Tag Archives: dawn

Dawn Arrival

Dawn Arrival
Winter geese fly in to a Central Valley wetlands pond at dawn

Dawn Arrival. Central Valley, California. January 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Winter geese fly in to a Central Valley wetlands pond at dawn

Near the end of May I revisited some photographs from the past year, including a set that I made on an annual New Year’s Day visit to California’s Central Valley. For several years now a group of friends, photographers, artists, and more have greeted the dawn of the new year by going together before dawn to celebrate the new year and the annual spectacle of the winter bird migration into the valley. So, during the first week when the temperatures here in California rose into the nineties, I enjoyed recalling a foggy morning when they sat near freezing.

We arrived a half hour before dawn to find patchy, thinning fog. We set out trying to determine, in the half-light, where the birds might be, and soon some were spotted settling in on a nearby pond. We headed that way, and I lined up a view across the pond, past quiet foreground birds and past a row of trees toward the eastern sky, which was gradually beginning to brighten. I made this photograph as another small group of birds was flying in to join those already on the pond


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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First Light, Desert and Mountains

First Light, Desert and Mountains
First light on rugged Cottonwood Mountains and low Death Valley sand dunes

First Light, Desert and Mountains. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

First light on rugged Cottonwood Mountains and low Death Valley sand dunes

The light was not always this lovely on this Death Valley visit — though it was always “interesting” — but on this morning we had it about as good as it gets here. The light on these hills can be fairly beautiful on just about any sunny morning as the first sunlight moved down across the face of the range, lighting up these usually drab hills. But because the sky is often pure blue and there is not variation in the light in those conditions, the maximum color appears only very quickly and often when it is good at one level on the mountains it is either too bright or in shadow elsewhere. But on this morning there were clouds, and just as the light on the mountains reached the valley floor the clouds made for a darker and more dramatic sky, their shadows dappled the upper ridge line, and the very first light slanted across the low plants and dunes.

This light is a very transitory thing and, to be honest, this scene only looks like this for a brief moment between pre-dawn shadow and daytime flat light. But that moment is glorious and magical. When we headed out to this spot before sunrise we weren’t quite sure where we would be at sunrise or what specific opportunities would present themselves. As we approached the edge of dunes, coming around to them from the side, it was suddenly clear that the light was about to arrive. No amount of hurrying would get us to a better spot in time, so we quickly looked around for subjects that we could photograph in this light — a now or never chance. I saw these very low dunes and a few scattered plants, framed a composition, and was ready as the light washed over the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Clouds at Dawn, Death Valley

Clouds at Dawn, Death Valley
Dawn storm clouds gather above Death Valley and desert mountain canyons

Clouds at Dawn, Death Valley. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Dawn storm clouds gather above Death Valley and desert mountain canyons

From this high spot there is a true 360 degree panorama — east over Death Valley, stretching far to the north and south with more mountains beyond, south and north along the spine of the Panamint Range, and behind across mountains and valleys and eventually a few peaks of the Sierra Nevada. Many times when I have been here the conditions have been at least mildly challenging, often with wind and sometimes cold, and on at least one occasion snow. This morning was relatively benign with temperatures well above freezing and winds that didn’t start to truly howl until perhaps an hour after our arrival. The quieter conditions made the contrast between deep silence and immense landscape even more striking.

There was a brief burst of sunrise light when we arrived, but it quickly faded as thicker clouds from an incoming weather front blocked the light. But the clouds were moving and as the morning progressed they began to open up a bit. At the moment of this photograph the clouds still blocked the sunlight, but a narrow band of color remained above the far mountains and brighter skies were appearing through breaks in the clouds. Below a large wash snaked down the bottom of the huge canyon toward the playa of Death Valley far below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands Dawn, Arriving Birds

Wetlands Dawn, Arriving Birds
A flock of geese prepares to land on a foggy wetlands pond at dawn

Wetlands Dawn, Arriving Birds. Central Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A flock of geese prepares to land on a foggy wetlands pond at dawn

Another California winter day and another trip to visit the Central Valley and search out migratory birds and fog and atmospheric light!  Back in early February the bird action was beginning to pick up, and we would consistently find at last some geese (and often many more and other birds, too) when we arrived. Fog is one variable. I love thick fog, especially in these locations, and we often got precisely that. But on this morning the fog was thinner and earlier to dissipate, here already thin enough before dawn to let us see the winter sky.

As we watched the fog drift and thin and the sky begin to get lighter, groups of birds (mostly Ross’ geese) began to arrive, circling a bit and then landing on the ponds. The arcing curve of this flock’s flight, descending towards the right and then beginning to circle back, is visible in this photograph if you look closely. A few earlier arrivals float on the pond in an area lit by reflected sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.