Tag Archives: entry

Commentary, Equipment

Shopping for your first DSLR? Some Advice

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Recently I’ve seen a lot of posts around the web by individuals looking to upgrade from point and shoot cameras to their first DSLR – and in a few cases by folks who intend to bypass the P&S step entirely and just start right out with a DSLR.

Among these folks the questions are usually “which camera should I get?” and “what lens(es) should I get?” These questions are phrased in various ways: “Is camera X a good choice?” “What is the best lens for Camera Y?” “I hear that lens/camera Z is the best – is this right?” “I’m just getting started and I plan to get the very best camera and lens available.” “What lenses do I need to complete my setup?”

While there are exceptions to almost every rule, in the case of new DSLR shooters I have some strong opinions about what the best approach will be in most cases. The good news is that the “right” answer is probably also the least expensive, the most conducive to learning about your relationship to DSLR photography, and the most adaptable to a variety of future directions that you might find your photography taking. Continue reading Shopping for your first DSLR? Some Advice →

Photographs: Northern California, Photographs: Structures and Objects

Weathered White House, Pescadero

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Weathered White House, Pescadero

Weathered White House, Pescadero. Pescadero, California. June 30, 2009. © Copyright G Dan Mitchell – all rights reserved.

A weathered old house along the main road in Pescadero, California.

I know I’m not the only photographer who is a sucker for old, weathered rural buildings. I had been over at the coast trying to photograph seascapes, and I decided to stop in at this town just inland before heading home. I drove past this place once. I turned around and drove past it a second time. I finally gave in, turned back and pulled over, and made a few exposures before starting my return drive. (Note to JW – this is one of the photos that I did think of as a black and white image at the time I made the exposure.)

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: old, weathered, house, home, building, white, peeling, paint, shingles, window, lace, curtain, porch, entry, walkway, door, pattio, 1581, sky, lawn, street, full, sun, shadow, roadside, road, pescadero, california, usa, pacific, ocean, coast, architecture, stock

Commentary

Thought I found a photo contest with fair terms… but only for a moment

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(Update 7/7/11: After posting a link to this old 2009 post I realized that not all of the original links are still live. Rather than start modifying the following post, I will leave it as it was written, even though access to the original posted source material may no longer be possible. Aside from the specific contest – which is long since over – and any individual involved in it, the general lesson is that it is critical to read contest terms carefully before you decide to enter.)

(Update: I just receive a, uh, “personal” email from the contest promoter. I won’t share the content of that message here at this point, but I did write what I think was a very civilized email in reply,  I offered “Scott” the opportunity to post a response here as a comment, and I offered to correct any “false statements” in my post.)

(Update #2: “Jeff” says that that I was apparently incorrect about the lack of contest terms assigning legal liability to entrants: See these terms. This longer “terms” page also includes names of “vendor sponsors” who also have acquired rights to use submitted work.)

I’ve recently posted a few times on what I and others refer to as intellectual property rights grabs masquerading as photography contests. (For example, see this post describing unethical terms in contests presented by the Sierra Club and by Costco.) The short story is that entrants (not just winners!) in these contests agree to provide to the contest organizers and typically a whole range of their associates) a cost-free, unlimited, perpetual license to use their entered photographs in essentially any way imaginable (and some contest specify that even currently unimaginable methods are included!) without any compensation, credit, or control – and many additionally assign to the entrant full legal and financial liability for the use of the photograph.

Just because one enters the contest. That’s right. If you enter and lose – and the odds are that you will lose – you are fully subject to the contest terms. Continue reading Thought I found a photo contest with fair terms… but only for a moment →

Commentary, Ideas

Another Photography Contest, er, Intellectual Property Rights Grab

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Some months ago I became aware of the terms of many of the photo contests on the web and in magazines – and since that time I haven’t seen more than a couple that I would even consider entering given their effect on the value of my work. (The Photo Attorney writes about one today and has written about others in the past.)

If you enter a contest it seems reasonable to assume that the company running the contest would acquire some limited licensing rights to use the winning photograph in ways logically connected to the contest and to their company in return for selecting the photograph and providing the winner some valuable prizes and publicity. For example, if a magazine has a photography contest it seems reasonable to expect that they should be able to publish the photograph in the magazine in an article announcing the winners, or perhaps even use it as a cover illustration with full credit to the photographer and with a clear connection to the contest. There should be time limits and the license should not extend much beyond those circumstances, though the terms may well spell out the ways in which the company might negotiate additional uses in the future.

However, that is not how most of these contests work. When you read the contest terms you will almost always discover some very serious issues:

  • Rather than limiting their license as to time and to types of usage logically related to the contest, most terms that I have seen acquire extensive, virtually unlimited rights to the photographer’s work. Most are written so broadly as to acquire the right to do essentially anything with the photograph, for any period of time, in any medium – and completely without compensation to the photographer and in most cases without credit to the phtographer.
  • In most cases the license extends not only to the entity conducting the contest but to a host of business partners and others that appears to be virtually unlimited. For example, the way many contest terms are written it would be entirely legal for the printing company that prints the magazine to use the entrant’s photograph in unrelated publications with entirely different clients – again without any compensation or even credit to the photographer.
  • Most onerous of all, in virtually even contest I’ve seen these terms are not limited to the contest winners. Instead, the conditions apply to every contest entry! That’s right – if you enter the contest but do not win you still will have provided a free, eternal, unlimited license to the company running the contest and to a wide range of others who might do business with those running the contest. Consider that those operating the contests acquire unlimited usage rights to  hundreds or thousands of photographs submitted for consideration. This is why the term intellectual property rights grab is often used to describe the contests.

When I’ve contacted entities running contest with such terms I have gotten a variety of responses. The response that I consider to be most disingenuous – and downright dangerous – goes something like this: “Yes, that’s what the legal department made us do, but we would never treat a contest entrant that way. You can trust us.” At this point the red flag should go up and alarm bells should ring. If they really don’t intend to grab these rights, why write contest terms that allow them to do so? Why not write the contest rules in such a way that they reflect their actual intent?

Read the contest terms very carefully before you enter any photography contest. While the lure of a prize and a bit of recognition may entice you, keep in mind that few actually win, that the judging can be quite arbitrary, and whether or not you win you will have given away rights to your work.