Tag Archives: dead

Photographs: Mono Lake Basin, Photographs: Nature

Where Once a Forest Stood

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Where Once a Forest Stood
The skeletons of ponderosa pines at the edge of high desert.

Where Once a Forest Stood. © Copyright 2023 G Dan Mitchell.

The skeletons of ponderosa pines at the edge of high desert.

Today I interrupt the stream of photos from our European travels (“Finally!,” a few of you say…) to share something from my first return to the Sierra and points east since we got home. The European trip was great — and I look forward to more like it — but I missed my mountains! There’s a lot more to write about that and about getting back “out there,” but I will save most of it for later posts.

On this morning I was camped above 9000′ in the Eastern Sierra, but I decided (for reasons including deteriorating weather) to head out along the eastern slopes of the range to photograph in the early light. After some less-than-satisfying photography of the eastern escarpment (wildfire smoke was an issue) I headed out into the high desert near Mono Lake and then into a remarkable grove of ponderosa pines, one of the largest (perhaps the largest) in existence. I was aware of the results of a wildfire here years ago, and I wanted to photograph the remains of burned forest, so I turned off on an unmarked route and ended up here, where dead trees still stand starkly against the desert landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Monterey Cypress Snag

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Monterey Cypress Snag
The skeleton of a Monterey cypress snag above a cove and peninsula on a foggy Point Lobos morning.

Monterey Cypress Snag. © Copyright 2022 G Dan Mitchell.

The skeleton of a Monterey cypress snag above a cove and peninsula on a foggy Point Lobos morning.

This weathered Monterey cypress snag is evidence of the rugged lives of these trees. At Point Lobos many are found along the rocky, rugged, and exposed north shore, where they grow on rocky headlands and at the edge of cliffs. The growth of thriving trees can seem almost lush, but if you look around you’ll inevitably find a lot of struggling trees and dead snags like this one.

Making this photograph was an almost comical affair. A challenge of photographing here is that there is rarely a clear, unobstructed view of interesting subjects. In some cases you could get such a view by (illegally) venturing off the trail, but in addition to being bad manners that is often very risky. To find compositions I often have to be creative, perhaps thinking about how to work the obstructions into the composition, or by shooting around and between them with long lenses. To make this photograph I had to set up in the middle of a narrow section of the trail, use a very wide angle lens, and put the camera in the one precise position that worked… and I had to move the whole setup several times to let people pass as I worked.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature

Fallen Leaves

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Fallen Leaves
Fallen leaves on the ground in a winter garden.

Fallen Leaves. © Copyright 2022.G Dan Mitchell.

Fallen leaves on the ground in a winter garden.

This photograph was a bit of a surprise. We had gone to a Bay Area garden to photograph some new flowers that we heard were blossoming. (Last month here felt more like “Maybruary” than February, and spring plants seem to be appearing earlier than usual.) In fact, there were flowers, and I did photograph them. Some of the more traditional photographs of flowers and related greenery should show up here soon.

But I’m always looking for things other than the primary subject, trying to spot surprises and things I might otherwise miss. So as I was admiring some lovely blooms and some ivy growing up a nearby wall… I took a peek into the shadows on the ground underneath the plants, where I spotted piles of old leaves. Some were probably the byproduct of garden maintenance, while others had probably fallen naturally. I suspect that anyone who saw me down on the ground photographing under the plants with the actual flowers may have wondered what the heck I was doing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dead Creosote, Dunes

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Dead Creosote, Dunes
Morning sun on san dunes and skeletal dead creosote plants, Death Valley.

Dead Creosote, Dunes. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning sun on san dunes and skeletal dead creosote plants, Death Valley.

We tend to think of the landscape and, in particular, the desert landscape as being relatively static. Landscape photographers often hear comments along the lines of, “You have all the time in the world to make a photograph.” While there is some truth to this notion — yes, that mountain is likely to still be there tomorrow — things are not quite that simple, particularly at the beginning and end of the day. While the physical objects in this photograph stand still, the light most certainly does not!

This photograph was, in a sense, the result of a combination of working slowly and working quickly. Soon after arriving in this area of the dunes I saw this clump of dead creosote bushes. I thought they were interesting, but the lighting at that point wasn’t conducive to how I would photograph them. So I made a mental note about the scene and the spot and went to work on other things. A bit later the light was starting to sweep across the tops of the dunes and I turned my attention back to this subject, hoping that the angles would work out correctly to light the plants while the underlying sand remained in shadow. I waited as the light worked its way down the stems of the plants and then made the photograph during the seconds-long window just before the light struck the sand beneath them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.