Tag Archives: dantes

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Distant Ridge, Dusk

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Distant Ridge, Dusk
A distant ridge in dusk light, viewed from a high point in Death Valley Naitonal Park.

Distant Ridge, Dusk. © Copyright 2023 G Dan Mitchell.

A distant ridge in dusk light, viewed from a high point in Death Valley Naitonal Park.

This was just about the final photograph that I made at this location high in Death Valley National Park’s Black Mountains. I had arrived here well before sunset, remaining to photograph the light transitions as the day came to an end. The valleys directly below had gone dark by this point, so I quickly moved to a nearby spot and switched my attention from the west to the east, where a distant snow-capped ridge in Nevada was visible beneath the dusk sky.

In a previous post I mentioned that landscape photography isn’t always a slow, sedate process. It can be, but the light, sky, and landscape can also change very quickly. When I saw this late light I had to switch into “fast landscape” mode as the light quickly faded, and I managed to make a couple of exposures before the show was over and it was time to head back to camp.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Death Valley, Black Mountains Ridge, Sunset

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Death Valley, Black Mountains Ridge, Sunset
Looking across a Black Mountain ridge in sunset light toward Death Valley.

Death Valley, Black Mountains Ridge, Sunset. © Copyright 2023 G Dan Mitchell.

Looking across a Black Mountain ridge in sunset light toward Death Valley.

It looks like I am getting nearer to the end of the photographs from my late-January visit to Death Valley National Park. As I mentioned previously, washed out roads and other issues forced me to change my plans after I arrived, as some of the more distant areas I hoped to visit were inaccessible. But that’s OK — instead I wandered into a few lonely places closer to major park landmarks that I had previously overlooked, and I even visited this popular place one evening. From this perch, high in the Black Mountains, I photographed the last bit of sunset light on a nearby ridge.

While photographing so-called icons isn’t my main thing, when the opportunity comes up and the conditions are right I am perfectly happy to take advantage. This was one of those times. I had a free evening when I hadn’t planned to photograph any other subjects, so I headed up here… and I recalled why it is such a popular place. I was also reminded, yet again, that landscape photography isn’t always a slow and sedate process — I barely had time to set up before the beautiful light on the foreground ridge faded.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: People In Landscape

Evening Overlook

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Evening Overlook
Two people watching the early evening view of immense desert mountains from a high overlook.

Evening Overlook. © Copyright 2023 G Dan Mitchell.

Two people watching the early evening view of immense desert mountains from a high overlook.

Late in the day during my recent Death Valley visit I went to this overlook. It is more typically a place to photograph the sunrise, which comes from camera-left and illuminates the big ridges in the distance. But I had a free evening, not a morning, so I figured it was worth a shot. I arrived before sunset, and I made this photograph before the sun had dropped behind the western ridge, though the haze and high clouds softened the light a bit.

I’ve never been able to quite describe in words the experience of standing on a very high point in such a vast landscape. From here one can look 5000′ down into Death Valley or look 6000′ up toward the highest peak in the Panamint Range and simultaneously feel “on top of the world” and very, very small in the presence of such immensity.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Salt Flats and Waterways

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Salt Flats and Waterways
Salt Flats and Waterways

Salt Flats and Waterways. Death Valley National Park, California. March 30, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Seasonal creeks twist though salt flats of Death Valley, Death Valley National Park, California

Since I have recently posted a few other photograph from this same location and with some of the same commentary that I might include here, I’ll try to keep this description a bit short. The photograph was made from the top of Dantes View, the Death Valley observation point that is about a mile above the lowest part of the Valley near Badwater. The panorama from Dantes View almost overwhelmingly expansive, so on this visit I though that rather than just trying to photograph that immensity, I would also use a long focal length lens to try to isolate and pick out some smaller portions of the overall scene.

This photograph shows a section of the salt flats, surrounded by browner areas that include more gravel. A darker foreground area that runs along the road is visible at the bottom of the photograph, and the upper corner includes the area where the West Side Drive runs between the flats and the lower slopes of the Panamint Range. The many waterways crossing the flats and then converging on the salt area are evidence of the role water plays in the creation of this barren terrain.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.