Tag Archives: erosion

Badlands, Morning

Morning, Zabriskie Point
Layers of overlapping badlands formations in morning light, Death Valley National Park

Badlands, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Layers of overlapping badlands formations in morning light, Death Valley National Park.

This location provides a spectacular bit of Death Valley scenery, but it isn’t photographed as often as some nearby areas that are regarded as being more iconic. It also tends to be a bit more visually attractive, at least in my view, at a time of the day that is later than the usual “golden hour” morning time when most photographers tend to be in the area. Over the years I have had a sort of informal project to photograph this spot during these times.

This is also an older photograph — not from this year’s two visits to Death Valley but rather from a trip about eight years ago. Every so often I “discover” a photograph that I had overlooked when I originally made it. Missing them has puzzled me a bit, but I think it is some combination of moving on to the “next thing” a bit too quickly, not being ready to understand how to “see” the image as a final photograph right away, and being distracted by other contemporaneous work. Back then I did work up another view of this scene — it included more of the contrasting colors near the top of the frame, and by comparison this one may have seemed too subtle… which, of course, is now part of what I like about it!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Hills and Wash

Hills and Wash
A desert wash winds through colorful hills at the base of the Black Mountains in soft evening light.

Hills and Wash. © Copyright 2019 G Dan Mitchell – all rights reserved.

A desert wash winds through colorful hills at the base of the Black Mountains in soft evening light.

I am a bit surprised that I never really noticed this feature before. This wash twists its way up through a series of very colorful hills that are plainly visible from a road that I have travelled many times. I suppose that the explanation may be that I have often passed by on my way to some other specific location, and thus my attention hasn’t been on my immediate surroundings as much as it should have been.

This was a very cloudy evening, but there were brief intervals of light, often filtered by high clouds and in gaps between thicker clouds and a high mountain ridge to the west. It was extremely windy and the light was in a constant state of flux, so when I saw this scene I worked very quickly, deciding that using a tripod wouldn’t help much in the strong gusty winds and that getting the photograph quickly before the light changed was the most important thing. Sure enough, within seconds after making a small number of exposures this light was gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Red Boulder, Evening

Red Boulder, Evening
A red boulder sits in a desert wash next to eroded mud hills in evening light

Red Boulder, Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

A red boulder sits in a desert wash next to eroded mud hills in evening light

There are many things to like about the desert landscape, but in some places (including large areas in Death Valley National Park) I enjoy the fact that the landscape lies exposed to view, not covered or disguised by forest or even much in the way of plant life. I’m also continuously amazed by how obvious it is that water played a big role in shaping this Death Valley landscape — from the shorelines of ancient lakes, to boulder-strewn washes, to playas, the evidence is everywhere.

On this evening I had walked up a quiet — and not too visually exciting — slot canyon, and just before sunset I headed back the way I came and emerged into the wider valley of the wash and then headed towards the valley itself. Along the sides of this was were remnants of landscape modified by flowing water, including this large reddish rock, either deposited here by moving water or perhaps eroded out of the soil on site.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Kit Fox Hills, Amargosa Range

Kit Fox Hills, Amargosa Range
Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

Kit Fox Hills, Amargosa Range. © Copyright 2018 G Dan Mitchell – all rights reserved.

Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

These low, deeply eroded, and colorful (in the right light) Death Valley hills lie at the western base of the Amargosa Range near the start of the road heading north toward the Scotty’s Castle area. I recently read that they may be the remnants of an old earthquake fault along the eastern side of Death Valley, marking a division between the rising mountains and the sediment-filled valley. I have walked along the base of these hills, though I still need to find the time to more extensively explore their rugged and eroded landscape.

Late in the day they intercept almost the very last sunlight to reach the valley floor before sunset. With that in mind, I have photographed them many times, often from a good distance away across the valley. That was the case on this evening, when I found a spot elevated above the valley floor and climbed to its summit to watch the late-day light. It was one of those evenings when the light was unpredictable. There were clouds to the west above the Cottonwood mountains, which can turn out to be either a good thing or a bad thing. The clouds may light up at sunset and the minutes just after… or they may simply block the sun and “turn out the lights” on sunset photography. It looked like the latter might turn out to be the case as I watched the sun descend toward a band of thicker clouds. But there was a small gap between the base of the clouds and the top of the mountains, and the sunlight shone through this gap for a few minutes, casting beautiful soft light on these hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.