Tag Archives: desert

Badlands Gullies, Morning

Badlands Gullies, Morning — Death Valley
“Badlands Gullies, Morning” — The first direct sunlight sweeps across the curving shapes of badlands erosion gullies, Death Valley.

I have a rule about returning to photograph popular subjects that I first photographed years ago: Only stop if it looks like something unusual and very special might happen. The rule applies to Zabriskie Point in Death Valley, where scores of photographers (and others) gather before dawn to await the sunrise. During the last week of February I drove past on my way to a different subject. In the dim light I thought I saw developing clouds that might produce something special at sunrise. So I (literally) slammed on the brakes, turned around, parked, and joined the throng.


The special light I hoped for didn’t develop. Instead of turning colorful at sunrise, the colors just went flat. Ah, well. I can never be fully certain about what will happen in these situations, and my hunches merely improve the odds — sometimes things don’t work like I hope. But there I was, set up to make photograph s at this location. So, what else could I photograph there? I turned my attention to nearby badlands terrain and photographed it as the direct light arrived, softened a bit by high clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Overhanging Canyon Narrows

Overhanging Canyon Narrows, Death Valley National Park
“Overhanging Canyon Narrows” — Tall cliffs overhang a section of winding canyon narrows, Death Valley.

I make (at least) one annual photography trip to Death Valley National Park, and I’ve been doing so for something like two decades. My favorite time to visit is in the winter. This year’s trip was during the final days of February — the calendar said winter but a heat wave made it feel more like summer, with temperatures up to ninety degrees. Many areas of the park were inaccessible due to washed out roads and to construction, so I visited a few familiar places and went to a couple of new ones.

This slot canyon is an old favorite, and I have hiked and photographed it several times in the past. The “slots” are great destination on days, like this one, when it is both windy and hot. Death Valley slot canyons are different than the better-known Utah-style slots. They often feature rather dark rock, and the slots are often shorter. In this canyon there are several sections of these narrow passages, but in between there are longer sections of open canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Lake, Morning

Mono Lake, Morning
“Mono Lake, Morning” — Pahoa and Negit islands silhouetted against early morning lake reflections with desert mountains in the distance.

I have shared a few other Mono Lake photos made at this elevated location some distance from the lake. This camera position gives a different and broader sense of the lake and its surroundings. It is a huge body of water — there’s far more water on the far side of the islands than between them and the near shore. The desert mountains are many miles beyond the far edge of the lake. All in all, Mono Basin is a place of immense space and great distances.

I photographed very early in the morning. I had gone to this location to photograph something else, but by turning my camera 180 degrees the lake was in the frame. It was a generally clear morning with some high clouds, but the great distances still turned the atmosphere a bit blue with haze, and that haze mutes the details of the distant basin and mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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High Desert Autumn Aspens

High Desert Autumn Aspens
“High Desert Autumn Aspens” — Autumn aspen trees along a high desert creek descending from the Sierra Nevada.

This is a bit of a different sort of aspen photograph from me — not the first one like it but there aren’t many others. After photographing at another location at sunrise I packed up and went exploring in the foothills below the eastern escarpment of the range. (The base of the range is visible at the top of the frame.) This area feels less like “the mountains” and more like high desert. It is less steep, drier, and covered with what we sometimes refer to as sagebrush country.

I made this photograph in direct sunlight and the trees are not even backlit. The light comes from the side, and that does highlight the color of the leaves a bit, but this is closer to what aspen trees look like in “normal” light. This little line of trees grows along the course of a small stream that comes from much higher up in the mountains. The little stream brings just enough moisture to this dry area to support the trees and other plants.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.