Tag Archives: dusk

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

The Valley, Autumn Fog, Evening

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The Valley, Autumn Fog, Evening
Fog fills Yosemite Valley at dusk following an autumn storm

The Valley, Autumn Fog, Evening. Yosemite Valley, California. October 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Fog fills Yosemite Valley at dusk following an autumn storm

OK, I confess that sometimes I still stop at Tunnel View, and sometimes I do take my camera out, and I may even make a photograph. ;-) On this late-autumn evening I had been in the Valley for just an afternoon, on a day that had begun with quite heavy rainfall as I drove to Oakhurst for a meeting. The rain turned to showers with some breaks of sunlight as I drove to the Valley in the afternoon for a few hours of photography.

I photographed well east in the Valley, working wit clouds that were brushing past pinnacles and faces high on the granite walls. As the sunlight left that subject I packed up and started to head out of the Valley and back toward Oakhurst. I passed Tunnel View, and as I always do, I did a quick visual check to see what was going on. I got out of the car and walked to the overlook — there were almost no photographers left by this point, as it was well into the dusk blue hour light. It was quite dark, actually, though there was still residual light on the furthest peaks and on higher portions of the clouds, Drifting low clouds and fog almost filled the Valley itself. The fog was intriguing, so I dashed back to my vehicle, grabbed the camera and a lens and tripod, rushed back, and set up to make a few exposures in the failing light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Geese, Wetland Pond, Dusk

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Geese, Wetland Pond, Dusk
Geese depart in dusk sky above a San Joaquin Valley wetland pond

Geese, Wetland Pond, Dusk. San Joaquin Valley, California. December 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Geese depart in dusk sky above a San Joaquin Valley wetland pond

This photograph might be just a little bit deceptive. It looks still and quiet — and, in a sense, it is — but this time of evening can be one of great motion and sound, too. These margins of the day at dawn and dusk are when the birds “switch gears,” moving from place to place and activity to activity at the moments of light-dark transition.

But let’s go with the still and quiet notion for now. In fact, after a busy day of traveling around to find and photograph birds and related subjects, a couple of friends and I made a decision to pick this spot and stay put. We often try to second-guess the birds, but they weren’t giving us any obvious or useful hints about their plans for this evening. So we stopped, and we waited. Birds did appear, and we had at least one great assembly and fly-in not far from our location, but eventually the light faded and things slowed down and it became… still and quiet.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: People, Photographs: Photographers

The Last Light

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The Last Light
Photographer Michael Frye silhouetted against the fading light of winter San Joaquin Valley dusk sky.

The Last Light. San Joaquin Valley, California. December er 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Michael Frye silhouetted against the fading light of winter San Joaquin Valley dusk sky.

Earlier this week I spent the day out in the San Joaquin Valley, photographing birds and this expansive landscape of water and sky and a few trees. (I also made a quick midday run up to the Sierra foothills on business, and it was wonderful to see the evidence of a relatively normal looking winter in California — water pooling in flats and snow on the peaks!) It was quiet in the morning when I arrived, and there were few others there at dawn. But shortly, as I was stopped photographing sandhill cranes, a car drove up and it was my friends Michael and Claudia — what a wonderful surprise!

These are long days, beginning with a 3:30 wake-up alarm, a two-hour pre-dawn drive in darkness, and arrival at my destination by perhaps 6:30 AM or so. I photograph for a few hours, take a midday break, and then return in the afternoon to photograph until the light is gone. The cycle of the afternoon photography is striking. I begin in good light, watching for the golden hour light to begin. Soon it arrives, and it goes quickly. On this evening it was hard to figure out where the birds would be, so we finally just decided to pick a spot and see what would happen. As the sun set, geese and cranes began to arrive — cranes flying past, mostly, and some geese landing in the ponds in front of us. We continue to find ways to photograph as the light fades — switching from long lenses to wide-angle, working with rather than against the blur of lower shutter speeds. But eventually it just plain becomes too dark and we stop photographing. And this, in many ways, is the most beautiful moment of the entire day — we lower our cameras and simply stand and look, on the best days standing with a small group of friends as the day ends.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Wildlife

The Cranes Return

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The Cranes Return
Lesser sandhill cranes return to wetland marshes in fading dusk light

The Cranes Return. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Lesser sandhill cranes return to wetland marshes in fading dusk light

There is a natural cycle to the day during the winter at these San Joaquin Valley wetland marshes — actually there are multiple cycles. One is the cycle of the animals themselves, responding to the dawn, moving to daytime activities, coming and going, then settling in once again for the night. Another is the cycle of the photographer or viewer of this wildlife, whose own patterns are inextricably linked to those of the birds and the light, but who also may sometimes choose when and where to focus efforts.

The midday and early afternoon hours are, at least most of the time, relatively quiet and slow. It makes sense that during the times of day when conditions are the most stable that the birds would also be more settled. (There are seasonal exceptions, including the late winter time when the winter residence of many birds is coming to an end and another migration cycle is about to begin.) The evening brings another transition, and one of the final and most impressive moments often comes after sunset with the dusk fly-in of the sandhill cranes. Long strings of these birds appear (usually from the south in this place), flying low and straight paths toward the places where they will land and spend the night.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.