Tag Archives: death valley

Dusk Dunes

Dusk Dunes
Soft evening light on low sand dunes

Dusk Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft evening light on low sand dunes.

Sand dunes are perhaps the most classic “desert” photography subject. For most people, they are their first association with these places, and their dry, bare (or so it seems), and utterly dry features are some combination of beautiful, intriguing, and dangerous. I am certainly not immune to their appeal, and photographing them can be an endlessly challenging activity. One reason is that as photographic subjects they are much more varied than you might initially imagine. While they have their own shapes and colors, these are changed radically by wind, color and intensity of light, and more. They provide one other challenge, too — when I first look at them it always seems like they will be easy to photograph, but they always end up presenting more challenges than I expected.

I love photographing dunes in the marginal light at the start and end of the day, and especially the time right around and just after sunset. At these times the dunes undergo sometimes-astonishing color transformations. The warmer tones, which are sometimes sun-blasted into neutrality during the day, begin to emerge in the softer light. And the dunes pick and reflect a wide variety of colors — blue from darker sky; reds, yellows, and even purple from sunset clouds. I photographed these smaller dune formations from a distance in the early evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Two Hikers, Titus Canyon

Two Hikers, Titus Canyon
Two hikers descending the narrows of Titus Canyon

Two Hikers, Titus Canyon. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two hikers descending the narrows of Titus Canyon.

Earlier this month I visited Death Valley National Park for a few days. I go there and photograph at least once each year — I’ve been visiting for a couple of decades and photographing the place seriously for about fifteen years. I often point out that there are few places where the effects of water are more obvious than in this unlikely location. Almost all features of the park are formed or sculpted by water, and these effects are very visible in the early bare desert landscape. I arrived only a day after extremely heavy rains, and the evidence was everywhere — flooded sections of roadway, wet and muddy washes, dunes that were still damp, large shallow lakes on playas.

Many park roads were closes, including the long dirt road through Titus Canyon. The road starts high in Amargosa Canyon, crosses the mountains, descends toward the Valley, and near the end passes through a section of very narrow canyon. Normally there is enough traffic there to interrupt the reverie of hikers, but the road was closed to vehicle traffic and we (some members of my family) and I enjoyed a long and quiet hike up the canyon. Here two hikers (my sister and her husband) are descending though one of the deeper and narrower sections of the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sand, Branches, Shadows

Sand, Branches, Shadows
Shadows of dried branches on windblown sand dunes

Sand, Branches, Shadows. © Copyright 2019 G Dan Mitchell – all rights reserved.

Shadows of dried branches on windblown sand dunes.

A small group of photographers ventured into the dunes early on this late-winter morning, starting out from the nearby roadway in pre-dawn darkness. As we walked the sky began to get lighter and before long we could begin to make our our surroundings and our destination in an out-of-the-way area of dunes. Along the way we were surprised — though in retrospect we should not have been — by muddy areas still soaked by recent rains.

The sun still was not up when we arrived at the edge of the dunes. As a group of five photographers we encountered a slight challenge — compared to when we photograph such places alone, we found that we had to consider every step regarding how our tracks would potentially intrude on our partners’ photographs! While dunes are mostly sand, there is quite a lot of life there, too. Early in the morning it is common to find the tracks of lizards, snakes, birds, and even small animals. Here and there plant life can be found, too. These spindly branches mostly looked dead, though a few retained the color of living plants and might soon put out a few post-rain leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Shadows, Morning

Dunes, Shadows, Morning
Patterns of morning light and shadows on dunes, Death Valley National Park

Dunes, Shadows, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Patterns of morning light and shadows on dunes, Death Valley National Park.

I made this photograph early in the morning. A small group of us arrived while it was still dark out, anticipating a walk of perhaps a half hour to get to the area we wanted to visit. Since we wanted to be in position well before dawn, we were set to start walking before there was enough light to see our objective. Someone asked, “Which way do we go?” I looked into the murk, couldn’t really make out the dunes, and guessed, “That way! We’ll correct course when the light arrives.”

In the dunes you find yourself in a veritable photographer’s laboratory of of shapes, juxtapositions, textures, and colors. And it is not static scene either when you are there very early or very late in the day — the light changes quickly. Dusk light lends brings softer light and lens a blue cast to the scene. When the sunlight first arrives there can be stark differences between brightly lit highlights and deeper shadows with cooler tones. Before long the colors began to fade and the scene can become more subtle or even nearly monochromatic. When I made this photograph, warm and color-saturated light was coming across the top of the dunes, but the light in the shadows, still mainly from open sky, was of a cooler blue color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.