Early autumn snowfall on ledges of a cracked granite wall near North Lake.
This was a cold photograph! After the 2011 early October sequence of surprise snow storms, I headed up to the North Lake area as soon as the road was (barely) passable, arriving to find nearly a foot of snow in some places. Needless to say, the series of storms had not been kind to the aspen color – many of the most colorful leaves had been blown down, others had turned black, and much of what remained was inaccessible or caked with snow.
I initially thought about taking advantage of the relatively small number of photographers who had shown up and photographing the classic view from near the outlet, but I decided that it would be more interesting to take advantage of the unusual snow conditions. With that in mind, I set out to walk the road alongside the lake. Next to this road the hillside rises and eventually becomes quite rocky, in places starting to seem almost like cliffs. In one of these areas I came across this bit of cracked and shattered granite, sparsely covered with lichen and with new snow resting on small ledges.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Early evening light coming across the Sierra crest illuminates shoreline trees at Steelhead Lake, eastern Sierra Nevada.
This photograph was made during that quiet evening hour, about the time when dinner has been finished and food stowed for the night, sleeping bag set up in tent, and things slow down (from their already-slow pace!) as the golden hour light comes on. Typically, the afternoon wind decreases and the lake surface becomes smooth, more clearly revealing the fish rising for an evening meal.
This is another photograph made within a few feet of my bivy sack campsite on a peninsula rising above this lake in the McGee Creek drainage. As I had eaten dinner with my two backpacking partners, I had been keeping an eye on this little scene that I had checked out earlier in the afternoon, watching to see if the four small trees down near the water might catch the last light from the setting sun before the evening shadow came across the lake.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The curving shoreline of Steelhead Lake, photographed in early evening light.
This is a fairly simple shot, and I think it represents a sort of scene that many Sierra Nevada back-country travelers know well. Steelhead Lake sits high on a bench up in the McGee Creek drainage, with a very tall ridge running to the east (and blocking early morning light) and a deep canyon to the west and northwest, with views toward the Sierra crest beyond. Unusual for an east-side location, there is much better light in the evening than in the morning. (More typically, east-side high country areas are open to the east and the morning light, and the evening light is blocked by the Sierra crest.) Most of the shoreline of the lake is forested, with the exception of a section at the upper end that is covered by the base of a talus field spilling down from the higher ridges.
We camped on what almost amounted to a peninsula, at least when viewed from the direction from which the trail arrives at the lake. Our spot on the peninsula was high enough to command a view of most of the moderate sized lake, and especially back across this little cover below our position. Late in the day as the setting sun approached the crest of the Sierra out of the frame to the left, low angle light slanted across the valley below and onto the low ridge along the edge of the lake, illuminating the atmospheric haze and back-lighting the trees along the shoreline.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California.
I’m going to use today’s post not only as the opportunity to share another daily photograph, but also to share some observations about the arrival of the fall aspen color season in the eastern Sierra Nevada range, where I spent a good part of the past week.
I made the photograph at the very end of a three-day backpack trip up into the McGee Creek drainage, where we settled in at a 10,000+” lake for a couple of nights to enjoy the late-season solitude. (Before starting the pack trip I had spent a couple of days in Tuolumne Meadows, and upcoming posts will concern that part of the trip.) McGee Canyon is an eastern Sierra “type” – a typical trailhead canyon that rises from the high desert, into forests, through increasing rugged and rocky country, and finally reaches the crest of the range at a pass. On this early afternoon we were fortunate to get a few clouds, moderating the intense sun and adding a bit of texture to the landscape. The photo was somewhat casual – still wearing my full pack, I shot hand-held.
About the onset of fall color… I have watched this transition carefully for a number of years. While I have learned a lot about how the process unfolds, I have also learned that many aspects of it defy precise prediction. Every September, those of us who chase eastern Sierra aspen color start to watch for signs that might provide clues about the nature of this season – the amount of snow during the previous winter, how late it remained before melting out, long-range weather forecasts, early color changes in many other plants that can show up even in late August, and more. But, truth be told, in the end every aspen season seems to hold surprises and defy out attempts to know in advance how it will play out. A season may start with early color up high, only to be interrupted by early storms. Or a season may start late and then move very quickly. Or poor early color in one part of the range may lower expectations… only to be followed by great low-elevation later on. Or there may be any number of other possible variations, too numerous to list.
All of this is my way of saying to take my observations with a suitable dose of salt. :-)
Several weeks ago I began to read the typical early September notes about “early color” here and there, especially in portions of the Rockies and some areas of the Southwest. I was intrigued, but not ready to believe it. I read and hear these reports of early color every season – and generally the correlation between what is written and what occurs in the actual event is weak.
This has been an odd summer season for me, for reasons I won’t go into here. As a result, I had not been to the Sierra since early July or so – a very large gap of time for me, since I rarely allow more that a couple of Sierra-free weeks to occur in the summer. I was not there at all during August – which is almost unheard of. I usually catch my first hint of oncoming autumn on one of those late-August visits. It is hard to put my finger on precisely what it is, but invariably (well, almost invariably, since it didn’t happen this year…) there will be a day when I sense “something” in the air that reminds me that summer will end very soon – whether it is a breeze, a quality of light, a change in the plants, I can never tell for sure. But I am sure when I experience it.
Soon there are more concrete signs. The golden-brown dried meadow areas start to expand, the wildflowers are harder to find, corn lily plants begin to turn golden-yellow, bilberry leaves turn dark red (and brilliant red when back-lit) and the leaves of willows near streams and lakes turn yellow. By mid-September all of this is typically underway, and at this point I start thinking about aspen color in earnest. Whether it is because we tend to go to different places to find our aspens or because we have experienced different seasonal variations, individuals will tell you to look for the aspen show to begin at somewhat varying times. I tend to look for real aspen color around the very beginning of October, and to expect a peak roughly a week into the month in the higher country. Except for watching for the odd tree with a branch full of yellow leaves, I don’t expect to seem much real color in September.
But… I just returned from a pack trip that was right in the middle of September… and I saw a significant amount of aspen color. As I drove over the Sierra crest on my way to the east side I was not expecting to see aspen color, and I did not see much. Despite the other sources of fall color, the aspens just east of Tioga Pass and down in Lee Vining Canyon were almost uniformly as green as I expected. When we arrived at our eastern Sierra trailhead, there were a few yellow leaves here and there, but nothing too out of the ordinary. However, a mile or two up the trail I was quite surprised to find large stands of aspens in which many trees were showing color – just a few leaves on some, but perhaps a quarter or a third of the tree in the most extreme cases. In my experience, this is unusually early – but at least a week and arguably perhaps a bit more. (Not all of the color in the photograph comes from aspens, by the way.)
What does this mean? I’m not sure. If I had a bit more time I would have investigated one or two other east-slope canyons to see what is going on elsewhere – it could be that this canyon is somehow out of sync with others. But I doubt it. All I’ll say is the following: Some aspen color is already beginning to appear in some areas of the eastern Sierra. While no one knows when the main show will arrive (or what it will look like), if I were making plans for a visit to the eastern Sierra to photograph aspen color, at this point I would lean toward going a little bit early rather than a little bit late. However, as always, realize that you cannot count on the timing or the quality of the display, and flexibility increases your odds of being there at a good moment.
More articles on Eastern Sierra aspen photography:
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
