Tag Archives: dusk

Photographs: Death Valley, Photographs: Desert, Photographs: People, Photographs: People In Landscape, Photographs: Photographers

Three Photographers, Evening Dunes

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Three Photographers, Evening Dunes
Three photographers deep within evening sand dunes

Three Photographers, Evening Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

Three photographers deep within evening sand dunes.

In early March I had the opportunity to spend a few days back in Death Valley National Park. Although I was primarily there to meet up and camp with siblings, this was also a photographic opportunity. There were both pluses and minuses to the timing of this visit. Recent heavy rains and creating flooding everywhere, and many routes were closed by the flooding or wash-outs — there simply were quite a few places that one couldn’t go. At the same time, these are “special conditions” in this desert landscape, and there were quite a few unusual opportunities.

Once in the park I discovered that some friends from the Yosemite area were also their to make photographs. We managed to meet up on my second full day, and we combined forces to photograph Mesquite Dunes early one morning. Later I returned to this area of the Vally to photograph in fading light as clouds tried to clear. Right at sunset there was a break in the clouds just above the western horizon and brighter light came through to shine on the geography. I found myself a high place with a commanding view over a large swath of the landscape and began to photograph whichever areas momentarily picked up the light. As I looked down I spotted my three friends again, this time dwarfed by the large shapes of desert dunes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature

Wetlands, Evening Clouds, Moon

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Wetlands, Evening Clouds, Moon
Clouds, darkening evening sky, and the moon abouve wetlands

Wetlands, Evening Clouds, Moon. © Copyright 2017 G Dan Mitchell – all rights reserved.

Clouds, darkening evening sky, and the moon above wetlands.

The last hours and then moments of the day in a place like this are often magical. There’s frequently a sort of emotional crescendo as the day ends, followed by a quiet coda after the sun set. As evening approaches it is time to make decisions about where to be for the quickly moving events just before and after sunset — when the light changes quickly and the birds are often in motion. Once the golden hour light begins the scene becomes dynamic, with light passing though phases from late day, to golden hour, to post sunset, to twilight, and each has its photographic potential. This is often a period of an hour or more of fairly intense photography.

Then one realizes that the light has truly faded and that night is coming on. There is a release of tension, almost a letting go of the breath, and I become away of the fading light and the quiet. Often there are a few moments when I put the camera down and just stand quietly, taking it in. I made this photograph at the end of a New Year’s Day a couple of years ago, as clouds passed over the wetland ponds and beneath the deepening blue of the twilight sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature

Winter Sky, California

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Winter Sky, California
Winter evening sky above the San Joaquin Valley, California

Winter Sky, California. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter evening sky above the San Joaquin Valley, California

Photographers sometimes have a complicated relationship with sky. On one hand, quite a few of us tend to minimize its presence in photographs, especially when the sky isn’t special. The sort of blue sky day that seems beautiful to non-photographers (and beautiful to photographers when not making photographs!) often produces a plain blue expanse that can seem empty in a photograph. (Not always. It is also possible to use this in some cases, for example to suggest grand space and distance.) Among my photographer friends, quite a few work to minimize the presence of such skies or even eliminate it entirely — to the point that this can become an inside joke. I’ve heard people refer to certain photographs by one friend as “an extremely rare [insert photographer name] photograph of the sky.”

But sometimes the sky begs to be included, and on occasion it can be the main subject. To generalize, the most interesting skies often come in fall, winter, and perhaps spring in California, when much of the state gets its most interesting weather. (There are opportunities in summer, to — how about a clearing thunderstorm?) I made this sky photograph while I was busy photographing another subject. During a slow moment I looked away from that “other thing” and saw these clouds. I pivoted and made a few exposures, just as the last sunset light was illuminating the undersides of the clouds and already beginning to fade from the highest clouds against the darkest sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

The Last Light

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The Last Light
A final and unexpected bit of sunset color over the Sierra Nevada crest at Tuolumne Meadows

The Last Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A final and unexpected bit of sunset color over the Sierra Nevada crest at Tuolumne Meadows

I could probably write a chapter on topics related to this photograph and the circumstances of making it. But I promise to keep this to a couple of paragraphs… at least for now. Earlier on this day I thought that I might make an evening visit to this high point in the Tuolumne Meadows area. As I ascended the conditions were far from promising — thunderstorms and light rain were falling to the east and the cloud shield extended far enough west to cut off the light. It was one of those occasions when I was ready to simply enjoy being in the place and perhaps not bother to photograph. There was one other photographer in this location and since there wasn’t much to photograph we spend some time in casual conversation, largely about the less than exciting light. There was a lighter area far to the west, but it appeared to be too far north of the setting sun to send much light our direction.

As we talked I mentioned a specific condition that can quickly (and often quite briefly) turn very boring light into something miraculous. If the cloud shield ends far to the west (or in the east at sunrise) there may be a narrow gap between the edge of the clouds and the horizon. If so, as the sun nears the horizon there can be a short burst of intensely colorful light. Any time I’m in a situation like the one on this evening, I look for signs of that horizon light… and if they are present I stay. That’s what I did on this evening, and I set up my camera with a lens selected for my guess at what the scene might do. With 5-10 minutes to go before sunset the sky was still murky and gray, and it appeared that my patience might not be rewarded. Then I noticed some pink in clouds far to the north. In a matter of second a soft reddish glow appeared at the summit of the large granite dome, and almost instantly the light came up on the peaks as a beam passed across the forest in the foreground. For the next 3-5 minutes the entire scene was a miracle of colorful light… until the sun dropped below the horizon and the red was gone.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.