Tag Archives: death valley

Death Valley and Black Mountains, Evening

Early morning and evening are often the times of best light for photography in Death Valley. It isn’t that you cannot photograph throughout the day, especially if you get into the right kinds of canyons. But then the light can be harsh, the atmosphere hazy, and the colors and details washed out. So I usually follow a strange schedule when I go there to photograph — up well before dawn, back in camp by late morning, breakfast at 11:00AM, then off to photograph again in the late afternoon before I come back to camp after dark.

On this afternoon I had made a long drive up into the mountains, with my plan being to return this direction for the evening light. My timing worked out, and I got here just before the best colors appeared, found a good location, and was set up as the shadows stretched across the valley toward the Black Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pre-Dawn Clouds, Lake Manly

Pre-Dawn Clouds, Lake Manly
“Pre-Dawn Clouds, Lake Manly” — Pre-dawn clouds fill the sky above the Panamint Mountains reflected in Lake Manly, Death Valley.

The brief interval between darkness and the arrival of the morning sun may be my favorite time of day in the desert. Everything is still and quiet, and I’m often the only person around. The temperature is comfortable, and sometimes as close to cool as it will get. The light changes perceptibly, transitioning from deep twilight blues toward the intensely warm colors of sunrise. And I have a full day ahead of me.

This time I was not completely alone, but I was close to it. The unusual reappearance of Lake Manly had drawn others, and I could see them in the distance on nearby hills. As the light increased, this large cloud above the valley came into focus and drifted slowly above the still waters of the lake and the reflected form of the distant Panamint Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Lake Manly Shoreline, Desert Mountains

Typically I might simply not attempt to photograph this scene. The glaring sunlight, while somewhat filtered by the clouds, was brightly lighting the white sand deposits along the shoreline of Lake Manly. Distance, haze, and backlight combined to mute the details of the Panamint Mountains. And this light was harsh, not the softer light of early morning or evening. But somehow I felt that the composition and the drama of the light and atmosphere held some promise.

The salt deposits reminded me of important things about this valley. They were a reminder — as is the water of ephemeral Lake Manly — that water played a major role in the formation of this place. And, as high as the water of the lake was at this moment, the yet higher salt deposits made it clear that this is not an unprecedented thing, and that even higher lake levels are still probably possible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mountains, Wash, and Reflection

This is a kind of Death Valley photograph that you won’t often see — mountains reflected in the quiet surface of a huge lake. This is Lake Manly, the reconstituted remnant of a much larger lake that filled the valley long ago. Between a historic tropical storm late last summer and better-than-usual rainfall since then, the lake reappeared and persisted. It currently covers many square miles in the Badwater area of the valley.

This photograph is (yet another) illustration of the vast distances encountered in Death Valley and how deceptive they can be. You might look across this landscape and imagine walking to the base of that wash leading into the mountains. However, even if the lake wasn’t there, you would be hard pressed to reach that spot with even a very long day of walking.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.