Tag Archives: dead

Dry Corn Lily Plants, Autumn

Dry Corn Lily Plants, Autumn
A bed of fallen and dry autumn corn lily plants, Yosemite National Park.

Dry Corn Lily Plants, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

A bed of fallen and dry autumn corn lily plants, Yosemite National Park.

The corn lily is one of my favorite Sierra plants. It tends to grow in meadowy, wet areas that are often particularly lush — and thus bug infested— in the early season. I think it is an attractive plant at almost any point in its annual life-cycle. It emerges as the green shoot as meadows come back to life early in the season, and before long the intense and lush bright green plants stand tall. But this state of perfection doesn’t last long, and soon blemishes appear — dark spots, holes, and eventually yellow areas as the end of the summer season draws near. (I’ve long thought of this change as the first sign of the coming Sierra autumn season.) Eventually the plants dry out, fall over, and when everything works out just right the form small carpets of brown and yellow and tan and fading green.

The corn lily is a favorite of photographers, most often photographed during that earlier lush, green stage. (It often seems like photographing such a beautiful plant would be easy, but once I start looking for the perfect conjunction of leaf shapes it inevitably becomes more difficult than I expected. )


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Snag, Red Rock

Snag, Red Rock
An old snag stands in front of a freactured red rock cliff.

Snag, Red Rock. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old snag stands in front of a fractured red rock cliff.

Let me repeat a slightly embarrassing story that I’ve told before. For many years I did not bother to photograph in the Southwest. There are several facets to the explanation. I was something of a Sierra “bigot” — I loved that landscape so much that I could hardly understand why I would want to look elsewhere. In addition, when I was very young and my family drove between our California home and the Midwestern states where my relatives lived, I thought that our route through Utah was boring.

So it was only in the last decade or so that I finally “discovered” Utah’s beautiful red rock landscapes. My first visit was on a spring trip that took us to Zion, then across the state through Bryce and Capitol Reef (perhaps the most under-appreciated of these parks) and then to Moab where we visited Arches and Canyonlands. Since that time I have returned at other times of the year and pushed my explorations out beyond the boundaries of the parks, but this photograph comes from that first visit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Two Snags, Morning Light

Two Snags, Morning Light
Two snags stretch toward the sky below an Eastern Sierra Nevada peak in morning light

Two Snags, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two snags stretch toward the sky below an Eastern Sierra Nevada peak in morning light.

This location was a short walk above the Eastern Sierra backcountry base camp where our group spent a week in late August and the very beginning of September. We were camped at about 11,000′ of elevation, where the trees start to give out just below timberline… and where the landscape’s main feature is rock, including granite slabs, glacial moraines, talus fields, and rugged high peaks.

I walked up here early one morning with a plan to photograph a subject just a bit farther away, but I got distracted by beautiful and developing light. I had noted these snags several days earlier and made a plan to return to photograph them in better light. As I arrived the dead trees were still in shadow, but within moments the sun/shadow line reached the trees, and I made this photograph just as the entire height of the trees came into the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Red Door, Paris

Red Door, Paris
A red door in the Le Marais area of Paris

Red Door, Paris. © Copyright 2018 G Dan Mitchell – all rights reserved.

A red door in the Le Marais area of Paris

On this summer’s visit to Paris we stayed along the edge of Le Marais, in an area not far from the Seine, transportation, and the Centre Pompidou. The latter was on our list of places to visit this time, and on this morning we were walking into that area when we passed through this neighborhood of old buildings and narrow streets.

I don’t suppose there is a whole lot to write about (another!) photograph of a colorful door on an old building — after all, it is a bit of a “type.” One thing that did intrigue me about this little scene was the clear attempt to add something approximating nature to this very urban setting… though apparently not with complete success judging from the condition of some of the potted plants.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.