Tag Archives: complex

Tule Fog, Wetland Sunrise

Tule Fog, Wetland Sunrise
The winter sun rises thorugh tule fog above Central Valley wetlands.

Tule Fog, Wetland Sunrise. © Copyright 2013 G Dan Mitchell – all rights reserved.

The winter sun rises thorugh tule fog above Central Valley wetlands.

This is my favorite season of the year for a whole bunch of reasons. It brings so many special opportunities here on the West Coast. The fall colors come to the Sierra and then work their way downward and westward over a period of up to three months — and sometimes even a bit longer. The hot, dry season of wildfires and haze comes to an end, replaced by cooler temperatures and much more interesting skies and light as Pacific weather fronts arrive. Migratory birds return to the Central Valley… and once again I get to photograph the tule fog!

This photograph comes from a beautiful tule fog morning in the Central Valley some years ago, a perfect morning when the fog was thick but not so thick as to completely obscure the rising sun, here silhouetting the wetland foliage and gently reflecting on the surface of a pond. What the photograph cannot convey — but what it certainly evokes for me — is the sound of many thousands of nearby geese, cranes, blackbirds, and more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Window Maze

Window Maze
Cubist patterns of color, reflections, and perspective in the windows of a San Francisco builiding

Window Maze. © Copyright 2019 G Dan Mitchell – all rights reserved.

Cubist patterns of color, reflections, and perspective in the windows of a San Francisco builiding.

Continuing with the theme of “windows,” here is another photograph I recently made while walking in San Francisco. My San Francisco ambling typically has a general structure — I usually arrive at the Fourth Street Caltrain Station early in the morning, then typically start walking north (often along the waterfront, though not on this visit). I photograph as I go, and eventually reach a turn-around point, where I start back towards the train station on a different route.

I made this photograph on that return walk, and I was actually in a bit of a hurry — I had just enough time to get to the station and board before my train was to leave, and missing it would have meant an hour wait. These windows caught my attention and I paused very briefly to make two exposures. The objective reality of the scene is simple — a couple of “window walls” joining at a corner — but the subjective effect is quite complex and wild, with confusing combinations of elements (the windows themselves, what lies inside, and things behind me in the reflections), perspective lines, and color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Apartments, Driveway, Dusk

Apartments, Driveway, Dusk
“Apartments, Driveway, Dusk” — Security lights illuminate the driveway of an urban apartment complex, Pasadena

Landscape photographers are well away of the qualities of light during the short period leading up to sunset, and with the rapidity of the changes to that light. But something similar happens for photographers of the “urban landscape,” as well, though it tends to be most pronounced immediately after sunset rather than just before. There is a short period of perhaps a half hour or less when the ambient natural light is somewhat in balance with artificial light. During this period the natural light has diminished to the point that things appear more like night than day, but there is still enough natural light around to fill shadows and illuminate areas that are not covered by artificial light. (A bit later and the artificial lighting is virtually the only light source in most cases, and the range between light and shadow can be quite large.)

It was close to the beginning of such a time when I made this photograph of a parking lot and group of apartment buildings while walking around in Pasadena during the first week of the new year. A bit earlier and the lights either would not have been on or would not have been visible. A bit later and the foreground shadows would be completely black. It is a bit difficult to say precisely what attracted me to this scene — perhaps the bit of light spilling around the corner of the wall at left, perhaps the lovely yellowing light on the garage doors, maybe the geometry of the buildings… or perhaps the sum of all these things and more.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Marina City

Marina City
Marina City

Marina City. Chicago, Illinois. August 2, 2014 © Copyright 2014 G Dan Mitchell – all rights reserved.

Detail of Chicago’s Marina City Building

In a city of architecture that attracts attention, both from its form and on account of its visibility, the Marina City buildings stand out. The are cylindrical forms standing in a group and housing a variety of things from offices to apartment and even a parking garage. I like to think of the architecture as being a sort of Early Jetsons style. ;-)

It is not surprise that I had noticed them on earlier Chicago visits, and I had regarded them as sort of landmarks from which I could orient myself in this part of downtown. This time I got to take a closer look at several points, including during our boat trip past architectural features along the Chicago River. By the way, they don’t really tilt like this…

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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