Tag Archives: dock

Photographs: San Francisco

Pier, China Camp

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Pier, China Camp
An old pier at the historic China Camp State Park, San Pablo Bay.

Pier, China Camp. © Copyright 2012 G Dan Mitchell – all rights reserved.

DeAn old pier at the historic China Camp State Park, San Pablo Bay.scription

China Camp, along the shores of the San Pablo Bay lobe of San Francisco Bay has a remarkable history, one that I was unaware of until perhaps a decade ago despite living the Bay Area almost my entire life. The name recognizes that the location was a settlement of Chinese immigrants in the 1880s, and there was a substantial village here that developed a shrimp fishing industry. Although that began to fall apart early in the 20th Century, the last resident was still there late in the 1900s before the area became a park, saving it from industrial or suburban development.

Today it is a remarkably quiet place in the midst of a very busy Bay Area. Buildings and other elements of the earlier village still exist and have been restored, and it is interesting to ponder the lives of the people who lived there. This photograph features an old pier that extends out into the bay from the area of the remaining buildings.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Northern California, Photographs: Ocean & Coast

Pier, Low Tide

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Pier, Low Tide
A pier extends across tidal flats at the edge of Tomales Bay, Inverness, California

Pier, Low Tide. Inverness, California. July 23, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A pier extends across tidal flats at the edge of Tomales Bay, Inverness, California

In late July I took a day to visit Point Reyes. My main goal was a long hike over the barren bluffs above Drakes Estero, with my plan being to follow a route all the way to the coast at Drakes Bay, hopefully arriving at just about the time the fog cleared. It was a wonderful hike, with some clearing early on, but ultimately it never did clear at the coast. On a day when merely a few miles inland the temperatures rose into the 90 degree range, here in the fog and wind it never got out of the fifties, and it was almost like enjoying a winter day in July.

Before I began my hike I drove along the shore of long, narrow Tomales Bay, where the road mostly travels right along the shoreline, often only feet from the water. This bay is very sheltered, with a narrow entrance and then a long distance from there to its inner reaches. At the upper end the tides regularly turn the bay into a mudflat. I always am on the lookout for photographs as I drive this route, and as I passed this spot I caught a glimpse of the stark backlight and the brilliant reflections on the mudflat — so I turned around and headed back to make a few pictures of this pier and the building out over the way.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Abandoned Loading Dock

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Abandoned Loading Dock
Railroad tracks and a weather protection structure above an old loading dock, Mare Island Naval Ship Yard

Abandoned Loading Dock. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Railroad tracks and a weather protection structure above an old loading dock, Mare Island Naval Ship Yard

This is another very still and quiet image from my recent evening photographing the historic Mare Island Naval Ship Yard. Image walking alone in the darkness among these old (mostly) abandoned ship yard buildings: shops, warehouses, towers. Occasionally a lone car drives past, momentarily raising my level of alertness. It is mostly silent except for a sound of distant traffic across the water in Vallejo. The air is typically cold and damp, and on this night a bit of a breeze blows. The photographs are visual images, but they also evoke, for me, a whole series of associations, memories, and sensations associated with the place the experience of making the photographs.

There is always a question of just how to treat luminosity and color with these nighttime subjects. The fact of the matter is that many of these scenes are barely visible to the human eye, and details are shrouded in darkness. In this low light color is mostly desaturated, only becoming visible afterwards in the photograph. And much of the color is not the true color of the objects, but rather is the color of the light that illuminates them — and it can range from yellow to reddish, but white or even blue-green. The concept of accurate rendering becomes moot, since an “accurate” photograph (if “accurate” means “what it looked like”) would be almost colorless and nearly pitch black. Instead I take this as an opportunity to capture “what the camera sees” and use that as the raw material for what must be an interpretation of the captured light — almost inevitably brighter and more colorful than the original, but still trying to evoke that mysterious and quiet nocturnal quality.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Gate and Harbor

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Gate and Harbor
Closed gate and shadows at South Beach Harbor, San Francisco

Gate and Harbor. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Closed gate and shadows at South Beach Harbor, San Francisco

Up early and on the train to San Francisco on a sunny spring morning, I got off at the SF Caltrain Station and began walking along the waterfront. This is familiar territory to me, since “train walks” are a somewhat regular event for me, especially during spring and summer. I get off the train and slowly wander in one or another direction on foot, taking time to look. Sometimes it turns into and out-and-back walk, and sometimes something like a loop. (The latter is what happened on this morning.)

I decided to hear toward the bay, past AT&T Park and then along the waterfront. I angled over toward the South Beach Harbor, mainly because of the luminous and intense light coming across the bay as the fog began to clear — so bright that it was almost impossible to look directly into it. As I passed the harbor this shadow fell across the walkway, so I stepped back and shot straight into its shadow, with the harbor and the bay behind.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.