Distorted reflections of a crane and Chicago buildings
Every so often I wonder about architects. For the most part we think of them — or at least I do — as folks who are as much about logic and structure as they are about design and form, and when they are about design they don’t usually seem to be particularly whimsical. (With notable exceptions.) Whimsical doesn’t fit the image or the expectations of the typical big business clients who might commission such towers as those found in an urban center like Chicago — these see like people who are more interested in cultivating an image of stability and wealth and power.
But then I look at the window reflections that are the inevitable result of placing plexiglas covered buildings in close proximity to one another and I have to wonder. Are these folk aware of the almost hallucinogenic shapes and forms that appear on the sides of these buildings? In fact, how many people on the streets are away of the abstract and bizarre visual show that is often going on overhead? Here, against the clean and mathematically perfect face of this building, neatly divided into equal grids of alternating shades of blue, appear bizarre visual monstrosities. A red construction crane warps upwards and leans precariously to the right as its upper elements simply fall apart into twists and curlicues. Sections of the reflected buildings are alternately minimized and expanded to gross degrees, and if you look closely at the resulting patterns you might find anything from aerial fish to faces to whatever else you want to imagine.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A red crane among extensive dock structures at the Staten Island Ferry Terminal.
I recently posted a photograph of a slightly different view of this subject in black and white, but I couldn’t give up the color of the red construction crane peeking over the wooden structure in the upper section of the scene. This is the extensive wooden construction around the Staten Island Ferry Terminal, photographed from one of the boats as it left on its run back to Manhattan. The photograph prompts me to wonder about at least one thing: Does someone actually walk that precarious plank extending over the water in the lower part of the frame!?
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Happy birthday to the San Francisco Bay Area’s iconic Golden Gate Bridge!
Panorama of the Golden Gate Bridge, San Francisco, the Bay Bridge, and the San Francisco Bay in dramatic morning light.
Photographed from near the north end of the bridge, the sweep of the cables leading to the top of the north tower frames a panorama from Alcatraz Island at the far left, past beams of morning sun on the east end of the Bay Bridge, across the skyline of downtown San Francisco, with the Bay in the foreground.
Having lived and photographed in the San Francisco Bay Area for decades, the Golden Gate Bridge has been a central part of my experience of the area. I frequently photograph in San Francisco and across the bridge to the north, and even when the bridge itself is not my primary intended subject I almost always look in its direction to see what it will offer up as a new photographic opportunity. I have been fortunate to be close enough to see the bridge in an incredible range of conditions – at night, in winter storms, at sunrise, and more.
Since the 75th Anniversary of the opening of the bridge is being celebrated today, it seems like a good time to collect a few of my favorite Golden Gate Bridge photographs that feature, include, or are part of the experience of this icon. In keeping with the retrospective theme of such a birthday, I’ve chosen mostly black and white photographs. But first, a panorama…
Golden Gate Bridge Tower, Transamerica Building, San Francisco Skyline
Among the most famous views of the bridge are those looking back across the Golden Gate (which, technically, refers to the mouth of the bay) past the bridge toward the skyline of San Francisco.
Black and white night photograph of the north tower of the Golden Gate Bridge, San Francisco, California.
The bridge and the city take on a completely different appearance at night. This photograph was made from the hills near the north end of the bridge, looking back through it towards San Francisco.
Freighter departing San Francisco Bay on a foggy morning is seen through the cables of the Golden Gate Bridge with the San Francisco skyline in the background. Black and white photograph. September 18, 2007.
I am especially fond of the very early morning views of the bridge and the bay, and I often stop here on my way to photograph other locations. While one can certainly end up completely socked in by fog here, at other times the range of effects of atmosphere and light is extraordinary. Here several ships pass under the bridge on a morning when the fog is just beginning to clear east of The City.
Golden Gate and Bay Bridges, Morning Haze - Black and white photograph of Golden Gate Bridge north tower, the San Francisco-Oakland Bay Bridge, and the East Bay Hills in morning haze.
Seen from high in the Marin Headlands, the silhouette of the north tower of the bridge bisects the western span of the San Francisco-Oakland Bay Bridge on a morning when low haze blanketed the Bay Area.
Clearing Fog, North Tower of the Golden Gate Bridge - Morning fog clears from the North Tower of the Golden Gate Bridge, San Francisco, California.
Classic Golden Gate Bridge fog passes fills the entrance to the Bay and rises up over the hills of the Marin Headlands, with the skyline of The City visible on the horizon.
Golden Gate Bridge and San Francisco Bay, Morning Haze
The Oakland area and the eastern section of the San Francisco-Oakland Bay Bridge – both the old version and the new one under construction – seem over one of the towers of the Golden Gate Bridge.
Morning traffic crosses the Golden Gate Bridge approaching the south tower with haze-shrouded San Francisco hills and Sutro Tower beyond.
Looking south across the bridge toward the even taller structure of the Sutro Tower.
North Tower of the Golden Gate Bridge, San Francisco Bay, Morning
The silhouette of a large outgoing freighter passes beneath the San Francisco-Oakland Bay Bridge in the distance beyond the north tower of the Golden Gate Bridge.
San Francisco Bay morning fog over begins to break up over Alcatraz and Yerba Buena Islands and the San Francisco Oakland Bay Bridge.
Alcatraz Island and the Bay, lit by golden early morning light.
Photograph of the night skyline of San Francisco shot through the cables of the Golden Gate Bridge. Holiday lighting on downtown buildings.
I’ll include one real night photograph of the bridge, though I’ll be sneaky about it and not show the whole bridge. (There are plenty of those photographs floating around and, yes, I have those, too!) Here I shot through the cables with a very long lens on a late autumn night when the holiday lights had been put up on the downtown San Francisco buildings – Look at the far left to see the Transamerica Building and the Embarcadero Center lights.
The moon, in full lunar eclipse, passes behind the south tower of the Golden Gate Bridge.
I joined thousands of fellow Bay Area citizens to rise well before dawn and photograph this full lunar eclipse just before sunrise.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A of new building under construction in the Mission Bay are of San Francisco, as seen through a cyclone fence.
Just across McCovey Cove from San Francisco’s AT&T Park is an area where a lot of construction is currently occurring. The area is visually interesting right now partly because of the juxtapositions of really old and run-down stuff, some of the typical empty urban areas filled with parking lots and other temporary facilities, and a lot of change as new buildings go up. On this morning I walked into an area that not all that long ago had an abandoned feeling during the morning hours – and how it was buzzing with activity. Huge steel pilings stretch toward the sky, construction zones are fenced off, and hundreds of workers and lots of heavy equipment are busily at work. Yet even this is only a temporary state that will lead before long to yet another change once the buildings are complete, the construction workers go away, and new businesses and residents move in.
At this site I had first photographed the towering steel pilings. They created a feeling of a sort of odd, abstract monument as they pointed toward the sky. (A photograph of that will appear, or may already have appeared, here at the blog.) Then I walked up next to the fence surrounding the construction site and was impressed by the organized (I presume!) confusion and complexity of what was going on at ground level. Every inch of the site seemed to be occupied by something – rebar ready for concrete pouring, workers operating various pieces of large and small machinery, engineers and planners inspecting the work, the beginnings of towers and walls rising here and there. If anything in the urban landscape comes close to the level of complexity that may be found in the natural landscape, it just might be a place like this!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
