Tag Archives: el capitan

The Valley, Dusk Fog and Clouds

The Valley, Dusk Fog and Clouds
Dusk clouds and fog fill Yosemite Valley on an autumn evening.

The Valley, Dusk Fog and Clouds. Yosemite Valley, California. October 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Dusk clouds and fog fill Yosemite Valley on an autumn evening.

This is, no doubt, a recognizable photograph of a recognizable place! Yes, Yosemite Valley, photographed from Tunnel View. And, yes, I shared another photograph from this same iconic (and over-photographed, perhaps?) location a few days ago. With that in mind, I’ll keep the explanation relatively short.

I was leaving the Valley after concluding the day’s photography and, as I often do, I briefly stopped at this spot. Initially I didn’t take my camera out, but after taking a look I thought the dusk light on the clouds and fog was interesting, so I went back to my car and grabbed camera, a lens, and tripod and went back to make a few photographs. Surprisingly, even though there had been a crowd of photographers lined up tripod-to-tripod earlier, almost all of them had left before this beautiful evening scene unfolded!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Valley, Autumn Fog, Evening

The Valley, Autumn Fog, Evening
Fog fills Yosemite Valley at dusk following an autumn storm

The Valley, Autumn Fog, Evening. Yosemite Valley, California. October 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Fog fills Yosemite Valley at dusk following an autumn storm

OK, I confess that sometimes I still stop at Tunnel View, and sometimes I do take my camera out, and I may even make a photograph. ;-) On this late-autumn evening I had been in the Valley for just an afternoon, on a day that had begun with quite heavy rainfall as I drove to Oakhurst for a meeting. The rain turned to showers with some breaks of sunlight as I drove to the Valley in the afternoon for a few hours of photography.

I photographed well east in the Valley, working wit clouds that were brushing past pinnacles and faces high on the granite walls. As the sunlight left that subject I packed up and started to head out of the Valley and back toward Oakhurst. I passed Tunnel View, and as I always do, I did a quick visual check to see what was going on. I got out of the car and walked to the overlook — there were almost no photographers left by this point, as it was well into the dusk blue hour light. It was quite dark, actually, though there was still residual light on the furthest peaks and on higher portions of the clouds, Drifting low clouds and fog almost filled the Valley itself. The fog was intriguing, so I dashed back to my vehicle, grabbed the camera and a lens and tripod, rushed back, and set up to make a few exposures in the failing light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Color, Granite Cliff

Autumn Color, Granite Cliff
Transient autumn big leaf maple color in front of the granite face of El Capitan

Autumn Color, Granite Cliff. Yosemite Valley, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Transient autumn big leaf maple color in front of the granite face of El Capitan

Many of the beautiful Yosemite Valley big leaf maple trees, with their striking fall foliage, tend to be tucked away in somewhat protected areas, often in dense forest or alongside the river. Here I found one, and a rather large specimen, that stood enough apart from other trees that I was able to isolate it from the rest of the forest.

I had stopped here to photograph a different set of trees, a group that was more typically set against the dark backdrop of tall forest trees and in the shadow of the southern wall of the Valley. As I worked I looked around and happened to glance up at the face of El Capitan and notice that its usually intensely bright face was muted a bit by some high clouds, revealing details that are otherwise hard to see in the middle of the day. In fact, there was a slight blue cast to shadows and some of the dark stains on the rock, a coloration that seemed to contrast nicely with the intense yellow of the fall foliage of the maples.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hiker, Black Oaks, and Meadow

Hiker, Black Oaks, and Meadow
Hiker, Black Oaks, and Meadow

Hiker, Black Oaks, and Meadow. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A hiker crosses a Yosemite Valley meadow beyond black oak trees with autumn foliage

Yes, yet another photograph of autumn oak trees and Yosemite Valley meadows! It is (or was) the season in late October and I’m still sorting through the photographs. When I first arrived here my plan was to photograph the black oaks as a “natural” landscape without people. So I found a composition that I thought would work and settled in to wait for the folks who were (as is inevitable in the Valley) wandering around in the meadow to finish and move out of the frame. It seemed that every time the view was about to be clear yet another person would arrive and walk into the frame. I finally decided that I might have to make two or more photographs and blend the “person-less” sections to create one image without hikers, so I made a few exposures as two or three people walked across. (I also timed some of the shots so that the people would be hidden behind the oak trees.)

As luck would have it, after I decided on this approach there was a point at which no human figures appeared in the scene, so I do have my natural landscape version of this scene. However, after thinking about it a bit more, I actually like the version with a person in it better! While most of my landscapes are “people-free,” every so often I do one that includes the figures in the frame. I’ve learned a few things about this. First, having a person in the frame isn’t always a bad thing. (Yes, file that in the “duh!” file.) The presence of a human figure can both crystallize the composition and it causes us to relate to the scene very differently – perhaps imaging ourselves being there or perhaps considering what the person in the photograph might be thinking and experiencing. Second, the figure can often be quite small and still change the effect of the image in ways that are much bigger than the small figure might suggest. As an exercise, try to just barely cover the person with your finger. Notice how the greatly the effect of this scene changes?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.