winter haze. Above that was the huge expanse of sky that I’m often aware of here — sky stretching unbroken from the low hills in the west to the distance Sierra Nevada crest far to the east. By this time the birds were generally much less active and the quick pace of the sunrise hours gave way to the slow, still quality of the midday hours.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Clearing Evening Clouds

Clearing Evening Clouds
The moon above clearing evening clouds over the John Muir Wilderness

Clearing Evening Clouds. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The moon above clearing evening clouds over the John Muir Wilderness

We covered a lot of ground on this afternoon and evening, and this was almost the last photograph I made on this day. Earlier we had climbed above the forest surrounding the lake where we were camped, emerging into a big, open meadow with expansive views in all directions. From here we took off, individually and in small groups, to explore higher areas, walking cross-country over the glaciated granite landscape to ascend ridges and reach various lakes. I noticed that the sun was about to pass behind mountains to the west, so I descended back into the valley I had come from and worked my way back down the course of the creek that drained it.

Before long we were back in the alpine meadow areas where we had started, and I found a high spot with an open view and started making a few final photographs as sunset came to the highest peaks and the clouds thinned as they passed in front of the moon. Since the light wasn’t going to last much longer, we pushed on to the main meadow, stopped for a couple of final photographs of alpenglow on peaks across the valley, and then continued on down through forest, arriving back in camp at twilight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lake, Reflections, Clearing Clouds

Lake, Reflections, Clearing Clouds
“Lake, Reflections, Clearing Clouds” — Late afternoon dissipating clouds reflected in the surface of a subalpine lake

Our group camped in the forest on a moraine above this lake for over a week as we fanned out to photograph many subjects in the spectacular surrounding area — big meadows, lakes and ponds, timberline country, mountains. Each day we departed from the area of this lake, each midday was spent in camp, and we almost always walked through or past it again in the evenings. Despite this, I did not really photograph it much until the last few days of the trip, when I realized that it was becoming a now or never matter. (This often happens near the end of a lengthy backcountry photography trip — you start out feeling you have al the time in the world, and then at some point you become acutely aware of how little time remains.

I decided to focus more on this nearby lake during our final two day, and I watched the light and visited it morning and evening. As I did I began to figure out the patterns of light and shadow along the shoreline, and by the time I made this photograph I had determined that the sun left the meadow earlier than I expected. So on this day I picked my times a bit more carefully, and I arrived at a point when the sun was still on the peaks, when the water reflected them, and when (at least sometimes) a bit of light hit the nearby low ridges. For this photograph I also had beautiful clouds to work with as a weather system began to break up.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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