Tag Archives: downtown

Winter Morning, Rising Steam

Winter Morning, Rising Steam
Winter Morning, Rising Steam

Winter Morning, Rising Steam. New York City. December 31, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Clouds of steam rise into the winter morning sky above Manhattan

It must have been a slow week in Manhattan. When we arrived at our Canal Street hotel on Christmas Eve day, they upgraded us to a better room and put us something like 20 floors up, in a room with huge windows with a view to the east over lower Manhattan. A week later, on the final morning of our visit, we were enjoying this view one last time before checking out and starting the process of heading back to the west coast. (First a few hours in Brooklyn, then a trip to JFK, then a long flight…) It was a cold early morning, not too long after sunrise, and there was a high shield of thin cloud to the east. The sun was coming in under these clouds at a low angle and back-lighting the rising columns of steam all over the city, so we made a few final Manhattan photographs through the window before heading out.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Chinatown, New York City

Chinatown, New York City
Chinatown, New York City

Chinatown, New York City. December 27, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Looking up Madison Street from the Manhattan Bridge, New York City

At least I think this is Madison Street, as best as I can tell by looking at maps now that I am back in California. We were up on the Manhattan Bridge when I made this photograph, high above the street level as the bridge crosses over the east shore of Manhattan. We had walked over from Brooklyn, sharing the bridge with the noisy trains and looking at the extensive graffiti on rooftops.

Our hotel was more or less on the other side of China Town on Canal Street, and we had been into that area several times, starting with a visit to a Chinese restaurant where we joined a big group of family and friends on the evening that we arrived from California. But we had not been all the way through the area to the east shoreline. The Manhattan Bridge provides some very interesting views down into this section of Manhattan. Before this point we had passed next to and above the graffiti covered rooftops that I mentioned above. Here we could look directly down on this street and up toward its end point some blocks in the distance.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Graffiti on the Roof

Graffiti on the Roof
Graffiti on the Roof

Graffiti on the Roof. New York City. December 27, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Grafitti on urban roofs beyond cyclone fence near the Manhattan Bridge, New York City

This is another photograph from our “hiking day” in New York City during our December 2013 visit. It wasn’t quite our plan when the day started, but we ended up walking from our Canal Street Hotel down to the Brooklyn Bridge and across, then around the DUMBO area of Brooklyn, and back across the Manhattan Bridge to the city again. The two bridges are a study in contrasts. Brooklyn Bridge is, of course, a huge tourist destination and walking across it is almost a requirement for New York visitors and others. Even on this very cold – sub freezing – winter day there were thousands of people crossing. The Manhattan Bridge, on the other hand, is a rather lonely place for pedestrians. we had been warned that it is tremendously noisy, since above ground transit trains cross it only feet from the narrow pedestrian walkway.

Probably because it has not been spiffed up to be a tourist attraction, the Manhattan Bridge also has a lot more aesthetic rough edges. The bridge structure seems mostly to be utilitarian steel, trains run constantly and not far from the walkway, and especially at the Manhattan end the bridge passes above some neighborhoods that don’t appear to be exactly upper class. Looking down from the bridge I saw some of the most extensive graffiti I have seen… on the roofs of buildings, where it is only visible from the bridge and not at all from the streets below. Most of the time I make it a rule to not photograph graffiti, but here it was so extensive and so established that it seemed worth it to make a few photographs through the cyclone fence protecting the bridge walkway.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Downtown Storefronts

Downtown Storefronts
Downtown Storefronts

Downtown Storefronts. Seattle, Washington. August 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A row of downtown bars and restaurants, Seattle, Washington

This is another Seattle photograph, shot quickly in street style while walking around portions of the city and exploring. It is hard for me to put my finger on precisely what it is that appeals to me about subjects like this, but let me make an attempt. My first impression of such a location, especially in the daytime when everything is more clearly seen and fewer people are around, is that a lot of it is simply run down and even drab – weathered bricks, worn and peeling paint, construction that isn’t quite square. This patina of age and use is itself interesting, and somehow a photograph of it (or the act of making a photograph of it) helps me see it for what it is and for what else I might otherwise not see.

On the large scale, there are patterns that appeal to me – and, yes, patterns are part of my way of seeing. The scene is divided into successively smaller and smaller rectangular shapes for the most part, ranging from the largest one formed by the green facade to the very small ones formed by things like the spaces between the bars of a gate. Superimposed on this are things that don’t fit the geometric grid – the car (which also seems a bit out of context with the old buildings), the roughly triangular shapes of umbrellas, and many other odd little bits and pieces. In fact, if you like this sort of thing, seeing those “bits and pieces” might make the photo become a bit more than what it first seems to be: the figure of a red and white chef statue in the window at far right above some sort of bright green carts, the tree bright blue flower pots and a pink watering can on a ledge, the bright colors near the “Il Chiosco” sign, one door that has been varnished rather than painted the same drab colors as everything else, etc.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.