Tag Archives: death valley

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

First Light, Desert and Mountains

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First Light, Desert and Mountains
First light on rugged Cottonwood Mountains and low Death Valley sand dunes

First Light, Desert and Mountains. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

First light on rugged Cottonwood Mountains and low Death Valley sand dunes

The light was not always this lovely on this Death Valley visit — though it was always “interesting” — but on this morning we had it about as good as it gets here. The light on these hills can be fairly beautiful on just about any sunny morning as the first sunlight moved down across the face of the range, lighting up these usually drab hills. But because the sky is often pure blue and there is not variation in the light in those conditions, the maximum color appears only very quickly and often when it is good at one level on the mountains it is either too bright or in shadow elsewhere. But on this morning there were clouds, and just as the light on the mountains reached the valley floor the clouds made for a darker and more dramatic sky, their shadows dappled the upper ridge line, and the very first light slanted across the low plants and dunes.

This light is a very transitory thing and, to be honest, this scene only looks like this for a brief moment between pre-dawn shadow and daytime flat light. But that moment is glorious and magical. When we headed out to this spot before sunrise we weren’t quite sure where we would be at sunrise or what specific opportunities would present themselves. As we approached the edge of dunes, coming around to them from the side, it was suddenly clear that the light was about to arrive. No amount of hurrying would get us to a better spot in time, so we quickly looked around for subjects that we could photograph in this light — a now or never chance. I saw these very low dunes and a few scattered plants, framed a composition, and was ready as the light washed over the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountains, Morning Haze

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Desert Mountains, Morning Haze
“Desert Mountains, Morning Haze” — Desert mountains and morning light illuminating haze that is the first sign of a developing dust storm

This is another “take” on roughly the same scene I shared in another recent photograph, also in black and white. When I made the photograph I was already thinking of it as a black and white image, and it obviously has ended up that way, more or less as planned. I was already familiar with the rugged foreground mountains from previous visits, but the light and atmospheric conditions on this visit were unique. The sky was fairly cloudy, though the ceiling was breaking up a bit, allowing light beams to break through. The atmosphere was extremely hazy. The positive aspect of this is that the light shining through it almost glowed. (In fact, that was probably what first attracted me to the scene.) The somewhat negative aspect is that the haze was the harbinger of a tremendous dust storm that would arrive later in the day.

The black and white rendition represents the result of a sort of pre-visualization. To my way of thinking, “pre-visualization” can mean a range of things. At one end of the spectrum it could mean almost literally “seeing” the finished photograph before making the exposure. In this case I knew I wanted the hazy light beams to glow, that I wanted to retain the dark mass of the foreground mountains, and that the final result would be black and white. But I don’t want to imply more certainty than I actually had. Despite my decent idea of where I was going, I did not know for sure what the exact best outcome would be and, in fact, I made some varied compositions and exposures. On a side note, although we didn’t quite realize it just yet, the haze that made the light so beautiful came from the first dust from dust storms that were building all around the area.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Basin and Range

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Basin and Range
A long distance view across Death Valley and to distant mountains beyond

Basin and Range. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A long distance view across Death Valley and to distant mountains beyond

The landscape of Death Valley National Park is immense. The fact that it is the largest national park in the lower 48 states begins to penetrate my awareness the more time I spend there. A number of years ago I spent some time on a very long cycling trip in Alaska and the Yukon, and this desert landscape comes closer than any other I have experienced to evoking the same sense of huge distances and deep stillness and quiet. This landscape extends even further beyond the boundaries of the park, from the Sierra Nevada to the west to distant peaks of the basin and range country to the east.

This high elevation location opens to such a huge swath of terrain that it is difficult to get your mind around the scale of what you are seeing. For example, there is a road out there in the large valley. To get there from the place where my tripod was set up would take me hours of driving — and that would take me perhaps less than half way toward the most distant peaks. Enhancing the other-worldly quality of this morning was the unusual atmosphere. The clouds of a weather front were breaking up over the mountains and valleys, and their shadows were moving across the landscape. Meanwhile, in another valley far behind me, dust storm conditions (which would envelope this entire scene by the end of the day) were beginning to pick up, and already the atmosphere was getting that milky, hazy quality that precedes such weather. At the bottom of the scene is an immense gravel fan that has carried material down from these mountains, filling the valley in places to thousands of feet of depth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Abstract, Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Sky

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Dunes, Sky
Sand dunes, shadows, and morning clouds

Dunes, Sky. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Sand dunes, shadows, and morning clouds

Another photograph from another morning among the dunes. Because of the daily wind and dust storms during this visit to Death Valley National Park, we had many opportunities to find sand dunes with no or few signs of other visitors besides those creatures that actually live there. We approached the dunes in a variety of ways during this visit, and I photographed them almost daily, sometimes more than one. But I always came at them from a direction that wasn’t the most popular or best known. This time I came around on a looping route from a side and swing around behind some low, sandy areas to photograph in early morning light.

There is a lot to see in the dunes, and I had a few ideas as we arrived at the edge of the dunes. (While I usually don’t begin with a specific photograph it mind, I often have some general conceptual ideas I want to explore, and I keep my eyes open for subjects that could work along those lines.) I started with some old dry playa textures in front of the valley floor leading of toward distant mountains as the sun rose, and then I climbed some short dunes to look for interesting curving shapes and conjunctions of lines and subjects. I photographed some creosote plants against sand patterns and eventually moved deeper into the dunes, seeing the rippling textures of wind-blown sand draped across hills and valleys. I stopped to photograph a bit of sand texture straight on, and when I looked up and to the side I saw this series of curving horizontal lines with the cloudy sky above and beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.