Tag Archives: columns

Stage Door

Stage Door
The edge of a shadow falls across a stage door.

Stage Door. © Copyright 2020 G Dan Mitchell – all rights reserved.

The edge of a shadow falls across a stage door.

This photograph qualifies as part of the “postcards from pandemic” group, as I made it while on one of the long local walks that I’ve been taking in and around my neighborhood since the lock-downs began six months ago. Yes, it has been that long. The good news is that if all goes according to plan we might be almost half way to a vaccine and the beginning of a return to something like normalcy.

This photograph is also an example of something that afflicts most (though perhaps not quite all) photographers, namely an interest or even obsession with form, color, and various kinds of patterns, even when seen in mundane locations. This is a side door to a school theater — hardly an iconic subject! But as I walked past at just the right moment, the shadow diagonally bisected this very blue door, and the angles of shadows and stairways converged in interesting ways.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Between the Columns

Between the Columns
A pedestrain emerges from between monumental columns along a San Francisco street.

Between the Columns. © Copyright 2019 G Dan Mitchell – all rights reserved.

A pedestrain emerges from between monumental columns along a San Francisco street.

This photograph comes from one of my (formerly) frequent long walks through urban San Francisco, which is only a one-hour train ride away from where I live. My practice has been to periodically head up there very early in the day, and then spend the morning walking through various parts of The City with my camera.

This was not one of the “postcards from Pandemic” photographs. In fact, I made it last year before anyone had an inkling of what was coming. (Remember those innocent times?) But it seems to me to have a different context given what has happened in the past few months.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Child In The Street

Child In The Street
A toddler walks in the street in front of arches, Vienna

Child In The Street. © Copyright 2018 G Dan Mitchell – all rights reserved.

A toddler walks in the street in front of arches, Vienna

There are probably multiple ways to think about this photograph. It is, obviously, a photograph of a small child in a roadway. Is the child actually alone? Why is he/she in the street? Why did I make a photograph rather than running to protect the child? I’m not going to answer those questions here — partly because I think it is better to let the viewer wonder, and partly because there is no scandal in any of the actual answers. But questions remain? What IS this child doing? What, if anything, does this mean?

On a practical note, this is an example of the sort of photograph that would be pretty much impossible to make using the equipment or techniques of my landscape and similar photography. A scene like this happens instantaneously, usually with little or no warning, and it is gone almost as soon as you see it. For this sort of thing I work with a small handheld camera with a prime lens, which lets me respond to such scenes almost without taking (much) time for conscious thought.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Basalt Columns and Lichen

Basalt Columns and Lichen
Yellow lichen growing on the basalt columns of Devils Postpile National Monument

Basalt Columns and Lichen. Devils Postpile National Monument, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Yellow lichen growing on the basalt columns of Devils Postpile National Monument

This is one of several photographs I made of the Postpile on this autumn morning, and every time I post one more I get to tell a bit of a story on myself. Landscape photographers often get up very early, sometimes many hours before sunrise. On this morning we had plans to do just that, and if we had gotten up on time we would likely have gone of to photograph aspens somewhere. But we overslept! It had been a long week, the drive to the east side of the range the evening before had been a long one, and we had arrived late. So rather than waking up hours before sunrise, it was probably more like an hour after sunrise.

We were initially a bit disappointed at losing a sunrise, but we decided to just take it easy, and soon we sat down to a nice civilized breakfast — also something of an anomaly for early morning photographers. Eventually we decided to wander out and just go up to Devils Postpile, which wasn’t far away. Arriving well after the supposed good light, I was going to just leave my camera equipment in the car, but Patty persuaded me to take it. And was I glad I did. Here the sun rises behind the face of the postpile, which was still in shadow, though receiving some reflected light from behind us and from the blue sky. I had a short time to work in this lovely soft light before the sun finally peeked over the top and I found myself photographing straight into its light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.