Tag Archives: corner

Photographs: Night, Photographs: Structures and Objects

Another Corner, Night

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Another Corner, Night
A meeting place between planes of concrete, night

Another Corner, Night. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A meeting place between planes of concrete, night

The historic Mare Island Naval Ship Yard, especially at night, is a visually compelling location with a lot of large eye-catching features. This include the towering ship yard structures near the dry dock, the tower of the old power station, the huge factory buildings, old officers’ housing, and the ships that are sometimes tied up here or in dry dock. It is easy to spend a lot of time photographing these subjects with wonderful results.

On this visit I was, at least initially, less interested in those things. Instead I slowed down and went looking for hidden surprises — textures, pools of light, juxtapositions, color, and quiet places. Before long I found myself in a small area near the front of a dark building where concrete formations were lit by security lights and by the glow from the town of Vallejo across the water, and I stopped here for almost an hour to quietly make quiet photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: Structures and Objects

A Dark Corner

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A Dark Corner
A pathway ends at a dead end and cement walls, night photography at Mare Island

A Dark Corner. Mare Island Naval Ship Yard, Vallejo, California. November 7. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A pathway ends at a dead end and cement walls, night photography at Mare Island

Since I have photographed on this sprawling decommissioned ship yard for over a decade, I’m now more and more on the lookout for new subjects and locations there. Somehow I always seem to find them by poking around in (literally!) odd, dark corners. A first time visitor to the ship yard is most likely to be captivated by some of the larger and iconic subjects — the cranes, the old architecture, the tower at the old power plant, and more. But eventually one finds things missed on earlier visits.

I worked my way toward this odd little corner bit by bit. I first stopped to look at the front of a building that I not really spent much time with in the past. Near its front entrance I found a stairway leading up toward a dark terrace above. At first I spent some time making photograph of the stairs. Over the course of long exposures my eyes adapted to the darkness and I began to become aware of other shapes and textures and qualities of light nearby. The light in such places at night is often tremendously varied, coming from almost every kind of lightning imaginable. Sodium vapor lamps glow with an intense yellow color, led light can appear almost like daylight, fluorescent lamps can be greenish, and the glow of the city of Vallejo across the water has a reddish-brown quality. Here an overhead light sent beams of slightly blue-green light downwards, almost parallel to the surface of the concrete walls. That light from the town across the water found its way to these walls too, turning the close wall on the left an intense red-brown color and lending a faint glow to the back wall.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

A Bar

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A Bar
The view through the open door of a San Francisco corner bar

A Bar. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The view through the open door of a San Francisco corner bar

I felt like a bit of a voyeur making this and a few other San Francisco night photographs — but that is part of street photography, isn’t it? After starting in a very different area at sunset — a less touristy area of Chinatown — then working my way slowly down past the gaudy lights and bright shops of Grant Street — I ended up in the popular area of shops and restaurants and hotels near Union Square.

This place is, quite literally, a “corner bar.” It was quiet inside, and I imagined that at least some of the folks at tables or sitting on stools having a drink might be regulars. A few sat alone and a few were in groups of two or more. The most interesting man (in the world) appeared on the television screen. The door was open and I considered that enough of an invitation to make a few photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: San Francisco, Photographs: Urban/Street

Colin P. Kelley

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Colin P. Kelley
Stark light on an old building on Colin P. Kelly Street, San Francisco

Colin P. Kelley. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Stark light on an old building on Colin P. Kelly Street, San Francisco

Most often when I go out to make photographs I do not have extremely specific ideas about my subject or even about how I will photograph the subjects I encounter. Usually, and especially with street photography, it is more a matter of tuning in to my surroundings and essentially hunting, conspiring to be in places where I think I might find interesting things, paying attention, and being ready to take advantage of whatever opportunities arise. On the other hand, I often do have some general ideas about the sorts of things that might interest me, and on my way to this morning on San Francisco streets I had specifically thought about a sort of image that might be black and white and which might use rather stark light a bit later in the morning — so when I saw this building on a corner near the train station I didn’t hesitate to photograph it.

What about the name of this photograph? It was simply a practical matter. I usually do not like to name photographs in ways that tell the viewer how to think of the photograph — most often I feel that if the photograph has anything to say to the viewer, the viewer should be allowed to figure that out from the visual content. (Yes, there are some exceptions.) So in this case the choice to use the words on the street sign near the right side of the frame was simply a practical decision… especially since I forgot to look for any other name on the building! However, I did wonder who Colin P. Kelley is/was. Most likely the street is named after a man known for being “one of the first American heroes of the war [who sacrificed] his own life to save his crew” in World War II. (There are lots of interesting little San Francisco streets with unusual and surprising naming histories like this.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.